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In a Lonely Place
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Directed by Nicholas Ray.
A haunting work of stark confessionalism disguised as a taut noir thriller, In a Lonely Place -- Nicholas Ray's bleak, desperate tale of fear and self-loathing in Hollywood -- remains one of the filmmaker's greatest and most deeply resonant features. It stars Humphrey Bogart as Dixon Steele, a fading screenwriter suffering from creative burnout; hired to adapt a best-selling novel, instead of reading the book itself he asks the hat-check girl (Martha Stewart) at his favorite nightclub to simply tell him the plot. The morning after, the girl is found brutally murdered, and Steele is the police's prime suspect; however, the would-be starlet across the way, Laurel Gray (Gloria Grahame), provides him with a solid alibi, and they soon begin a romance in spite of Gray's lingering concerns that the troubled, violent Steele might just be a killer after all. During production, Ray's real-life marriage to co-star Grahame began to crumble, and his own vulnerability and disillusionment clearly inform the picture; the brooding, bitter Steele -- a role ideally suited to Bogart's wounded romanticism -- is plainly a doppelganger for Ray himself (the site of his first Hollywood apartment is even employed as the set for Steele's home), and the film's unflinching examination of the character's disintegration makes for uniquely compelling viewing. ~ Jason Ankeny, All Movie Guide
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JJ79JJ79 In a Lonely Place (1950)
by JJ79 in JJ79 Blog
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"Released: 1950Director: Nicholas Ray ***** There is one problem-and one problem only-in this 1950 thriller. Humphrey Bogart. No, nothing is wrong with his acting; it's the casting. We never believe Bogie is the person who has a temper, let alone is capable of being violent. It's due to his screen personae as the nice, albeit cranky, guy we cheer for. Here, as a struggling screenwriter accused of murder, Bogie imbues Dixon Steele with just enough charm to woo Gloria Grahame's Laurel Gray while, at the same time, letting loose with violent acts that make the audience shudder.The moments of violence in In a Lonely Place-especially the climactic scene with Laurel-flip the usual "nice guy" image of Bogie. We never fully accept the idea that Dix is capable of murder because, outside of a few brief flashes, he is always a gentleman. And those episodes can be likened to any of us losing our temper in a bad situation. After a beach party, when he nearly pummels a kid's h ... " [More]
KarinaKarina National Film Registry
by Karina in Karina on SpoutBlog
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"The 25 titles to be inducted in the National Film Registry for 2007 include some of my favorite films: George Cukor’s The Women; Terrence Malick’s Days of Heaven; Nicholas Ray’s pitch-black In a Lonely Place; and, of course, my favorite franchise film of all time, Back to the Future. The full list, as well as thoughts from NFR advisory board member Dave Kehr, can be found here; see an extended clip from the Ray film above. Originally posted on:SpoutBlog » karina " [More]
SpoutBlogSpoutBlog National Film Registry
by SpoutBlog in SpoutBlog on spout.com
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"The 25 titles to be inducted in the National Film Registry for 2007 include some of my favorite films: George Cukor’s The Women; Terrence Malick’s Days of Heaven; Nicholas Ray’s pitch-black In a Lonely Place; and, of course, my favorite franchise film of all time, Back to the Future. The full list, as well as thoughts from NFR advisory board member Dave Kehr, can be found here; see an extended clip from the Ray film above. Originally posted on:SpoutBlog " [More]
JymkataJymkata Re: Top 5 Actresses in Classic ...
by Jymkata in Top 5
liked it.
"Wow, great topic, since the women really make film noir sexy and mysterious 1. I loooove Gloria Grahame in everything so I guess I have to cheat and say that I would put three of her noir performances in a tie- tough and sexy Debby Marsh in The Big Heat, scheming Irene Neves in Sudden Fear, and complicated Laurel Grey in In a Lonely Place2. I think Joan Crawford gets a bad rap because of her personal life, but I think she makes every movie she's in better. I'm going to cheat again and list two favorites, as Myra Hudson in Sudden Fear and as the indomitable Mildred Pierce3. I agree with you Jim that Jane Greer's entrance in Out of the Past is one of the most memorable, maybe only rivaled by Lana Turner's in The Postman Always Rings Twice. Jane's performance makes that movie all the more mysterious and menacing. 4. Gene Tierney is a great noir actress as well. She is the haunting prescence in one of my all-time favs., Laura and she's great in the noirs Whirlp ... " [More]
JymkataJymkata Re: Top Classic Noir
by Jymkata in Top 5
liked it.
"[quote user="Risselada"] As much as I have LOVED pretty much every classic film noir I've seen, I'm surprised that I've seen so few. But here's my top 5. It's pretty much more than half of all of them I've seen. 1. Out of the Past, 1947. 2. Pickup on South Street, 1953. 3. The Killing, 1956. 4. The Big Sleep, 1946. 5. Strangers on a Train, 1951. If you'd have let it go to 1958, I would have put Touch of Evil up there for sure! Here's a couple I'm hoping to see. Anyone want to recommend any of them?D.O.A., 1949.The Big Clock, 1948.The Postman Always Rings Twice, 1946.In a Lonely Place, 1950.The Lost Weekend, 1945.This Gun for Hire, 1942. [/quote] Rizzo- In my opinion This Gun for Hire is a masterpiece - midget-sized Alan Ladd makes a very tough noir anti-hero. I would also highly recommend The Big Clock (decently remade as No Way Out in the 80's) and D.O.A. (horribly remade in the 80's), but I would caution that I only have one problem with D.O.A. (early in the film there ... " [More]
RisseladaRisselada Re: Top Classic Noir
by Risselada in Top 5
hasn't rated it.
"As much as I have LOVED pretty much every classic film noir I've seen, I'm surprised that I've seen so few. But here's my top 5. It's pretty much more than half of all of them I've seen. 1. Out of the Past, 1947. 2. Pickup on South Street, 1953. 3. The Killing, 1956. 4. The Big Sleep, 1946. 5. Strangers on a Train, 1951. If you'd have let it go to 1958, I would have put Touch of Evil up there for sure! Here's a couple I'm hoping to see. Anyone want to recommend any of them?D.O.A., 1949.The Big Clock, 1948.The Postman Always Rings Twice, 1946.In a Lonely Place, 1950.The Lost Weekend, 1945.This Gun for Hire, 1942. " [More]
Review by All Movie Guide
All Movie Guide
liked it.
Produced by Humphrey Bogart's Santana Productions, Nicholas Ray's In a Lonely Place (1950) uses a murder mystery to delve into the questionable side of Hollywood violence and the potentially dangerous turmoil beneath Bogart's tough surface. Bogart's troubling performance as a man who seems to enjoy imagining murders of women a bit too much lends an eerie edge to his relationship with Gloria Grahame's starlet Laurel Gray, rendering Dix an all-too-believable suspect in another woman's murder. Even as Andrew Solt's screenplay suggests possible reasons for Dix's isolation and distress, it eschews pat conclusions about Dix's "artistic temperament" as a screenwriter. Ray's jittery, ominous, film noir style instead suggests that Dix's potential violence comes from within, with Hollywood as both an outlet and an excuse for lethal male fantasies. Whether seen as a reflection of Ray's then-disintegrating marriage to the put-upon Grahame or as an interrogation of Bogart's cool Philip Marlowe/Sam Spade persona, In a Lonely Place presents one of the darkest portraits of Hollywood in a period haunted by the Communist blacklist and the studios' financial uncertainty. ~ Lucia Bozzola, All Movie Guide
 



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