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Bringing Out the Dead
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Directed by Martin Scorsese.
This tense urban drama stars Nicolas Cage as Frank Pierce, a paramedic on the brink of physical and emotional collapse. Frank has worked for years in one of New York's most brutal neighborhoods, and the pressure of his job has taken its toll; plagued with self-doubt, he is haunted by the spirits of the people he couldn't save, and while he desperately wants to quit his job, outside forces won't let him walk away. Bringing Out the Dead brought director Martin Scorsese back to the streets of contemporary New York, one of his favorite locations, after three films set elsewhere: Kundun, Casino, and The Age of Innocence. The film also reunited Scorsese with screenwriter Paul Schrader, who scripted Taxi Driver, Raging Bull, and The Last Temptation of Christ. The supporting cast includes Patricia Arquette as the daughter of a heart attack victim that Frank has fallen in love with, and John Goodman and Ving Rhames as two of Frank's fellow drivers. ~ Mark Deming, All Movie Guide
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CinemaRianCinemaRian Bringing Out the Dead (1999, US ...
by CinemaRian in CinemaRian Blog
hasn't rated it.
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"After you've seen enough movies by a particular director, you can sort of predict your opinion of the film before you've seen it. This goes beyond guessing whether you'll like it or not, you can often predict why you'll like it, or you won't. That was pretty much true of Scorsese's Bringing Out the Dead, which features Scorsese at his best and worth. At his best, there is some real energy, strong visuals, and an utter conviction and sincerity to the filmmaking. At his worst, there are some stock characterizations, an overly serious tone, and, paradoxically, inappropriate comic relief. Bringing Out the Dead has all of these characteristics, rendering the film sometimes great, sometimes annoying and sometimes mediocre. Overall, it's a good film. The film follows a tortured New York paramedic named Frank (Nicolas Cage). In his narration, Frank informs that he's been on a long, long dry spell, meaning that he hasn't saved anyone's life in months. One night he is on a call to help a hea ... " [More]
theKommunetheKommune Re:The good then bad and quite ...
by theKommune in Double Feature
hasn't rated it.
"I actually think that Bringing out the Dead is just as good as Goodfellas. I also believe that Scorcese works best from a Paul Schrader script.[/quote] Ouch. I can't agree. I'm willing to chalk it up to the Nicolas Cage factor... " [More]
RisseladaRisselada Re:The good then bad and quite ...
by Risselada in Double Feature
loved it.
"I actually think that Bringing out the Dead is just as good as Goodfellas. I also believe that Scorcese works best from a Paul Schrader script. " [More]
theKommunetheKommune The good then bad and quite ugl ...
by theKommune in Double Feature
hasn't rated it.
"start with a movie of an actor or director that is fantastic and then follow it up with a real clunker...Jim Carrey's Eternal Sunshine of the Spotless Mind followed by the Number 23.or Scorsese's Goodfellas followed by Bringing Out the Dead. " [More]
RisseladaRisselada Re: Most Memorable Uses of Pop ...
by Risselada in Top 5
loved it.
"I'm not sure of Scorsese's reasoning for using certain pop songs in his movies, although I usually like them. I think Devo's great cover of "I Can't Get No Satisfaction" is in Casino, but didn't seem a little too quirky for me to expect to fit into a casino atmosphere. Maybe it was just right.And I love The Clash, especially their first album, but why was that music all over Bringing Out The Dead? Just for the sort of beaten down inner city madness and rebellion?? " [More]
reggiereggie Re: Most Memorable Uses of Pop ...
by reggie in Top 5
hasn't rated it.
"Very good picks- especially HarryLime & SkyPilot. Here are a few more:"The Wind" by Cat Stevens in Rushmore. When this song played, I understood that Wes Anderson owes a lot to Hal Ashby. Maybe I was a little slow on the uptake, I wasn't sure what to make of the movie until then."Once I Was" by Tim Buckley, along with several other great songs, in Asby's "Coming Home"."TB Sheets" in Scorsese's "Bringing Out The Dead"."American Girl" by Tom Petty in "Silence of the Lambs". The movie kid of ruined that song for me. "Can't Take My Eyes Off You" in "The Deer Hunter". I don't really like the song, but it works so well in the movie. " [More]
Review by All Movie Guide
All Movie Guide
lost interest.
Set in the recently departed past of pre-Rudy Giuliani New York, Bringing Out the Dead (1999) reunites Martin Scorsese and Paul Schrader for another, different night crawl through a yet to be sanitized Hell's Kitchen. The manholes still belch Stygian steam and the protagonist still exists on the edge of sanity, but this time Nicolas Cage's ambulance driver makes a rocky ascent toward a tentative salvation rather than repeating Taxi Driver's (1976) descent into an ultra-violent inferno. Scorsese's customary visual brio and musical panache are amply displayed in such set pieces as a visit to a drug dealer's lair that climaxes with a victim enjoying a burst of "fireworks," while John Goodman, radio dispatchers Queen Latifah and Scorsese, and especially Ving Rhames add mordant humor to Cage's waking nightmare. Though Bringing Out the Dead pulsates with energy, chaos, and very brief rests, the ceaseless nature of the paramedic's job became a narrative frustration for critics and viewers who expected such a motion-filled picture to actually go somewhere. Even so, Bringing Out the Dead has enough moments of moviemaking courage and beauty to confirm Scorsese's place as an extraordinary teller of New York stories. ~ Lucia Bozzola, All Movie Guide
 



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