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The Hours and Times
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Directed by Christopher Munch.
The relationship between John Lennon and Brian Epstein, the manager of The Beatles, is fictionalized in writer-director Christopher Munch's acclaimed The Hours and Times. The basis of the film is a real-life event from 1963, when Epstein and Lennon left the rest of the Beatles behind to spend an extended weekend together in Barcelona, seeking rest and relaxation. Munch builds his film around conjectures about what may have happened that weekend just before the breaking of Beatlemania in America, portraying the bonding, conflicts, and sexual tension between the two men. As the trip begins, the homosexual Epstein has already been nursing a frustrating crush upon the young singer, which Lennon -- recently married -- has neither fully acknowledged nor discouraged, as he alternately questions Epstein with intrigued curiosity and flirts with stewardesses. Munch's film, winner of a special award at the Sundance Film Festival, as well as acclaim from numerous critics, presents Lennon and Epstein's exchanges in crisp, rich black-and-white images, framing the pair against various Barcelona backdrops. Ian Hart, who portrays John Lennon in the film, would soon afterwards reprise the role -- with intriguing, subtle variation -- in the 1994 feature Backbeat. ~ Judd Blaise, All Movie Guide
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Review by All Movie Guide
All Movie Guide
liked it.
Part chamber piece, part rock biopic, Christopher Munch's debut feature (it's barely that, running at just 60 minutes) is an affecting portrait of a complicated friendship and unrequited love. Munch's fictitious reenactment of pre-Beatlemania John Lennon (Ian Hart), and Beatles manager Brian Epstein's (David Angus) four-day vacation in Barcelona in 1963 almost courts trouble in its choice of subject, but there's nothing sensationalistic about the movie. Anchored by its stunning lead performances, the movie treats its story seriously without lapsing into solemnity. Although spare in its look and cast (there are four speaking parts of substance), The Hours and Times is more mournful than morose. Imbued with the wistfulness of remembrance, the movie is too smart to make the mistake of channeling Beatles nostalgia for cheap points. Hart's impish Lennon is unfailingly human, and never becomes the object of tawdry stargazing on the filmmaker's (and the audience's) parts. Hart's turn may be the showier one, but the movie's centerpiece is Angus's Epstein. Sad, resigned, stoic, and professional, Epstein is portrayed as a tragic figure who was doomed to spend the rest of his life hanging tantalizingly close to the unattainable object of his affection. Certainly the movie gains added resonance from Epstein's eventual fate: lonely and increasingly alienated from the band, he died in 1967 of an overdose on sleeping pills. ~ Elbert Ventura, All Movie Guide
 



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