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Godzilla, King of the Monsters
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Directed by Terrell O. Morse.
Filmed in 1954 as Gojira, this grandaddy of all Japanese giant-reptile epics was picked up for American distribution two years later, at which time several newly filmed inserts, featuring Raymond Burr as reporter Steve Martin, were rabetted into the original footage. In both the Japanese and American versions of Godzilla, the story is basically the same: a 400-foot amphibious monster, brought back to life by underwater nuclear testing, goes on a rampage in a tinker-toy Tokyo. An eccentric scientist (Takashi Shimura) does his best to destroy the beast with his heretofore discredited invention, the Oxygen Destroyer. Though Godzilla is apparently disintegrated in the climax, this didn't prevent Toho Studios from grinding out an endless series of sequels with the title character becoming less destructive and more lovable with each subsequent film. Hampered by a low budget which precluded stop-motion animation, special-effects wizard Eiji Tsuburaya was forced to rely upon an actor (Haru Nakajima) in a rubber Godzilla suit. Incidentally, the name "Gojira", a combination of "gorilla" and "kujira", is Japanese slang for "big clumsy ox" and was allegedly the nickname of one of the Toho stagehands. ~ Hal Erickson, All Movie Guide
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RisseladaRisselada Godzilla, King of the Monsters
by Risselada in Risselada Blog
lost interest.
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"Godzilla, King of the MonstersSo this is the American version of the original Godzilla movie. Not necessarily a better version, but the one that more people have probably seen. And the version that was spread across most of the world to start the Godzilla/Giant Monster craze.Basically they just filmed a few new scenes with Raymond Burr and some small, cheap sets and edited them in. The commentary indicates how deftly the footage was inserted, but that's how I felt. Maybe because I had already just watched the original version, but I don't see how anyone could be fooled to think that the Raymond Burr stuff was somehow part of the original film. Maybe I would have felt different if I had grown up with these films.Rating: 4/10 " [More]
paulpaul FilmCouch #21
by paul in FilmCouch
hasn't rated it.
"Appropriation: Originality is overrated. Filmmakers taking footage from another film and adapting it into a new movie--Orson Welles (F for Fake), Werner Herzog (The Wild Blue Yonder) and Roger Corman (Voyage to the Planet of Prehistoric Women)--are they inspired or just desperate? In the spirit of appropriation, email a sentence into filmcouch@spout.com. Kevin and Paul will incorporate it ever so naturally into next week's show. The first person to identify the appropriated sentence wins a Spout track jacket from American Apparel (valued at $50). Download FilmCouch #21 or subscribe in the iTunes store (search for "filmcouch" or click here to launch iTunes) and a new free episode will download every Friday. " [More]
 



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