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Hope and Glory
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Directed by John Boorman.
An affectionate reverie about war, childhood, and British stoicism, John Boorman's Hope and Glory is the veteran filmmaker's recollection of the bombing of London during World War II. Set on the British home front during the early days of the war, this episodic movie shows the blitz through the eyes of seven-year-old Billy Rohan (Sebastian Rice Edwards). At the war's outset, Billy finds himself alone in a house full of women, as all the men are called off to join the war effort. With wide-eyed wonder and an outsized imagination, Billy sees the war as a grand diversion, an extension of his world of knights, tin soldiers, and war games. As bombs fall and houses burn, Billy's mother (Sarah Miles) struggles to keep the family together in her husband's absence. Even as Billy seeks to escape the harem of aunts and sisters, Dawn (Sammi Davis), his older sister, falls for a Canadian soldier who gets her pregnant. After the Rohans' home catches fire (not, ironically, as the result of a bomb blast, but from a domestic accident), the family is forced to move in with Billy's cantankerous grandfather in the countryside, where they spend the rest of their summer and enjoy an unusual idyll amid the raging war. Nominated in 1987 for a Best Picture Academy Award, Hope and Glory proved to be another high point in the career of the remarkably protean Boorman. ~ Elbert Ventura, All Movie Guide
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Review by All Movie Guide
All Movie Guide
loved it.
A superlative memoir of life in London during World War II from the unique perspective of a child, this ravishing drama from writer/director John Boorman is his thinly veiled autobiography and an essential work from his canon, arguably his single most important film. Much has been made of the film's fine performances, and they are indeed unforgettable, with young Sebastian Rice-Edwards suitably wide-eyed and vigorous as the hero, and Sammi Davis and Ian Bannen turning in career-high work as the main character's trampy sister and eccentric grandfather, respectively. What makes Hope and Glory (1987) a truly remarkable picture, however, is Boorman's keenly remembered, written, and re-created sense of a child's perception and how the mechanics of the adult world intrude upon it. Shifts in tone and mood occur rapid-fire at times, moving from such extremes as horror to humor to wonder in the same scene, as the filmmaker recalls the instant fluctuations of temperament and feeling that wash through a boy, particularly one subjected to the sensory overload of the London Blitz. When the film moves in its third act to a genteel country home where safety is found with a protective overseer, the change is jarring, but intentionally so. Presenting war as a joy and a thrill is an audacious act of artistic honesty and sets Hope and Glory (1987) in the same category as the same year's similarly underrated, under-seen Empire of the Sun (1987). ~ Karl Williams, All Movie Guide
 



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