1776 (1972)

The subject of some controversy when produced (many objected to the characterization of the founding fathers, and the Nixon White House is alleged to have pressured the producers into deleting a song critical of conservatives), 1776 had all the ingredients of a wonderful musical film -- except for a skillful director. This is unfortunate, because the screenplay is literate and witty, full of memorable and exciting characters. The one-of-a-kind score is excellent, and the cast -- almost all direct from Broadway -- could not be better. Although director Peter Hunt manages to open up the proceedings, there's still a staginess that could have been avoided. Better yet, Hunt could have used the staginess to create a confined feeling that could have echoed both the stifling atmosphere of the Continental Congress meeting place and the stifling oppression against which John Adams fought. Hunt also showed very little imagination in shooting the musical numbers; the opening cries out for someone who can create the visual equivalent of the music's chaos. The use of the soft-focus lens for the scenes between Adams and his wife is hokey, and the static staging of "Mama, Look Sharp" dilutes that song's impact. When he does try something, the effect is often weak or distracting, as in the lightning cuts of Lee mounting his horse at the start of "The Lees of Old Virginia." As Adams, William Daniels gives a magnificent performance, capturing all of the facets of this complicated and fascinating man, and Howard Da Silva is a delight as Ben Franklin. The entire supporting cast is deserving of praise, but special mention must be made of John Cullum, whose "Molasses to Rum" is a chilling showstopper. Ultimately Hunt's direction damages the film, but its strengths are still significant. ~ Craig Butler, All Movie Guide