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High Noon
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Directed by Fred Zinnemann.
This Western classic stars Gary Cooper as Hadleyville marshal Will Kane, about to retire from office and go on his honeymoon with his new Quaker bride, Amy (Grace Kelly). But his happiness is short-lived when he is informed that the Miller gang, whose leader (Ian McDonald) Will had arrested, is due on the 12:00 train. Pacifist Amy urges Will to leave town and forget about the Millers, but this isn't his style; protecting Hadleyburg has always been his duty, and it remains so now. But when he asks for deputies to fend off the Millers, virtually nobody will stand by him. Chief Deputy Harvey Pell (Lloyd Bridges) covets Will's job and ex-mistress (Katy Jurado); his mentor, former lawman Martin Howe (Lon Chaney Jr.) is now arthritic and unable to wield a gun. Even Amy, who doesn't want to be around for her husband's apparently certain demise, deserts him. Meanwhile, the clocks tick off the minutes to High Noon -- the film is shot in "real time," so that its 85-minute length corresponds to the story's actual timeframe. Utterly alone, Kane walks into the center of town, steeling himself for his showdown with the murderous Millers. Considered a landmark of the "adult western," High Noon won four Academy Awards (including Best Actor for Cooper) and Best Song for the hit, "Do Not Forsake Me, O My Darling" sung by Tex Ritter. The screenplay was written by Carl Foreman, whose blacklisting was temporarily prevented by star Cooper, one of Hollywood's most virulent anti-Communists. John Wayne, another notable showbiz right-winger and Western hero, was so appalled at the notion that a Western marshal would beg for help in a showdown that he and director Howard Hawks "answered" High Noon with Rio Bravo (1959). ~ Hal Erickson, All Movie Guide
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theunemployedshortstoptheunemployedshortstop Re:A new pack of RESERVOIR DOGS ...
by theunemployedshortstop in Filmgaming
hasn't rated it.
"The Epic Tale of "The Wolves of Gomorrah Gorge." The Conceit: Due to a trans-dimensional rift caused by the AWESOMENESS of the Inglorious Bastards screenplay Quentin Tarantino is able to jump into a dimension where the world is perpetually in the early fifties. The impish auteur (also great collaborator) is eager to see what some of his favorite directors and writers would do with his material. He gives a vague outline of Reservoir Dogs to Carl Foreman. Bitter over the HUAC hearings of 1947, Forman takes the idea of the mole cop and turns it into a commentary on witch hunting (like the Crucible set in the American West… with action and no weeping, whining, or three hour yawn-fest… just kidding). Production: The studio loved the concept and saw Anthony Mann as the director. His surprising presentation of the morally grey double agents in T – Men and his success as a visual director of both noir and westerns would yield a fantastic visual motif. Forema ... " [More]
ShaunHustonShaunHuston Review of new High Noon DVD
by ShaunHuston in ShaunHuston filmblog
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"I have a review of the new, "Ultimate Collector's Edition" DVD of High Noon (1952) up at PopMatters. Getting to review High Noon is one the upsides of the new film economy, although generally I'm not all that enthused by the practice of turning out periodic new, "special", "definitive", blah, blah editions, especially when there is no particular value or purpose to it (no compelling reason to revisit the film, no new meaningful material, etc.). There's also a certain symmetry to my reviewing this film for PM, as I'm sure I've cited it in no less than three other pieces I've written for the site. PopMatters home.The review. Originally posted on:Short-Circuit Signs " [More]
ShaunHustonShaunHuston AFI's 10 Top 10: Western
by ShaunHuston in ShaunHuston filmblog
hasn't rated it.
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"The Western Top 10 is the toughest for me. As some of you may know, while I'm hardly Richard Slotkin or Jane Tompkins, I write, teach, and think about this genre on a regular basis, and, as a result, my views are not only fairly strong, but well-informed. And, where certain well regarded classics are concerned, they are also iconoclastic. This is probably nowhere more obvious than with The Searchers (1956), the film that tops the AFI list. This film does not resonate with me on any level. I have never found the ending credible. John Wayne does not portray Ethan Edwards with any of the complexity needed for his embrace of Debbie (Natalie Wood) to ring true after his 118 (or so) minutes of hard, racist ranting about Native Americans and his intent to kill her. I also find the photography and production design to be garish without purpose, and for all of its superficial sophistication about Native peoples, the talk of ritual, the use of indigenous language, it only serves to perpetuat ... " [More]
SpoutBlogSpoutBlog Trailer of the Day: 88 Minutes
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
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"I know star power isn’t what it used to be, but doesn’t it seem like we still give Al Pacino more credit than he’s worth? Despite his receiving an Oscar fifteen years ago, the guy hasn’t been a completely dependable actor in more than two decades. And yet a lot of people write about his upcoming movies as if they could maybe, possibly, hopefully be on par with the actor’s ’70s work. I’m not denying that he’s excellent in a few films of even the past ten years (particularly The Insider), but let’s not forget he was also in Gigli, so it isn’t like he’s making the same smart choices he was making as a younger man. And now here’s 88 Minutes, another movie that attempts to give us a thrilling plot in real time, a la 24. But despite such a gimmick working with old films like High Noon and 12 Angry Men, when it’s presented as a gimmick, and clearly as the only reason a movie is made (as in the cases of Nick of Time, Timecode and Phone Booth), it always comes off as forced and (obviously) ... " [More]
JakeStevensJakeStevens The Western That Changed The We ...
by JakeStevens in JakeStevens Blog
liked it.
