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Next Stop Wonderland
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Directed by Brad Anderson
An independent romantic comedy, Next Stop, Wonderland (1998) made headlines at the Sundance Film Festival when it became the object of a bidding war, ultimately won by Miramax Pictures to the tune of $6 million. Hope Davis stars as Erin Castleton, a night-shift nurse who's cruelly dumped by her boyfriend Sean (Philip Seymour Hoffman), a political activist. When her mother Piper (Holland Taylor) places a wildly inaccurate personals ad in the local paper, Erin is at first enraged, but then becomes curious. After she dates a variety of men who are all wrong for her, she meets Andre (Jose Zuniga), a handsome Brazilian music expert who invites her to Sao Paulo. Although Erin likes Andre, her Mr. Right is actually Alan Monteiro (Alan Gelfant), a plumber she's never met, though the two keep crossing paths. Trying to break out of his working class existence, Alan is studying marine biology but is indebted to a local mob boss, who wants him to kidnap a star blowfish from the local aquarium. Actress Taylor, the real-life aunt of co-writer, editor and director Brad Anderson, also appeared in his next film, Happy Accidents (1999). ~ Karl Williams, All Movie Guide
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Review by All Movie Guide
All Movie Guide
is neutral about it.
In a time-worn formula, Next Stop Wonderland thrusts its two sympathetic characters into the same hellish dating world, forever one step away from meeting each other, until destiny finally gives them a break. While this structure grows cloying in some films, such as 1997's 'Til There Was You, here it's redeemed by an indie talkiness that makes the whole outing more cerebral than a typical romantic comedy might. But it's still light on its feet, due both to the naturalistic writing and the influence of the two charming leads, Hope Davis and Alan Gelfant. Their earnest goodness is actually fun to watch, and it underscores the shallowness of the other specimens in the dating pool, only slightly caricatured for effect. There's some good screwball humor here, too -- a lot of the minimal drama surrounds whether Gelfant's goodhearted marine biologist should whack a fish. Director Brad Anderson brings Boston, where the film was shot, to vivid life, setting several scenes in haunts that are popular with real Boston twentysomethings. The film's title comes from a station on the blue line of Boston's subway system, otherwise known as "the T." ~ Derek Armstrong, All Movie Guide
 

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