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Pitch Black
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Directed by David N. Twohy.
In this science fiction thriller, a spaceship is transporting a disparate group of people to a far-away galactic outpost called New Mecca. Mechanical failures cause the craft to crash-land on an abandoned planet that has three suns and no night. The only member of the crew to survive is junior pilot Carolyn Fry (Radha Mitchell), while the passengers who climb from the wreckage include a police officer (Cole Hauser) and the prisoner he's transporting, Riddick (Vin Diesel). As Fry and the other survivors survey the abandoned dwellings of the desert world while trying to decide what to do next, one of them is killed by a mutant creature living in an abandoned mining site. The vicious and bloodthirsty mutants, who live underground, have killed all previous inhabitants of the planet; they cannot stand sunlight, but research reveals that the planet has a total eclipse every 22 years, and the latest one is due any moment. Pitch Black was directed by David N. Twohy, who also made the sci-fi cult item, The Arrival. ~ Mark Deming, All Movie Guide
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jounijouni Almost like Aliens
by jouni in jouni Blog
liked it.
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"This was the fourth time I saw it and each time it's a little bit better - as well as each time I'm a bit more disappointed to the "creatures". This could have been close to Aliens level, but will never quite reach it. " [More]
Review by All Movie Guide
All Movie Guide
is neutral about it.
Screenwriter and director David Twohy continues his intriguing career of crafting challenging, well-mounted science fiction films via limited means with this somewhat derivative but highly enjoyable action thriller. Most of the casting in Pitch Black is by type and thus instantly forgettable, though given the story's haunted-house horror movie structure, this is probably by design. However, the film is anchored by Radha Mitchell and the strutting, grunting Vin Diesel, relative newcomers who prove their mettle on the big screen with reflective performances marked by detailed, intuitive choices. As he did with Warlock (1988), Disaster in Time (1992), and The Arrival (1996), Twohy takes what was intended to be a straight-to-video genre potboiler and transforms the project into something at least a cut above other examples of its type. Unfortunately, in all of these projects, the writer/director is at times overcome by shoestring budgets that hamstring his creative efforts to impress visually. ~ Karl Williams, All Movie Guide
 



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