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Being John Malkovich
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Directed by Spike Jonze.
Would you pay money to journey into the mind of the star of Con Air, The Killing Fields, and In The Line of Fire? Puppeteer Craig Schwartz (John Cusack) is having money problems, so he takes a temporary job as a file clerk on the seventh-and-a-half floor of a large office building. One day, while rummaging behind a cabinet, he finds a small door that leads to the center of the mind of actor John Malkovich (played by, you guessed it, John Malkovich). Craig discovers that entering the portal allows him to become John Malkovich for a brief spell, and in time he and his beautiful but aloof co-worker Maxine (Catherine Keener) get the bright idea to charge admission for the privilege of spending 15 minutes inside the head of a well-known actor. Malkovich realizes that something strange is happening to him, but can do little to stop it, as strangers take over his mind for a quarter-hour at a time. Craig's wife Lotte (Cameron Diaz) eventually takes a trip into Malkovich's psyche, and she soon finds herself in love with Maxine, with whom Malkovich has an affair; meanwhile, Maxine in time becomes infatuated with both Craig and Lotte, but only when they're inside Malkovich. Being John Malkovich marked the feature-length debut of director Spike Jonze, who previously made acclaimed music videos for Weezer, The Beastie Boys, and The Breeders, among others. ~ Mark Deming, All Movie Guide
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leeroy711leeroy711 Re:Double features
by leeroy711 in B Movies
loved it.
"[quote user="SkyPilot"] [quote user="leeroy711"] I wanna see The Last Dragon followed by Circle of Iron as a double feature. Who's with me? I talking to you SkyPilot. [/quote] leeroy711 you are a madman, and I like it! Have you seen Circle of Iron before? How about The Street Fighter? I think The Last Dragon is obvious in its attempt to be funny, while the thing that links The Street Fighter and Circle of Iron is the bafflement one feels about whether or not the movies are trying to be funny. Especially Circle of Iron, which is one WTF moment after another. I laugh at the Ape Man and Jaguar Man because they make me feel like crying. I forget the name of Terry's sidekick in The Street Fighter--I think he's supposed to be funny. His only line seems to be "Terry!" said in different ways, like in the "Malkovich Malkovich" scene in Being John Malkovich. Here's another DOES HE MEAN TO BE FUNNY? double feature starring DAVID CARRADINE: 1. Death Race 2000 -- obviously meant to be comedic, ... " [More]
SkyPilotSkyPilot Re:Double features
by SkyPilot in B Movies
liked it.
"[quote user="leeroy711"] I wanna see The Last Dragon followed by Circle of Iron as a double feature. Who's with me? I talking to you SkyPilot. [/quote] leeroy711 you are a madman, and I like it! Have you seen Circle of Iron before? How about The Street Fighter? I think The Last Dragon is obvious in its attempt to be funny, while the thing that links The Street Fighter and Circle of Iron is the bafflement one feels about whether or not the movies are trying to be funny. Especially Circle of Iron, which is one WTF moment after another. I laugh at the Ape Man and Jaguar Man because they make me feel like crying. I forget the name of Terry's sidekick in The Street Fighter--I think he's supposed to be funny. His only line seems to be "Terry!" said in different ways, like in the "Malkovich Malkovich" scene in Being John Malkovich. Here's another DOES HE MEAN TO BE FUNNY? double feature starring DAVID CARRADINE: 1. Death Race 2000 -- obviously meant to be comedic, but Carradine is obvious ... " [More]
Smooth_JSmooth_J A great surrealist comedy
by Smooth_J in Smooth_J Blog
loved it.
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"I believe it is very relevent to mention the main reason why I love Charlie Kaufman's writing so much; and that is because he tends to write his main characters as strange, socially awkward, self-loathing outcasts, which is what makes them so understandable to me. That being said, I also found Being John Malkovich to be a hilarious and stylish study of the intricacies of the human psyche. Not only does the film perfectly portray what it would actually be like to see the world through someone else's eyes (literally), it also subtly questions the role of the human mind and soul, and what seeing something like this might do to one. Spike Jonze's direction is superb, and I finally see why he received such accolades for the film...I found this to be even more enjoyable than the also superb Adaptation, the other Jonze-Kaufman collaboration. John Cusack was surprisingly awesome in the main role, as was Catherine Keener as his seductive business-mate. John Malkovich is, of course, the m ... " [More]
SpoutBlogSpoutBlog Harold and Kumar 2: Better Than ...
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
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"The sequel to Harold and Kumar Go to White Castle opens in theaters today, and you can read my SXSW review of the movie, titled Harold and Kumar Escape From Guantanamo Bay, over here. Though I enjoyed it, H&K2 disappointed me for taking on too much plot. But apparently some other reviews are favoring the second installment, and according to Craig Phillips at Green Cine, the matter has critics divided. Phillips, who marginally prefers the sequel, uses the opportunity to revisit those sequels that improved upon the original. Obviously, the list includes The Empire Strikes Back, Star Trek II: The Wrath of Khan and The Road Warrior. However, surprisingly, The Godfather Part II is not in the top ten, because he considers the first and second films tied, and he claims both Terminator 2: Judgment Day and Gremlins 2: The New Batch are only honorable mentions, because their definite superiority is up for debate (true, I’ve never been able to decide if I like them better than their respectiv ... " [More]
BigJeffLebowskiBigJeffLebowski Cannabis, Cupcakes, and Communism
by BigJeffLebowski in BigJeffLebowski Blog
hasn't rated it.
