The Glass Slipper (1955)

Review by All Movie Guide
Largely neglected upon its release and almost unknown today, The Glass Slipper is a thoroughly delightful retelling of Cinderella. Slipper manages the difficult trick of breathing new life into what is possibly the most familiar story in films and does so without resorting to gimmickry, such as changing the sex of the title character or taking a satirical approach. Instead, this version makes the archetypal figures of the story into flesh-and-blood characters, while at the same time retaining the sense of fantasy that is integral to fairy tales. As a result, viewers are treated to a Cinderella that is feisty, angry and rebellious, one that does not take her abuse lying down. The Prince, usually the least developed character in the tale, is given a background and personality, and the Fairy Godmother is presented as a dotty but charming old woman who relishes the sound of unusual words and phrases. The film also has a lovely visual look, full of muted and earthy colors, and one of the ballets features some gently surrealistic settings. Charles Walters has directed with quiet assurance, and Roland Petit has supplied lively choreography. As Cinderella, Leslie Caron delivers what is probably her best musical performance, full of fire and romance, and Estelle Winwood is craftily lovable as the Godmother. Children and adults alike will be happily surprised by the charms of Slipper. ~ Craig Butler, All Movie Guide