Four Eyed Monsters
Advertisement
Sign in
Username   Password         Forgot password?
Wanna join? Tour Spout | Sign up
I'll Cry Tomorrow
  • 0
  • 1
  • 2
  • 3
  • 4
  • 5
  • Rate this movie.

trailerWatch trailer

Rent it, watch it, find it

Advertisement
Directed by Daniel Mann.
Susan Hayward pulls out all the stops, and then some, in this cinemadaptation of singer Lillian Roth's autobiography I'll Cry Tomorrow. In as harshly realistic a manner as possible in the still censor-dominated Hollywood of 1955, the film recounts Roth's rise to fame, her precipitous fall and her tearful comeback. The fact that Roth loves not wisely but too well is only part of the problem (only two of her eight husbands are portrayed in the film); contributing factors to her self-destruction also included her witchlike "stage mother" (Jo Van Fleet) and the pressures of fame and fortune. The principal reason for Roth's fall from the height of fame to the depths of squalor and despair is booze -- at least until she begins to pull herself together with the help of Alcoholics-Anonymous representative Burt McGuire (Eddie Albert). The story concludes with a testimonial staged in Roth's honor on the TV series This is Your Life (the original of which still exists in kinescope form). Having been personally coached by the real Lillian Roth, Susan Hayward does an excellent job of copying the singer's unique style. Though Hayward did not win an Oscar for her performance, she did cop the "Best Actress" prize at the Cannes Film Festival. ~ Hal Erickson, All Movie Guide
[more]

Be the first to review this movie!

Write a review

Review by All Movie Guide
All Movie Guide
liked it.
I'll Cry Tomorrow is one of the best 1950s biopics, built around Susan Hayward's outstanding performance as singer Lillian Roth. The film serves as a cautionary tale against the horrors of alcoholism; though the story is slow to set up, Tomorrow dramatically pays off in its latter portion, when Roth seeks help. In its attempt to cover a substantial number of years in Roth's life, the screenplay's narrative flow ebbs at times, but this is a common problem with biographical films of the era. Among the supporting cast members, Jo Van Fleet is a highlight as Roth's mother. Her scenes with Hayward give the film its emotional core. As with much of director Daniel Mann's work, the dialogue and character interplay is sharp, and the visual aspects are simple and straightforward. The production values are solid but not extravagant; Helen Rose won an Oscar for her occasionally anachronistic costumes. ~ Richard Gilliam, All Movie Guide
 

Community ratings

mavens
Spout mavens
haven't rated it
most people
Most people
haven't rated it

Other opinions