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"I have a penchant for black and white films. I also have a penchant for old films that challenged the audiences of the day and threw convention to the wind. This is one of those films. Reading the synopsis of the film, you'd never think something like this could get made - but it did...and the world (and films in general) are the better because of it. By the way, Grace Kelly was one smokin' hottie! I can see why this is considered one of the best American films ever made according to AFI. " [More]
SpoutBlogSpoutBlog AFI/AFM Round Up 11/06/07
by SpoutBlog in SpoutBlog on spout.com
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"Robert Mitchum’s son Christopher Mitchum and two partners acquired remake rights to High Noon at AFM. The team is on the hunt f0r a director and a star to make the remake for about $20 million. A poster and a synopsis for a sequel to George Romero’s Diary of the Dead were unveiled at AFM, but Romero claims there’s not yet a deal to make the film. “I don’t have an idea yet, but if the idea and the money can meet somewhere in the middle, it’s possible.” For Craig Kennedy, Chop Shop is “a nicely rendered slice of life at the fringes of civilization with a near documentary feel and a series of fascinating observances.” Short reviews of Honeydripper, Blind Mountain and 1000 Journals at the same link. Scott Foundas had a long profile of Robert Redford, the director of AFI’s opening night selection Lions For Lambs, in last week’s LA Weekly. Photo evidence: Michael Jones has snap shots and swag shots at The Circuit; Mark Rabinowitz captures a 4 Months, 3 Weeks and 2 Days dinner at The Rabb ... " [More]
ShaunHustonShaunHuston Re: Top Westerns
by ShaunHuston in Top 5
hasn't rated it.
"While I'm thinking of titles to toss out for discussion - I'd have a hard time coming up with a Top 5, although Once Upon a Time in the West is also my favorite, and I would make the case for McCabe and Mrs. Miller (as implied by one of my previous comments) - I'd like to suggest High Noon (1952; another candidate for my 5 were I to come up with a real one). It's an artfully made film, thoughtfully photographed, and with one of the best uses of a single, simple musical theme in all of Hollywood moviemaking (and if you doubt me about that, just watch a few minutes and you'll have "Do not forsake me, oh my darling" stuck in your head for days). It also lays bare the key tensions of the genre, particularly the one between civilization and the violent men that that same civilization uses to "tame the frontier." The moment where Will and Amy Kane are rushed out of town after dispatching the Millers is, to me, as poignant as any statement from The Searchers about the ... " [More]
RisseladaRisselada Re: Top 5 movies that take plac ...
by Risselada in Top 5
loved it.
"From what I remember about High Noon, it doesn't just take place in 24 hours, it takes place in real time. So it takes place in an hour and a half or however long the movie is.And also from my memory John Wayne doesn't appear at in this movie at all. Gary Cooper and Lloyed Bridges actually. And Lee Van Cleef in a non speaking role as well I think. I remember liking it a lot. " [More]
GradysGhostGradysGhost Re: Top 5 movies that take plac ...
by GradysGhost in Top 5
hasn't rated it.
"Mully - Roman Holiday is an excellent movie, one of my favorite Audrey Hepburn flicks, but it does not take place in one day.By the way, I've never seen High Noon, but I understand it has this 24-hour thing going on. I can't stand John Wayne movies, so I probably wouldn't like it.I totally agree with 12 Angry Men and Magnolia and would like to add one that I think should be pretty obvious: The 25th Hour. Is that cheating? " [More]
RisseladaRisselada Re: Top Westerns
by Risselada in Top 5
loved it.
"Well, I just watched The Proposition with SkyPilot last night when I was in GR. Afterwards he decided that he actually would have put Dead Man ahead of it. It was enjoyable, but I'd hardly say among a top 5 list, unless you haven't seen many westerns. I actually haven't seen too many myself, but like noir I usually like most of them, so I'm not sure why not. Ok, if I had to make a strict top 5 list it would probably be nearly all Leone films, so I'm going to group them together as number 1 with my favorite, which is The Good, the Bad, and the Ugly. 1. The Good, the Bad, and the Ugly, Once Upon a Time in the West, For A Few Dollars More, A Fistful of Dollars. (I have yet to see A Fistful of Dynamite) 2. Butch Cassidy and the Sundance Kid. It's been a while since I've seen this, but I've had that poster of the final frame of the movie since college. That image will always be one of the most iconic images in film to me. 3. Ravenous. IMDB lists this as a western, but also as hor ... " [More]
Review by All Movie Guide
All Movie Guide
loved it.
Fred Zinnemann's High Noon was described by John Wayne as the most un-American movie he'd ever seen. It offered an in-your-face story about responsibility, private and public, and some truths about the archetypal American community that would have been unpleasant in any era, but were even more so during the Red Scare of the early 1950s: the spectacle of town marshal Wil Kane (played by a too-old Gary Cooper), abandoned by his friends and neighbors and having to face down outlaws alone, was a pretty raw statement about where some people (including liberal producer Stanley Kramer) feared we were heading in 1952. It was the soundtrack, completed by Dimitri Tiomkin and Ned Washington with a song sung by an off-screen Tex Ritter, that helped turn the movie into a huge box office hit. This was a double irony, and an indicator of just what a miraculous conjuring trick Kramer and Zinnemann and screenwriter Carl Foreman had pulled off: Ritter was a reactionary Republican, Cooper an avowed anti-communist, Foreman an avowed Communist sympathizer (who left Hollywood before the movie was released), the movie had two blacklistees in major roles (Lloyd Bridges and Howland Chamberlain), and Kramer was Hollywood's one respected liberal voice. They came up with a film that opened the way for a generation of serious westerns, including The Bravados, The Big Country, and The Searchers. ~ Bruce Eder, All Movie Guide
 



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