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The Hotel New Hampshire
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Directed by Tony Richardson.
This macabre, whimsical, erotic, dark, seriocomic film is a complex tale about an eccentric family and the psychological and emotional maelstroms that follow them around from New England to New York to Vienna, where the Hotel New Hampshire is located. Writer-director Tony Richardson worked from the convoluted novel by John Irving that covers most universally saleable topics -- homosexuality, death, incest, abandonment, Nazis, masochism, terrorists, rape, mental instability, and anarchists. The children in the family are the main focus: John (Rob Lowe) is a womanizing high-school student with a deep-rooted desire for his own sister; Franny (Jodie Foster) is the eldest daughter, a victim of a gang rape, now morbidly fascinated by one of the rapists, and equally attracted to her brother with incestuous desire; Frank (Paul McCrane) is the younger gay brother; and Lilly (Jennifer Dundas) is the little sister who blossoms into a famous author. Associated with the family is Suzie the Bear (Nastassja Kinski) who is not secure enough to come out of her bear suit. One friend of the family, Freud (Wallace Shawn), has been blinded by the Nazis and is running the Hotel New Hampshire in Vienna when he asks everyone to come and help him out. By this time, the plot has run out of room, and the climactic endings to several unresolved relationships happen in quick succession. ~ Eleanor Mannikka, All Movie Guide
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Review by All Movie Guide
All Movie Guide
lost interest.
It's just not easy making a film out of a John Irving novel, as The Hotel New Hampshire vividly demonstrates. It's not just that what makes Irving's novels distinctive is his unique voice, tone, and style, all of which are difficult to translate to the screen; it's also that his books tend to have a tremendous amount of incident (and often characters), much more than can easily be boiled down to two hours. As might be expected, Hotel really doesn't work onscreen, despite the best efforts of writer/director Tony Richardson, some of which pay off and some of which seriously miss the mark. The film's biggest failing is probably its inability to find a consistent tone (or to make its many tones mesh together harmoniously), although its disjointed narrative runs a close second. With so much going on in the film, there's not enough time to really explore the characters themselves, although the cast generally manages to fill in the blanks admirably. Rob Lowe is the major exception, giving a performance that is bland and uninvolving. Usually acting opposite Lowe, Jodie Foster has to do double duty and succeeds admirably, but the film's best work comes from Paul McCrane, whose Frank is sensitively rendered. ~ Craig Butler, All Movie Guide
 



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