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GoodFellas
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Directed by Martin Scorsese.
Martin Scorsese explores the life of organized crime with his gritty, kinetic adaptation of Nicolas Pileggi's best-selling Wiseguy, the true-life account of mobster and FBI informant Henry Hill. Set to a true-to-period rock soundtrack, the story details the rise and fall of Hill, a half-Irish, half-Sicilian New York kid who grows up idolizing the "wise guys" in his impoverished Brooklyn neighborhood. He begins hanging around the mobsters, running errands and doing odd jobs until he gains the notice of local chieftain Paulie Cicero (Paul Sorvino), who takes him in as a surrogate son. As he reaches his teens, Hill (Ray Liotta) is inducted into the world of petty crime, where he distinguishes himself as a "stand-up guy" by choosing jail time over ratting on his accomplices. From that moment on, he is a part of the family. Along with his psychotic partner Tommy (Joe Pesci), he rises through the ranks to become Paulie's lieutenant; however, he quickly learns that, like his mentor Jimmy (Robert DeNiro), his ethnicity prevents him from ever becoming a "made guy," an actual member of the crime family. Soon he finds himself the target of both the feds and the mobsters, who feel that he has become a threat to their security with his reckless dealings. Goodfellas was rewarded with six Academy Award nominations including Best Picture; Pesci would walk away with Best Supporting Actor for his work. ~ Jeremy Beday, All Movie Guide
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CinemaRianCinemaRian GoodFellas (1990, USA, Martin S ...
by CinemaRian in CinemaRian Blog
hasn't rated it.
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""You've never seen GoodFellas! How can you call yourself a movie fan and have never see GoodFellas?" I have been these asked question repeatedly over the last eight years and I have always been at a loss for an answer- it was just one of those movies that I had missed several times and could not easily fit into due to its relatively long length (two hours and twenty five minuets). And perhaps part of it was that I was a little afraid I would be disappointed. As I have said before, I like Scorsese, but do believe that the director is overrated. I do not think that GoodFellas is "The best mob movie ever" as Roger Ebert calls it (that would have to go the first two Godfather films) or one of the best films of the 90's, as it is often considered, or even a masterpiece, but I do think that it's a very good film that is among the upper echelons of Scorsese's work, even though it's not in a league with Taxi Driver, Raging Bull or The Aviator. The movie is an many ways a k ... " [More]
SpoutBlogSpoutBlog If Saul Bass Designed the Star ...
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
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"Star Wars may have the most famous opening title sequence in film history, but in terms of influence it’s got nothing on the work of Saul Bass. He’s the brilliant graphic designer who gave us the animated credits for Hitchcock’s Vertigo, North by Northwest and Psycho and Scorsese’s Casino, Cape Fear, The Age of Innocence and Goodfellas and most of Otto Preminger’s work, including Exodus, Anatomy of a Murder and The Man With the Golden Arm. You’ve also seen his work at the beginning of West Side Story and Alien and Big and The Seven Year Itch and Spartacus. But what if he had designed the opening credits to Star Wars? Well, it might have looked something like this video, which was created for a school project. Interesting, yes. Creative, yes. Entertaining, yes. Memorable, no. It just goes to show how significant some credit sequences can be, because this is hardly appropriate for George Lucas’ film. And I don’t just mean because the music is all wrong. If this student wanted to go w ... " [More]
RisseladaRisselada Re:The good then bad and quite ...
by Risselada in Double Feature
loved it.
"I actually think that Bringing out the Dead is just as good as Goodfellas. I also believe that Scorcese works best from a Paul Schrader script. " [More]
theKommunetheKommune The good then bad and quite ugl ...
by theKommune in Double Feature
hasn't rated it.
"start with a movie of an actor or director that is fantastic and then follow it up with a real clunker...Jim Carrey's Eternal Sunshine of the Spotless Mind followed by the Number 23.or Scorsese's Goodfellas followed by Bringing Out the Dead. " [More]
RisseladaRisselada Spout Mavens review - O Homem d ...
by Risselada in Risselada Blog
loved it.
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"Doing to some slight research into the most recent DVD screener I received from Spout, The Man of the Year, I felt there might be some promise. Alas, this was one of the worst I've seen in a while.I watched the trailer for the movie which was on the DVD as well after I had finished. It featured a quote from who knows where stating "If Quentin Tarantino had been Brazillian". I'm not sure what the second part of this sentence was because the trailer failed to let us know. But I tried to think of a number of possibilities. One of the simplest ones probably would have been, "he would have made a movie that looked nothing like this one." Really this movie has none of the wit or enjoyable dialogue that you would find in a Tarantino movie.For another comparison, I saw a quote from a review by Phil Villarreal from the Arizona Daily Star. He says "If 'City of God' is Brazil's answer to 'The Godfather,' then 'The Man of the Year' is Rio's 'G ... " [More]
RisseladaRisselada Re: Top 5 Everybody Seems To Lo ...
by Risselada in Top 5
loved it.
