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Dancing at the Blue Iguana
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Directed by Michael Radford.
The personal lives of five exotic dancers go under the microscope in this drama, the first American feature from director Michael Radford. Eddie (Robert Wisdom) is the manager of a strip club in suburban California known as the Blue Iguana, where he keeps an eye on the women who make their living dancing for his customers. Stormy (Sheila Kelley) is an attractive, thick-skinned woman who is getting old enough to realize her days as a dancer may be numbered. Jo (Jennifer Tilly) likes to think of herself as the Blue Iguana's star attraction, though her career may hit a detour now that she's learned she's pregnant. Angel (Daryl Hannah) is a sweet, but immature woman, who tries to deal with her fear of being unloved by adopting a child. Jasmine (Sandra Oh), an aspiring poet, tries not to get settled into a career as a stripper, while being encouraged in her writing by coffeehouse owner Dennis (Chris Hogan), who features spoken word performers. And Jesse (Charlotte Ayanna), the youngest of the performers, expresses her desperate need for approval in her desire to please the customers. Dancing at the Blue Iguana received its world premiere at the 2000 Toronto Film Festival. ~ Mark Deming, All Movie Guide
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Review by All Movie Guide
All Movie Guide
is neutral about it.
The video box describes it as "from the director of Il Postino," but Dancing at the Blue Iguana is a far less sentimentally sweet delivery from Michael Radford. In fact, he's pretty much doing a 180, infiltrating the back rooms of strip clubs for a realistic and uncompromising probe into psychological scars as naked as the women. Radford may saturate the spectrum of issues facing girls who disrobe for money, but the film exceeds the level of scolding message movie or tawdry skin flick thanks to the commitment of the actresses. Even the household names -- such as Darryl Hannah and Jennifer Tilly -- are on board for the nudity, which helps realize Radford's goal of taking in the incidentals of this environment, without blinking. Its closest corollary may be Atom Egoyan's Exotica, because Iguana overcomes its soft-core stigma with an art-house earnestness of purpose, which appears in the form of improvisational dialogue and a steadily wandering camera. (Elias Koteas appears in both films as well). Yet this film's focus is diffused among five strippers, whose stock ambitions -- one aspires to be a poet, another to foster a child -- achieve poignancy in the hands of these actresses. Hannah does her most nuanced work yet, giving a soulful variation on her usual ditz role, characterized by inspired off-the-cuff babbling. Tilly also excels as a psychotic burnout, but the real surprise may be Sandra Oh, whose subtlety has long been forcibly repressed on HBO's grating slapstick comedy Arli$$. ~ Derek Armstrong, All Movie Guide
 



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