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Saving Grace
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Directed by Nigel Cole
Waking Ned Divine (1998) meets Up in Smoke (1978) in this wacky British comedy about growing marijuana. Grace Trevethan (Brenda Blethyn is a cheerful upper-class housewife and gardening enthusiast who is blithefully unaware of business matters. This all changes when she learns that her husband fell from an airplane without a parachute. Her husband's numerous hare-brained schemes at getting rich quick left their accounts in utter ruin. Worse, if she does not raise 300,000 pounds quickly, she might lose her manor. Out of sheer desperation, she turns to her oddball Scottish gardener Matthew (Craig Ferguson), who suggests growing pot. Grace puts her green thumb to work, and in the blink of an eye the greenhouse is converted into the biggest marijuana farm in Cornwall. Soon, word gets out to the not unsympathetic townspeople, including the local doctor -- who is somewhat of a pot enthusiast -- and a horror flick-loving Vicar. Unfortunately, a nervy French drug lord (Tcheky Karyo) also learns of their scheme and soon starts causing trouble. ~ Jonathan Crow, All Movie Guide
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Review by All Movie Guide
All Movie Guide
is neutral about it.
The second film from writer and star Craig Ferguson, this comedy was a modest worldwide success at the box office, joining other such recent imports as The Full Monty (1997) and Waking Ned Devine (1998) in creating a vibrant new international market for British films. Brenda Blethyn gives a typically adroit performance as the film's central character, playing the part with a requisite combination of gritty determination and blissful naïveté, opposing qualities that the actress engenders with great skill. Ferguson expands his range with a gentle, kindhearted role that's probably a revelation to U.S. audiences aware of him only as the duplicitous boss in the popular television sitcom The Drew Carey Show. While the rest of the cast is filled with British character actors hired too predictably by type, Saving Grace is a mostly effective, surprisingly warm film that would easily be suitable for children were it not for its central preoccupation with illicit substances. The script's finale disappoints, however, with a too-quick wrap-up that feels artificial, forced, and rushed. ~ Karl Williams, All Movie Guide
 

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