"Wow this thread is really heating up!I've actually seen many Kevin Smith films, but not this one. However I used to love them a great deal. Now every time I see one again, my rating plunges further down. Maybe it was that his dialogue sounded fresh at one time to me, but now after being continually subjected to it I'm realizing it may be what you said. Although there are different characters it all seems like the words are coming out of the same person.Oooooh, I almost said this one actually! I'd had this recommended to me by many people for a long time. I only heard a few people who said it was bad, but I didn't know who to believe. I saw it even though I think there was something deep inside that made me a bit hesitant. I was not impressed! I don't know how this mediocre crime movie managed to stand above the rest for many people. My friend Andy who uses this site from time to time has a couple tattoos from the movies. I respect his taste, but I jus ... " [More]
JymkataJymkata Re: Top 5 Everybody Seems To Lo ...
by Jymkata in Top 5
loved it.
"I know it's very polite on internet message boards to act like there are no standards or experts, and that subjectivity is the only way to judge a film, but sometimes subjectivity can be wrong and although you may not personally like a piece of art you need to be able to appreciate its qualities. I know this whole topic is subjective, but some of these should not be up for debate as to whether they are good or bad. The two I take exception with are Citizen Kane and Vertigo. I don't even know where to start and whether it's worth it, but I can't understand how someone couldn't fathom the mixed opinions of lesser works like Crash or the Lord of the Rings trilogy ( I guess some people love overlong, CGI-overkilled films that are long on scope and short on character), but not see enough of value in certified masterpieces like these two by Orson and Alfred at their peak. Plus, Kane had the exceptional camerawork of Gregg Toland (that alone is worth the price of admis ... " [More]
sarcastigsarcastig Goodfellas
by sarcastig in As cool as a Fruitstand
is neutral about it.
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"I saw Goodfellas 4 days ago already, but I kept putting off writing about it. Why? Well...I'm afraid I'm going to blaspheme.Oh, not blaspheme in the "fucking show yourself, you goddamn bloodsucker" way I was talking to the hiding mosquito in my room on my hunt after the movie, infected by the language. No, blaspheme as in: I didn't really like it all that much.Oh, Scorses is definitely a master filmmaker, so I did find much to admire: there are some breathtaking tracking shots, the dialogue snaps like it should, basically every technical aspect is perfect. Somehow, though, I was unaffected.One thing might be that it's long, and that I didn't find the story particularly engaging or suspenseful. To put it crudely, I didn't really care who lived or died. It might be that I found the switching between the perspective of the voice-over from Henry to Karen and back distracting and unnecessary. More importantly, I think it's from a lack of affinity with Scorsese's take on the mafia as a t ... " [More]
chesterfilmschesterfilms First Of His
by chesterfilms in chesterfilms Blog
loved it.
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"I love the experience of revisiting this film. It never gets old. It was my introduction to Scorsese, and will always have a very special place in my memory. " [More]
apfradellaapfradella Scorsese's Masterpiece
by apfradella in apfradella Blog
loved it.
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"WOW ! this film packs a wallop and each actor in the movie contributes to its perfection. I grew up in Little Italy, NYC (so did Scorsese) and this movie captures the wiseguy and mafia -hoodlum -wanna be attitude of many of the fellas in the hood . So well done.!! " [More]
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Review by All Movie Guide
All Movie Guide
loved it.
Seventeen years after revising the book on gangster movies in his breakthrough Mean Streets, Martin Scorsese returned to the netherworld of Italian-American organized crime with this stunningly ambitious, ferociously entertaining look at one man's rise and fall in a Mafia family. Shot and edited with a propulsive sense of rhythm that Gene Krupa would envy (this may be the fastest 150 minutes in film history), Goodfellas explores the 30-year career of Henry Hill (Ray Liotta) as a "mechanic" working for mob boss Paulie Cicero (Paul Sorvino). While most films about gangsters attribute their characters' criminal lives to greed or sociopathic behavior, Scorsese makes it clear Henry and his friends Jimmy Conway (Robert De Niro) and Tommy DeVito (Joe Pesci) are gangsters because they enjoy it: they like to steal, they enjoy violence, and their "work" allows them to profit from these qualities, which would be a hindrance in nearly any other career. However, while the film offers a point-blank look at New York's criminal underworld from the '50s to the '80s, Scorsese also uses this story as a unusual but clear moral fable. In the first few reels, Henry and his partners follow a strict code of honor and make sure to obey Cicero's wishes: you pay tribute to the boss, you stay away from dealing drugs, and you don't kill anyone unless it's absolutely necessary. By the mid-'70s, these guidelines have been forgotten, and as Henry, Jimmy, and Tommy slip away from Paulie's corrupt but strictly ordered ethical universe, it leads only to death and betrayal. Scorsese has long been fascinated with the actions of men searching for a moral compass in a faithless land, but he's rarely told the story with such kinetic force and audacious skill. ~ Mark Deming, All Movie Guide
 



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