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It Happened One Night
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Directed by Frank Capra.
Frank Capra's seminal screwball comedy, which won all five major Academy Awards for 1934, is still as breezy and beguiling today. Claudette Colbert plays Ellie Andrews, a spoiled heiress who has married fortune-hunting aviator King Westley (Jameson Thomas), despite her father (Walter Connolly)'s objections. To keep Ellie from marrying this lothario, her father has been holding her prisoner aboard his yacht. But Ellie bolts from the yacht, swims ashore in her clothes, and eventually slips onto a Greyhound bus bound for New York. Aboard the bus is newspaper reporter Peter Warne (Clark Gable), who has recently been fired for drinking on the job. Peter gets the last seat on the bus -- but when he gets up to argue with the bus driver, Ellie takes his seat. Since it is the last seat on the bus, they have to share it. When Ellie has her purse stolen and she refuses to report it, Peter begins to suspect something. The next morning, they both miss the bus after a leisurely breakfast, and Peter reveals that he knows her identity. She makes a deal with him: if he helps her get to New York, he can write a scoop about her for his paper. Peter thinks she is a spoiled brat, however, and refuses a monetary bribe: "I'm not interested in your money or your problem. You, King Westley, your father -- you're all a lot of hooey to me!" But as they travel northward and engage in a series of misadventures, the gruff newspaperman and the spoiled rich girl, thrown together by circumstances, fall in love with each other. This movie set the pace for the "screwball" comedy, the witty and romantic clash of temperaments between a man and a woman mismatched in both personality and social position, a type of movie often associated with Katherine Hepburn in such classics as Bringing Up Baby (1938), The Philadelphia Story (1940), and, with Spencer Tracy, Adam's Rib (1949), Pat and Mike (1952), and Desk Set (1957), among others. The only other movies to win all five major Academy Awards (Best Picture, Actor, Actress, Director, and Screenplay) were One Flew Over the Cuckoo's Nest (1975) and The Silence of the Lambs (1991). ~ Paul Brenner, All Movie Guide
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mercurialmercurial Re:Uwe Boll
by mercurial in HORROR MOVIES 101
hasn't rated it.
"I have to say something here, because I seriously don't think it's fair to say Alone in the Dark is better than, say, It Happened One Night, or As Good As It Gets, or any Billy Wilder film. [/quote] To you though. Everything is relative. It's undoubtedly my education getting in the way but who's to say anything is better than something else. Gor loves his gore and that is awesome. Not to dissuade further discussion because I think it's fundamental to this site and everything, but blanket statements like that are rather inconsequential since everyone has their own independent thoughts about movies. Obviously As Good As It Gets is a pile of shit to some portion of the population compared to Alone In The Dark. It's completely unfair to question anything that says otherwise. " [More]
TheWorkingDeadTheWorkingDead Re:Uwe Boll
by TheWorkingDead in HORROR MOVIES 101
liked it.
"/quote]...but it is STILL a Horror Movie and it is better than the best romantic comedy... So where does that leave us... I hate it because it is terrible and yet I still love it...[/quote] I have to say something here, because I seriously don't think it's fair to say Alone in the Dark is better than, say, It Happened One Night, or As Good As It Gets, or any Billy Wilder film. " [More]
ShaunHustonShaunHuston Once (2007): One thing ...
by ShaunHuston in ShaunHuston filmblog
hasn't rated it.
Was this review helpful? [Be the first to tell us!]
"One thing that makes Once wonderful is how prickly The Guy (Glen Hansard) is to The Girl (Markéta Irglová) when they first meet.Writer-director John Carney can be read as playing with the “meet cute” convention of romantic comedy in the initial scenes between Guy and Girl. The first subversion of form is in how the two encounter each other. Classically, circumstances contrive or conspire to bring the romantic protagonists together and into close, intimate contact by, say, making them share the last seat on a bus or the trunk of a car. Here nothing in particular brings Guy and Girl together. She notices him in the course of daily life and then, in a further break with convention, makes an affirmative choice to approach him. There is no fated coincidence at work (I do think that the happenstance of the vacuum cleaner is a nod and wink at the idea that the two leads are “meant to be”). Typically, upon meeting, romantic leads will undergo an alchem ... " [More]
Review by All Movie Guide
All Movie Guide
loved it.
Scripted by Capra's frequent collaborator Robert Riskin, Frank Capra's It Happened One Night (1934) became the prototypical screwball comedy and elevated Columbia Pictures from Poverty Row status to respectable "major minor" studio. Starring Clark Gable, on loan from MGM as punishment, and Claudette Colbert, on loan from Paramount for twice her usual pay, Capra's and Riskin's comic romance between a down-to-earth newspaper reporter and a spoiled runaway heiress set the standard for screwball. Its fast-paced repartee, kooky heroine, witty gags, and class-crossing love story became hallmarks of the genre in such later films as My Man Godfrey (1936) and Bringing Up Baby (1938); the overt lustiness barred by the 1934 Production Code was transmuted into clever banter and the romance conveyed an ideal Depression-era fantasy. A critical and commercial hit, It Happened One Night was the first film to sweep the top five Oscars, rewarding Capra, Riskin, Gable, and Colbert, and fulfilling Columbia impresario Harry Cohn's desire to turn his B-studio into a class act. Undershirt sales reportedly plummeted when Gable revealed on screen that he wasn't wearing one. ~ Lucia Bozzola, All Movie Guide
 



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