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"If Smiley Face were directed by Spike Jonze, it would have been a masterpiece. Its script, by Dylan Haggerty, is consistently entertaining, frequently hysterical, and occasionally quite inventive in how it depicts a day in the life of its stoner protagonist. Perhaps even more importantly, it understands the episodic, tangential logic of the pothead. The specious associations, the noncommittal detours of thought and action, the staunch belief in the nobility of your quest, the disparity between what you mean to say and what actually comes out of your mouth; all are rendered with a knowing clarity that will be commended by the herbal enthusiast and will, hopefully, prove enlightening to those members of the square community who wouldn't know from personal experience. But just as brilliance borne of bong hits tends to collapse upon itself in sober language, so too does Haggerty's script in the hands of director Gregg Araki. The tones of the script and the direction are str ... " [More]
SpoutBlogSpoutBlog Ideas for the Jim Henson Biopic
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
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"Empire reports that a Jim Henson biopic is on the way, and few people could be more excited than yours truly. However, like Empire, I would hate to see a generic biography directed by somebody like Penny Marshall. Yet I’m not so sure if I like their idea of getting Michel Gondry any better. Maybe Spike Jonze, but not Gondry. No matter what, though, this movie has got to have a creative edge. It doesn’t have to be too crazy. It doesn’t even have to confuse the real world with the Muppet world in a Dreamchild sort of way. Of course, it should feature Muppets playing real-life people from Henson’s life. Maybe take Robert D. Slane’s already completed screenplay for the biopic and cast all the parts with Kermit and the rest. But have a real actor portray Henson. That would be the most logical and appropriate way of making a Henson biopic, but here are some other ideas, just in case Empire Film Group wants to throw out Slane’s script and start fresh: follow just one night in the life of ... " [More]
SpoutBlogSpoutBlog Lynch’s INLAND EMPIRE: an Insid ...
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
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"Yesterday BoingBoing pointed to an article on The Psychologist Online by Huw Green that argues that David Lynch’s work, particularly Inland Empire, is an accurate depiction of what it’s like for someone with a psychotic illness to encounter reality. I immediately thought of last week’s episode of FilmCouch, in which I used Lynch, a new documentary about the filmmaker, as a point of entry to talk about his recent work. I compared Mulholland Dr. and Inland Empire to recent films penned by Charlie Kaufman, namely Being John Malkovich, Adaptation, and Eternal Sunshine of the Spotless Mind. I argued that Lynch’s films are far more effective due to the fact he, unlike Kaufman, refuses to provide the viewer with the necessary tools to keep track of the breaks in narrative convention. Green’s article points out nearly the same thing (without the comparison to Kaufman). Measuring Lynch’s effect on the viewer, Green says: (more…) Originally posted on:SpoutBlog " [More]
pippin06pippin06 The Art of Being John Malkovich
by pippin06 in Reel Thoughts
liked it.
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"So, among the wonders of Netflix and probably the Blockbuster Online Service as well: when you start queuing your movies, the website fiercely and constantly lists recommendations for other movies you should want to watch, maintaining your interest and subscription in the process. When I queued up Eternal Sunshine, and after already having rated films such as Adaptation, American Beauty, and Memento with five stars, Netflix recommended another Charlie Kaufman vehicle that I puzzlingly missed at the time of release, Being John Malkovich. Naturally, I queued it up. I think based on Eternal Sunshine and Adaptation, I can count myself a Kaufman fan. He is something of a genius in his own right (or write, hee hee).Oddly, though, I didn't like this film as much as the others. I still liked it. It is certainly one of the most creatively original movies I have ever come across, and the sheer fact of its originality makes it a highly recommendable film, even if the potential viewe ... " [More]
WindbreakerWindbreaker BEING JOHN MALKOVICH
by Windbreaker in Windbreaker!
liked it.
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"I don't know a single person who has seen Being John Malkovich, so I haven't had anyone recommend it. It just floated up in my Blockbuster queue. I'd never read the DVD case and suggest the same for people considering watching it. Just go in blind.I was expecting some sort of mockumentary about John Malkovich. Don't laugh - I'm serious! Instead I got an artsy examination of the soul. "Examination" is a strong word -- it's an artsy string of visuals and dialogue on the soul. What if you could access a portal into another person? Well, if it was John Malkovich, you'd be fugly with a round, hairless belly. " [More]
porcupineporcupine Re: New Section Debate: Nature ...
by porcupine in Count Zero
loved it.
"Rather than debate the power stucture of a Spout group, I'll suggest a weirdly wonderful film that I think probes the depths of human nature: Being John Malkovich " [More]
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Review by All Movie Guide
All Movie Guide
loved it.
Surrealist cinema at its most inventive and edifying, this feature debut by music video maestro Spike Jonze poses questions of existentialism and celebrity without the pretension of feeling like you're in a philosophy symposium. Armed with Charlie Kaufman's devilishly clever and narratively sound script, the director creates a funhouse of the mind, but never strays from its originating premise, which involves the fascination and consequences of living as someone else, even for a brief period. Filled with offbeat humor and surprisingly free of empty flash (unusual for a director whose only previous experience is in music video), Malkovich finds a genre niche that seems relatively untapped, similar to a film like David Lynch's Blue Velvet, that created a world all its own even in the midst of familiar surroundings. A mid-level success upon release, the film was honored on several critics' Ten Best lists of 1999, and garnered first-time Oscar nominations for Jonze, Kaufman, and co-star Catherine Keener, who is ruthlessly funny as the object of John Cusack's affections. ~ Jason Clark, All Movie Guide
 



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