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Amistad
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Directed by Steven Spielberg.
This Steven Spielberg-directed exploration into a long-ago episode in African-American history recounts the trial that followed the 1839 rebellion aboard the Spanish slave ship Amistad and captures the complex political maneuverings set in motion by the event. Filmed in New England and Puerto Rico, the 152-minute drama opens with a pre-credit sequence showing Cinque (Djimon Hounsou) and the other Africans in a violent takeover of the Amistad. Captured, they are imprisoned in New England where former slave Theodore Joadson (Morgan Freeman), viewing the rebels as "freedom fighters," approaches property lawyer Baldwin (Matthew McConaughey), who attempts to prove the Africans were "stolen goods" because they were kidnapped. Running for re-election, President Martin Van Buren (Nigel Hawthorne) overturns the lower court's decision in favor of the Africans. Former President John Quincy Adams (Anthony Hopkins) is reluctant to become involved, but when the case moves on to the Supreme Court, Adams stirs emotions with a powerful defense. The storyline occasionally cuts away to Spain where the young Queen Isabella (Anna Paquin) plays with dolls; she later debated the Amistad case with seven U.S. presidents. The character portrayed by Morgan Freeman is a fictional composite of several historical figures. For authentic speech, the Africans speak the Mende language, subtitled during some scenes but not others. ~ Bhob Stewart, All Movie Guide
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JakeStevensJakeStevens WTF, Spielberg?
by JakeStevens in JakeStevens Blog
lost interest.
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"Very torn about this film. I think the power of the story is undeniable, but Steven Spielberg's direction is maudlin and oversentamentalized, which takes away the power of the statement. The best moment of this film is Anthony Hopkins' 10 minute monologue, which is truly inspired, the worst is Anna Paquin's terrible Spanish accent. I found John Williams' score distracting at times, particularly the French Horns (don't get me wrong, I love French Horns) that would be playing underneath some important exposition. Cinque's backflash of his journey to America is horrifying, much like Schindler's List, but those moments are few and far between. And could Morgan Freeman be more underutilized? Sheesh! A big, fat Hollywood movie that should have been lean and mean. " [More]
JimBellJimBell Amistad
by JimBell in JimBell Blog
liked it.
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"Amistad (1997) deftly side-steps the stereotype of a slavery movie. Through three successive trials the issue expands into a battle between doing the right thing and being political expedient—a theme that resonates today from the nearest bureaucracy to federal governments. The photography is top notch, Steven Spielberg keeps things moving along, and Anthony Hopkins, as John Quincey Adams, shows what great acting is all about. There are a few awkward bits which probably kept the movie from winning many awards even though it was nominated for several. But there are some really excellent aspects. The way in which the African slaves can speak to no one and no one can make themselves understood drives home the enormous initial difficulty of developing any understanding between races. The way in which the macho African cannot understand the slimy American judicial system dramatizes a culture clash. We see the advantages of being macho—tearing your chains out of the ship&rsquo ... " [More]
 



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loved it.
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loved it.
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