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Gojira
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Directed by Ishiro Honda.
One of the longest-running series in film history began with Ishiro Honda's grim, black-and-white allegory for the devastation wrought on Japan by the atomic bomb. As his visual metaphor, Honda uses a 400-foot tall mutant dinosaur called Gojira, awakened from the depths of the sea as a rampaging nuclear nightmare, complete with glowing dorsal fins and fiery, radioactive breath. Crushing ships, villages, and buildings in his wake, Gojira marches toward Tokyo, bringing all of the country's worst nightmares back until an evil more terrible bomb -- capable of sucking all the oxygen from the sea -- returns the monster to its watery grave. The original film is chilling, despite some rather unconvincing man-in-a-suit special effects, and brimming with explicitly-stated anti-American sentiment. All of that was removed for the U.S. release directed by Terry Morse. It was replaced with bad dubbing and tedious added footage starring Raymond Burr. The resulting edit was just another monster movie, but was still popular enough to assure future Toho Studios monster films a wide American release. Gojira No Gyakushu (1955) was next in the series. ~ Robert Firsching, All Movie Guide
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CinemaRianCinemaRian Gojira ("Godzilla") (1954, Japa ...
by CinemaRian in CinemaRian Blog
hasn't rated it.
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"The American version of Godzilla (boastfully subtitled King of the Monsters) was one of those movies that held a special place in my childhood psyche. I taped it off TNT sometime around third or fourth grade and watched it so often that it became a sort of boredom standby movie- it I was bored, it was one on a short list of movies I watched. But I left Godzilla behind me when I became pretencious, around the time of the sixth or seventh grade. Of course, I had entered the "in-between stage" of taste. I had realized that the Godzilla films had lousy special effects, bad and repitious plotlines as well as poor dubbing, but I had yet to discover the joys of those qualities. I had begun to watch movies for artstic qualities, but had no sense of irony. When I entered college and the opportunity to presented itself to see the movie again, I borrowed a friends copy of the American version as dove in, surprised to find that the movie wasn't all that cheesy but wasn't that good either. T ... " [More]
usesoapusesoap Re:Cloverfield: No Spoilers(yet)
by usesoap in HORROR MOVIES 101
loved it.
"I think I've been pretty cautious in my review I submitted for our local newspaper, so here are my thoughts and I do not think I gave much away:For its many faults, “Cloverfield” must be given the highest of praise for this – it knows its target audience extremely well.It began with a juicy-but-coy teaser trailer with this summer’s mega-blockbuster “Transformers.” It revealed no title, no recognizable stars (only producer J.J. Abrams name was credited) and no idea as to what it was really about.The only tell-tale image was that of the head of the Statue of Liberty rolling like a bowling ball down a dark New York City Street while masses flee in panic.In the following months, the internet was ablaze with speculation, conjecture, frame-by-frame analysis of the trailer, and complete dissection of the fractured bits of dialogue heard within. Then, various vague links began sprouting up that gave on tangential clues (Slusho, anyone?) as to what &l ... " [More]
usesoapusesoap Crimson and 'Cloverfield'
by usesoap in usesoap Blog
loved it.
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"For its many faults, “Cloverfield” must be given the highest of praise for this – it knows its target audience extremely well.It began with a juicy-but-coy teaser trailer with this summer’s mega-blockbuster “Transformers.” It revealed no title, no recognizable stars (only producer J.J. Abrams name was credited) and no idea as to what it was really about.The only tell-tale image was that of the head of the Statue of Liberty rolling like a bowling ball down a dark New York City Street while masses flee in panic.In the following months, the internet was ablaze with speculation, conjecture, frame-by-frame analysis of the trailer, and complete dissection of the fractured bits of dialogue heard within. Then, various vague links began sprouting up that gave on tangential clues (Slusho, anyone?) as to what “Cloverfield” promised.It was the same lightening-in-a-bottle momentum gathered by a little independent film called “The Blair Witch ... " [More]
RisseladaRisselada movie year countdown #53 - 1954 ...
by Risselada in Risselada Blog
is neutral about it.
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"This blog entry is part of my “movie year countdown”. To read more about that check out my first Spout filmblog entry.Gojira (Godzilla)I couldn't find this as profound or exciting as its legacy proclaims. It wasn't horrible, but it may be that I just don't inherently appreciate the Japanese giant monster movie genre that this really spawned.Rating: 6/10 " [More]
paulpaul FilmCouch #21
by paul in FilmCouch
hasn't rated it.
"Appropriation: Originality is overrated. Filmmakers taking footage from another film and adapting it into a new movie--Orson Welles (F for Fake), Werner Herzog (The Wild Blue Yonder) and Roger Corman (Voyage to the Planet of Prehistoric Women)--are they inspired or just desperate? In the spirit of appropriation, email a sentence into filmcouch@spout.com. Kevin and Paul will incorporate it ever so naturally into next week's show. The first person to identify the appropriated sentence wins a Spout track jacket from American Apparel (valued at $50). Download FilmCouch #21 or subscribe in the iTunes store (search for "filmcouch" or click here to launch iTunes) and a new free episode will download every Friday. " [More]
RisseladaRisselada Movie year countdown viewing pr ...
by Risselada in Risselada Blog
is neutral about it.
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"Here’s the dilemma. I have a list of well over three thousand movies I want to see saved on IMDB. I have a subscription to Netflix and recently every time I return a DVD it has been an extremely arduous task to make the decision as to which movie I should see next. In an effort to narrow down my choices and make the process of choosing slightly less overwhelming I have devised a system, almost a bit of a game for me. Here’s how it goes.For my first film selection, I have narrowed the options down to only films that were released in the year 2006. Then after I have watched that movie, my next selection would have to be a film released in 2005. Then I would see a film from 2004, then 2003, etc. The process of deciding is still laborious, but actually quite a bit more exciting. (I'm going by IMDB as my source for release years)I have already been making a list and have also already begun watching the films. I decided this might be a good time to start fooling ... " [More]
Review by All Movie Guide
All Movie Guide
liked it.
While you might have a hard time convincing most people, Inoshiro Honda's Gojira -- the film whose success launched the long-running Godzilla series and helped to make Japanese monster movies one of the nation's best known exports -- is actually an intelligent and somber parable about the legacy and consequences of the atomic bomb, told from the perspective of a people who had witnessed its impact firsthand only nine years earlier. Unfortunately, the film's serious intentions are muffled in the American release version, which has not only been dubbed and re-edited, but features new footage of Raymond Burr as American newsman Steve Martin (a name that started getting laughs of its own about 22 years after the film arrived in the States), acting alongside a handful of Asian extras who keep popping up in increasingly surreal contexts. While the U.S. cut still holds on to some of the original's dark tone, it mostly trivializes a film that deserves better; while still a low-budget monster movie, Honda's original Gojira manages to convey a genuine respect for the gravity of the issues it raises (leaving little doubt that its fire-breathing monster is, in this context, a stand-in for the bombs which leveled Hiroshima and Nagasaki), as well as a compassion for both the victims and the emotionally wounded people who left scars upon their nation while fighting the menace. If the opportunity to see Honda's original Japanese-language version of Gojira presents itself, it's a simple but powerful work well worth your time, while the Americanized cut manages to save the cut-rate spectacle but leave out what gave the original film its resonance. ~ Mark Deming, All Movie Guide
 



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