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Oh! What a Lovely War
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Oh! What a Lovely War is an every-man-for-himself adaptation of Charles Chilton's 1963 play, as staged in London by Joan Littlewood. The tragedy of World War I is redefined in bawdy music-hall terms, beginning with a verbal free-for-all involving the Crowned Heads of Europe. The war is presented as the "new attraction" at the Brighton Amusement Pier, complete with syrupy cheer-up songs, shooting galleries, free prizes and a scoreboard toting up the dead. Throughout the proceedings, the camera concentrates on a middle-class family, whose five sons end up as cannon fodder. The final image is a veddy proper British picnic on a graveyard. Of the many fleeting satiric images parading past the camera, one of the most indelible is the sight of several generals playing leapfrog as the world all around them goes to hell in a handbasket. The awesome all-star cast includes Laurence Olivier, Ralph Richardson, Maggie Smith, John Gielgud, Michael Redgrave, Jack Hawkins, John Mills, Susannah York, Dirk Bogarde and Phyllis Calvert. We haven't seen this many Englishmen in one place since the last Wimbledon match. The whole affair was supervised by Richard Attenborough, making his directorial debut (a question: why was he up to the challenge of this musical extravaganza, yet seemed helpless in the face of 1985's A Chorus Line?). ~ Hal Erickson, All Movie Guide
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Review by All Movie Guide
All Movie Guide
lost interest.
Filmed at the height of the Vietnam conflict, Oh! What a Lovely War is a strange, one-of-a-kind musical film. It is not for all tastes and definitely has its share of flaws: It drags at times, the mixture of styles does not always work, it can be too ironic by half, the revue-like nature of the source material does not always translate well to the screen, the parade of impressive British talent becomes obtrusive, and it is occasionally obscure. But it also is undeniably powerful and features individual sequences that linger in the memory long after the movie is over. Among these are the image of a toy merry-go-round with toy figures which becomes a live merry-go-round with live soldiers and then becomes live soldiers in too-real combat, or the sequence in which a proper English lady convincing young boys to join up for the effort suddenly becomes a tart duping boys into coming up on-stage. And few cinematic moments make as bold a statement as the end sequence, in which a child at a picnic asks what his Daddy did in the war. There is no answer, only the camera deliberately pulling back to reveal first one cross amid some poppies, then another cross, and then more until the viewer sees that the picnic is taking place in a cemetery that eventually fills the screen. In such sequences, director Richard Attenborough displays an impressive mastery of touch. If the film is not a complete success, it does contain individual moments that are exceptional. ~ Craig Butler, All Movie Guide
 

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