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Holiday Inn
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Directed by Mark Sandrich.
Bing Crosby and Fred Astaire star in Holiday Inn as a popular nightclub song-and-dance team. When his heart is broken by his girlfriend, Crosby decides to retire from the hustle-bustle of big city showbiz. He purchases a rustic New England farm and converts it to an inn, which he opens to the public (floor show and all) only on holidays. This barely logical plot device allows ample space for a steady flow of Irving Berlin holiday songs (including an incredible blackface number in honor of Lincoln's Birthday). Oddly enough, the most memorable song in the bunch, the Oscar-winning White Christmas, is not offered as a production number but as a simple ballad sung by Crosby to an audience of one: leading lady Marjorie Reynolds. Fred Astaire's best moment is his Fourth of July firecracker dance. Ah, but what about the plot? Well, it seems that Astaire wants to make a film about Crosby's inn, starring their mutual discovery Reynolds. Bing briefly loses Reynolds to Astaire, but wins her back during the filming of a musical number on a Hollywood soundstage (eleven years earlier, Bing enjoyed a final clinch with Marion Davies under surprisingly similar conditions in Going Hollywood). As with most of Irving Berlin's "portfolio" musicals of the 1940s, the song highlights of Holiday Inn are too numerous to mention. This delightful film is far superior to its unofficial 1954 remake, White Christmas. ~ Hal Erickson, All Movie Guide
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JimBellJimBell Holiday Inn
by JimBell in JimBell Blog
lost interest.
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"Holiday Inn (1942) is famous for introducing the Irving Berlin song “White Christmas.” It is a classic Hollywood song and dance movie with the requisite shallow plot and weak characterization. This all depends on the dancing and the singing. Personally, I enjoyed Fred Astaire, and I tapped my foot to Bob Crosby’s big band. But the songs by Irving Berlin were weak in lyrics and melodies, except the one famous one, and both times it appears in the movie it does not show to its best advantage. Still, Bing Crosby has a wonderful mellow voice and plays an appealing mellow character, and the blonde is pretty and talented, and some of the jokes are funny—especially the exploding jars of preserves. Definitely from another era. You can object to the portrayal of blacks, and you can tisk-tisk at the secondary role afforded the women. Still, one James Bell is wonderful, and if Irving Berlin’s songs had been better, the film would have been worth recommending. Jim ... " [More]
Review by All Movie Guide
All Movie Guide
is neutral about it.
Holiday Inn has one of the more ludicrous plots in a 1940s musical, but the Irving Berlin songs are first-rate, and it's tough to beat Bing Crosby and Fred Astaire for music-and-dance star power. Berlin is perhaps the film's real headliner: his White Christmas and Easter Parade would become cultural standards, and each song would inspire its own eponymous motion picture. Though the production numbers don't quite match the splendor of say, Busby Berkeley's, most are well-staged. The film's best moment is its simplest -- Crosby singing White Christmas sans accompaniment. Berlin won a songwriting Oscar for White Christmas, and the film was also nominated for Best Original Story. ~ Richard Gilliam, All Movie Guide
 



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