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The Harder They Fall
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Directed by Mark Robson.
An obviously ailing Humphrey Bogart made his final screen appearance in The Harder They Fall. Adapted from a novel by Budd Schulberg, the film is a thinly disguised a clef account of the Primo Carnera boxing scandal. Bogart is cast as unemployed newspaperman Eddie Willis, who sells his soul down the river when he signs on as press agent for slimy fight manager Nick Benko (Rod Steiger). It is Willis' job to stir up publicity for Benko's newest protégé, Argentinian boxer Toro Moreno (Mike Lane). Benko's boy quickly rises to the top of his profession, though everybody but Toro knows that all the fights have been fixed. Upon learning that Benko intends to bilk Toro of his earnings, Willis regains his integrity, tells the wide-eyed young pugilist the truth, then sits down to write a searing expose of the fight racket. Jan Sterling costars as Willis' estranged wife, while real-life boxers Jersey Joe Walcott and Max Baer are suitably cast as Toro's trainer and ring opponent, respectively. There is also a heartbreaking cameo appearance by ex-fighter Joe Greb, cast as a punchdrunk skid row bum. The Harder They Fall originally went out with two different endings: in one, Eddie Willis demanded that boxing be banned altogether, while in the other, Willis merely insisted that there be a federal investigation of the prizefighting business. The videotape version contains the "harder" denouement, while most TV prints end with the "softer" message. ~ Hal Erickson, All Movie Guide
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Review by All Movie Guide
All Movie Guide
liked it.
Mark Robson's exposé of professional boxing is impressively realistic, reflecting screenwriter Budd Schulberg's intimate knowledge of the sport, but it has a difficult time being shocking with the revelation of the game's corruption. A Film a clef so closely based on the career of Italian fighter Primo Carnera that he sued Columbia Pictures after it was released, it follows his screen surrogate's career through the eyes of a former sportswriter Humphrey Bogart, who is reluctantly working as his press agent. This was Bogart's last film, and he gives a reasonable performance, but seems far too weary to play a character who needs to embody the outraged conscience of the film, while Steiger plays the fighter's sleazy manager in his best rabid-dog style. Again, the fight scenes are authentically staged, including some of the ugliest ring carnage onscreen in the era before Raging Bull (1980), but the film's predictability tends to muffle its impact. ~ Michael Costello, All Movie Guide
 



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