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American Beauty
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Directed by Sam Mendes.
Noted theater director Sam Mendes, who was responsible for the acclaimed 1998 revival of Cabaret and Nicole Kidman's turn in The Blue Room, made his motion picture debut with this film about the dark side of an American family, and about the nature and price of beauty in a culture obsessed with outward appearances. Kevin Spacey plays Lester Burnham, a man in his mid-40s going through an intense midlife crisis; he's grown cynical and is convinced that he has no reason to go on. Lester's relationship with his wife Carolyn (Annette Bening) is not a warm one; while on the surface Carolyn strives to present the image that she's in full control of her life, inside she feels empty and desperate. Their teenage daughter Jane (Thora Birch) is constantly depressed, lacking in self-esteem, and convinced that she's unattractive. Her problems aren't helped by her best friend Angela (Mena Suvari), an aspiring model who is quite beautiful and believes that that alone makes her a worthwhile person. Jane isn't the only one who has noticed that Angela is attractive: Lester has fallen into uncontrollable lust for her, and she becomes part of his drastic plan to change his body and change his life. Meanwhile, next door, Colonel Fitts (Chris Cooper) has spent a lifetime in the Marine Corps and can understand and tolerate no other way of life, which makes life difficult for his son Ricky (Wes Bentley), an aspiring filmmaker and part-time drug dealer who is obsessed with beauty, wherever and whatever it may be. American Beauty was also the screen debut for screenwriter Alan Ball. ~ Mark Deming, All Movie Guide
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mercurialmercurial Re:Recasting THE BREAKFAST CLUB ...
by mercurial in Recasting couch
loved it.
"The Breakfast Club Brady Corbet - Andrew Clark (The Athlete) Jay Baruchel - Brian Ralph Johnson (The Brain) Mark Webber - John Bender (The Criminal) Blake Lively - Claire Standish (The Princess) Nora Zehetner - Allison Reynolds (The Basket Case) Paul Giamatti - Richard Vernon (The Principal) Scott Bakula - Carl (The Janitor) Brady Corbet (Funny Games) fits perfectly in the All-American Jock stereotype. Jay Baruchel (Almost Famous) plays the geek better than most. Mark Webber (Stroytelling) is a genuinely disaffected youth. Blake Lively (The Sisterhood of the Traveling Pants) looks like a prom queen. Nora Zehetner (Brick) could definitely pull off the fragile, awkward loner. Paul Giamatti (Sideways) will bring a touch of class to the production as the irksome school principal. Scott Bakula (American Beauty) has that wisdom-spouting man with a mop quality that would be perfect for the janitor. " [More]
Smooth_JSmooth_J An amazing movie, but...
by Smooth_J in Smooth_J Blog
liked it.
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"American Beauty was a great film. I liked it immensely, even with my doubts about it after my dad hated it, and then my friends talked it up so much. Some parts of the movie were extremely powerful and quietly beautiful. And while the ideas pursued are really nothing we haven't seen before, it does it in a very fresh, darkly hysterical way that I've never really seen put into effect so perfectly. However, a lot of the movie feels very self-indulgent. Sam Mendes seemed to think during filming that he was creating a masterpiece (which, in some respects, is true). But it becomes almost obnoxious, especially considering the fact that he's a cynical Brit, when he creates events that would only ever occur in a stereotype. Parts of the film feel very staged and unbelievable...and while I understand his satire, which is often brilliant, it becomes tiresome when it's put into the wrong places.Now that I got my criticisms out of the way, let me tell you how much I love ... " [More]
tjl30tjl30 American Beauty
by tjl30 in tjl30 Blog
loved it.
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"This movie is great, especially the ending. The characters and plots led to a fantastic conclusion, defiantly worth watching. " [More]
paulpaul FilmCouch #20
by paul in paul on spout.com
liked it.
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"Interview with Christopher Smith director of Severance, a fall-down-funny-then-cover-you r-eyes slasher flick opening in theaters tonight. The FilmCouch group reloads discussion on what makes a villain from FilmCouch 18, and somehow draws a connection between American Beauty and Star Wars. A 33 year old German film is more relevant today than ever–Ali: Fear Eats the Soul (1974), by New German Cinema pioneer Rainer Werner Fassbinder. Download FilmCouch #20 or subscribe in the iTunes store (search for “filmcouch” or click here to launch iTunes) and a new free episode will download every Friday. Films under discussion: Severance Star Wars American Beauty Ali: Fear Eats the Soul Originally posted on:SpoutBlog » Paul " [More]
JakeStevensJakeStevens An Amazingly Written Film
by JakeStevens in JakeStevens Blog
loved it.
