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Phish: Bittersweet Motel
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Directed by Todd Phillips
In the 1990s, a number of young "jam bands" (modeled after the musical and social model of the Grateful Dead) began developing a nationwide following, such as Blues Traveler and the Spin Doctors, but none have achieved greater success than Phish. With little radio play or mainstream media coverage, Phish developed a grassroots following that's grown so large they can sell out multi-night arena stands overnight, and the group has staged several well-attended weekend-long festivals in which they are the only attraction, playing multiple sets over several days. Filmmaker Todd Phillips, who previously documented the career of crash-and-burn punk rocker G.G. Allin, spent several months with Phish in 1997 and 1998, chronicling their one-band festival "The Great Went," following them for several arena shows along the East Coast, and tagging along as they played a series of small venues in Europe. Bittersweet Motel was the result, capturing the band's on-stage chemistry, their interaction with their fans, and both the lighter and more serious sides of their lives off stage. Ironically, Bittersweet Motel clocks in at less than 90 minutes -- less than half the length of a typical Phish concert. ~ Mark Deming, All Movie Guide
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chopstixchopstix Re: Name all the live shows you ...
by chopstix in Concert DVDs
"as many of you have mentioned, i too have seen too many shows to list here in one space. however, i will offer a sampling of some of my more favorite shows that will hopefully widen the genre offering (as tmoney has asked for -- btw tmoney, it sounds like you're off to pitchfork in union park this weekend. enjoy!). and in no particular order of cool shows: U2, Coldplay, Ron Sexsmith, Davi " [More]
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Review by All Movie Guide
All Movie Guide
lost interest.
In the rockumentary Phish: Bittersweet Motel, Todd Phillips astutely avoids the usual traps an image-conscious band might lay for a documentarist, such as tricking or guilting him into a whitewash job. Because rabid fans hold them as exalted gods who are flawless in spirit, Phish actually has something to lose if seen as petty and bullying, which is how lead singer Trey Anastasio comes across on several occasions. The fact that Phillips got the scenes of Anastasio crapping on underlings and carrying out insensitive jokes feels like a real coup, itself reflecting well on the band's reluctance to meddle with the director's distillation of truth. However, Phillips' movie still often feels false, due to some curious choices of whom to interview and where to edit that footage. Especially puzzling is his lingering interview with a duo of beer-drinking frat types, with whom he spends inordinate time at the Great Went festival. That these are the fans on whom he focuses reflects either his fundamental misunderstanding of the group's core fan base, or his harsh skepticism toward the Phish phenomenon in general, the latter of which is more uncharitable than necessary for a project of his own choosing. These faults aside, Phillips does coax a surprisingly frank and open film out of a band that has steadfastly rejected the spotlight, preferring underground channels of exposure to radio airplay. Any serious fan will want to see Bittersweet Motel if only to recognize that the hipster cool essayed by these gifted musicians from Vermont is not quite as effortless as it seems, and they can be as human as the next. Oh, and they'll probably dig the music, too. ~ Derek Armstrong, All Movie Guide
 

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