Join the Comic-Con group
Advertisement

The Gods Must Be Crazy
  • 0
  • 1
  • 2
  • 3
  • 4
  • 5
  • Rate this movie.

Buy it now on DVD
Starting at $10.32
trailerWatch trailer

Rent it, watch it, find it

Advertisement

Directed by Jamie Uys.
Kalahari bushman Xi (played by genuine bushman N!xau) is as surprised as the rest of his tibe when a Coke bottle, thrown from a passing plane, lands in the middle of their village. This "gift from the gods" proves to be a mixed blessing when the tribesmen fight over it and eventually use it for a weapon. To keep peace in the village, Xi is assigned to take the bottle to "the end of the earth" (actually a lush valley) and throw it back to the gods. Meanwhile, back in urbanized South Africa, Kate Thompson (Sandra Prinsloo) leaves her office job in the city to take a job teaching Kalahari children; once in the wilderness, she finds herself constantly bumping into clumsy microbiologist Andrew Steyn (Marius Weyers). And meanwhile, maniacal Sam Boga (Louw Verwey) is leading a military coup against the government. How do all these various and wildly divergent characters fit together? You'll have to see The Gods Must be Crazy yourself--if you haven't seen it already. This Botswanian comedy/melodrama was directed by Jamie Uys, who had helmed dozens of films before Gods and would make many more afterwards. Originally slated for limited domestic distribution in 1982, Gods Must Be Crazy was picked up for American consumption by 20th Century-Fox in 1984. Within a few weeks, "word of mouth" transformed Gods into the biggest foreign boxoffice hit ever released in the U.S. The 1989 sequel didn't do quite as well, indicating that perhaps the bloom was off the rose for N!xau and his confreres. ~ Hal Erickson, All Movie Guide
[more]

Reviews and discussions

Write a review

DiedoDiedo Re:Pick a Pair
by Diedo in Movie Games
hasn't rated it.
"Or how about, Dances with Wolves (1990) and Farewell to the King (1989) where Kevin Costner and Nick Nolte are mesmerized by the local American-Indian/Borneo people, become one of them and finally are forced to face-off against the modern world encroaching upon these non-industrialized societies. A more obvious movie would be The Last Samurai (2003) as it was readily compared to Dances with Wolves when it came out. Or, The Gods Must Be Crazy (1981) and The Emerald Forest (1985) where native peoples of the Kalahari desert/Amazon rainforest come into contact with the encroaching industrialized world forcing one of them to confront it. They're very different in tone though, so the first one (The Gods...) could be paired with Crocodile Dundee (1986) as "guy who visits Western world and thinks everything is weird and hilarious", while the latter (Emerald Forest) could be seen with Greystoke: The Legend of Tarzan, Lord of the Apes (1984) as "Western world boy raised by indigenous people/ ... " [More]
SpoutBlogSpoutBlog Coca-Cola Cinema
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
Was this review helpful? [Be the first to tell us!]
"This morning I was watching Billy Wilder’s One, Two, Three (see, readers, I do know movies before 1990), and it made me wonder if Coca-Cola is the most cinematic commercial product in the history of film. Not the most prominent in film, necessarily (in terms of either direct product placement or more casual indirect appearance,) but at least the most significant to film. After all, Coca-Cola did own a movie studio (Columbia Pictures) for the greater part of a decade (the 1980s). In addition to One, Two, Three, which is about a Coca-Cola executive in West Berlin, the soft drink figures specifically in and fundamentally to the plots of The Gods Must Be Crazy, Good Bye Lenin! and, obviously, The Coca-Cola Kid. But primarily, such direct incorporations of the brand are more about their connection to the U.S. and capitalism than they are to the actual product of soda. Even when Superman throws a bad guy at a giant Coca-Cola billboard in Superman II, the brand comes with a connotation of ... " [More]
Review by All Movie Guide
All Movie Guide
liked it.
This endearingly offbeat comedy didn't become an international success until 1984, when it became the highest-grossing foreign film ever released in the United States. Writer-director Jamie Uys scoured the wilds for three months to find a tribesman who was genuinely unfamiliar with modern life. His efforts were not in vain: Uys' lead, N!xau, is disarmingly sweet and charming as the film's hero, Xixo. Though the white South Africans are comically portrayed as buffoons, some viewers were nevertheless offended by the film's portrayal of the Kalahari bush people as "primitive," and the potentially racist shadings of the film's success. ~ Matthew Doberman, All Movie Guide
 



Community ratings

mavens
Spout mavens
are neutral about it.
most people
Most people
are neutral about it.

Other opinions

i-heart-art
i-heart-art
loved it.
rica5tully
rica5tully
loved it.
rik_tod
rik_tod
loved it.
marincat
marincat
is not interested.
witchyflickchick
witchyflickchick
is not interested.
dog99world
dog99world
is not interested.