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"The most remarkable thing about this film is how, when viewed from their personal perceptions, each character in the film is the protagonist. The characters are so well written, so realistic, so well-rounded, that it's hard for me not to be amazed with this every time I see it. It goes without saying, but the cast is amazing, the care put into every nuance of the film shows the mark of a true master of the cinema. I've enjoyed everything Sam Mendes has put out thus far, and I'm sure I will continue to do so. A worthy winner of the Best Picture Oscar. " [More]
SpoutBlogSpoutBlog Decoding The Supreme Court Movi ...
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
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"As I understand it, the Supreme Court is *not* arguing, as Nikki Finke puts it, to make it a “crime to see American Beauty or Lolita.” The Reuters report is, admittedly, poorly written, so I’m not entirely sure what’s going on. But I *think* the law would not make it illegal to make or see a film depicting an underage person being naked or having sex; I *think* it would ban anyone from promoting such a film as containing teen sex or nudity. So the image from American Beauty to the right would be a-okay within the context of the film, but could not be distributed as an advertisement for the film. Even though Mena Suvari was 20 when the film was released, because the character she plays is underage. Right? Am I wrong? Tell me what’s really going on so I can pick a side. Originally posted on:SpoutBlog " [More]
Go-ApeGo-Ape ...look closer
by Go-Ape in Go-Ape Blog
loved it.
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"I must say that this is an amazing film. I love the ideals and thier portrayals in this film such as the white picket fence and the roses, all perfectly symetrical. I'd be lying if I said I'd seen Kevin Spacey in a bad role but I also have to say that I think this might be his best role to date. I absolutely love it when he loses it and just starts doing whatever the hell he wants to do. I also love all the techniques that Mendes uses to express the feeling of entrapment. In many of the shots of Spacey you will notice that there are often shadows cast over him or windows or blinds - anything that simulates bars, helping to express his feelings of powerlessness and entrapment in both his home and his life. This film examines the concept of beauty and popularity in society as well as the mundane aspects of life and our seeming inabilty to escape from them. This is simply an amzing film which I think that pretty much everybody should see. It may not be to your personal ... " [More]
hensdillhensdill WONDERFUL
by hensdill in hensdill Blog
loved it.
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"See it...Talk about it...So very wonderful...One of our FAVORITES...a modern classic... " [More]
RisseladaRisselada Re: Favorite Film Scores?
by Risselada in Best Movie Soundtracks
liked it.
"Yeah that could very well be. I didn't even know who the guy was until indieabby mentioned him. I knew the American Beauty soundtrack with those staccato xylophones or whatever. " [More]
RisseladaRisselada Re: Favorite Film Scores?
by Risselada in Best Movie Soundtracks
liked it.
"It's interesting how cliched or overly imitated that American Beauty type of score style has become in recent years. " [More]
[More reviews]
Review by All Movie Guide
All Movie Guide
liked it.
A darkly comic critique of suburban stupor with a measured touch of redemption, American Beauty became the most laureled film of 1999. As written by Alan Ball and directed by theatre wunderkind/film neophyte Sam Mendes, the tale of Lester Burnham's final year of life keenly delves into the repressed desires, rampant materialism, skewed values, and gnawing insecurities lurking behind the crisply manicured lawns and meticulously decorated houses lining Any Street, USA. Anchored by Kevin Spacey's gleefully sardonic yet sensitively attuned performance as doomed "seeker" Lester, the superb ensemble cast of adults and teens (including Annette Bening, Thora Birch, Chris Cooper and newcomers Wes Bentley and Mena Suvari) navigate the myriad dysfunctions with wit and flashes of pathos. Complementing the voiced desire for some kind of escape, Lester's and video voyeur Ricky Fitts' search for beauty in the mundane, whether in rose petal-strewn dreams or grainy images of a dancing bag, is given luminous life by veteran cinematographer Conrad L. Hall. Despite the complaint from a few critics that it did not truly "look closer" at the terrain previously covered by The Ice Storm (1997), Happiness (1998), and Blue Velvet (1986), American Beauty garnered several critics' circle prizes and a fistful of Golden Globes on the way to winning the Oscars for Best Picture, Best Director, Best Original Screenplay, Best Actor and Best Cinematography. ~ Lucia Bozzola, All Movie Guide
 



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