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Gulag
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Directed by Roger Young
In this made-for-TV thriller, a sportscaster engineers a daring escape from a Soviet prison camp after being snared by a KGB scheme. Mickey Almon (David Keith), a sports star-turned-journalist, arrives in Moscow to cover an international tournament. Soon, though, he's tempted to play the hero once again, this time not as an athlete, but as a smuggler of repressed scientific research. Against the advice of his wife (Nancy Paul), Mickey agrees to help the Russians who've approached him, but the entire intrigue turns out to be a set-up. Physically neglected and emotionally tortured in a stinking hole for several weeks, Mickey agrees to sign a confession after being told that it will guarantee his release. Instead, he receives a ten-year sentence and soon finds himself on a train bound for Siberia. Sewing rough-hewn gloves with the other foreign prisoners and living for the day each month when his care package arrives, Mickey soon resolves to escape or die trying. To that end, he enlists a cynical British spy (Malcolm McDowell) and a group of Soviet prisoners in a plan to escape via a supply train that can get them within reach of the West -- if only they can find a way to get onto it undetected. Gulag was directed by Roger Young, who previously helmed such lauded TV movies as Bitter Harvest and would go on to direct the original televised version of Robert Ludlum's The Bourne Identity. ~ Brian J. Dillard, All Movie Guide
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Review by All Movie Guide
All Movie Guide
is neutral about it.
A lightweight but well-produced entry in the venerable foreign-prisons-are-hell genre, this TV movie boasts a strong supporting performance from Malcolm McDowell, but suffers from a queasily patriotic streak. Handsome, boy-scoutish David Keith is perfectly cast as Mickey Almon, a golden boy athlete whose need to play the big shot ends him up in a Soviet prison camp. Although Dan Gordon's script has plenty of fun disabusing Mickey of the notion that he's got all sorts of inalienable rights as an American abroad, the film ultimately comes off as a piece of Cold War propaganda. Nevertheless, director Roger Young displays a sure hand with the scenes of prison brutality, revenge, and camaraderie. The sequences depicting a furious wager over who can produce the most slipshod Soviet mittens in an hour proves just as gripping as the inevitable but well-staged escape-attempt scenes. The plot allows the filmmakers to work in all sorts of details about the differing conditions faced by domestic dissidents and foreign enemies in the Soviet prison system. And McDowell, as a foreign-intelligence bureaucrat who gets snagged during a midlife-crisis stab at being a field agent, oozes bitterness and unexpected humanity with flair. If the film ultimately pales in comparison to such stylish and/or epic efforts as Bridge on the River Kwai, Papillon, and Midnight Express, it's still got enough of its own personality to stand proud. ~ Brian J. Dillard, All Movie Guide
 

Community ratings

mavens
Spout mavens
are neutral about it.
most people
Most people
lost interest.

Other opinions

billhr
billhr
is neutral about it.
digitalconquest
digitalconquest
is neutral about it.
Diabolical_Shadow
Diabolical_Shadow
disliked it.