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Fifth Avenue Girl
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A wealthy older man and a poor young woman each get a chance to see how the other half lives in this comedy. Alfred Borden (Walter Connolly) is a millionaire who feels neglected by his family. His wife Martha (Verree Teasdale), daughter Katherine (Kathryn Adams), and son Tim (Tim Holt) usually ignore him, and all three manage to forget his birthday completely. Depressed and alone, Alfred bumps into Mary Grey (Ginger Rogers), a young woman who is out of work but is still happy with her lot in life. Alfred invites her to go to a night spot with him, and he soon hatches a scheme by which Mary will move into the guest room of the Borden Mansion and pose as a gold digger who is toying with Alfred's affections to get at his money. Mary's presence has a sudden impact on the family; Martha realizes that she needs to pay more attention to her husband, Katherine falls in love with the family's leftist chauffeur (James Ellison), and Tim starts taking an interest in the family business, and in Mary. ~ Mark Deming, All Movie Guide
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All Movie Guide
lost interest.
Fifth Avenue Girl starts out high but never catches the fire that its early sparks promise, ending up a watchable but disappointing semi-screwball comedy. Although the premise is far-fetched in that "only Hollywood" way, this is a minor flaw that would be easily forgiven if Girl had reached the heights that it keeps aiming for. Unfortunately, this kind of film has to float, light as a feather, and even the smallest missteps can send it crashing Earthward. With Girl, the screenwriting team doesn't provide enough big laughs, irresistible characters, and the opportunity for charm to keep it aloft. It also suffers from a total and intense lack of chemistry between Ginger Rogers and her supposed love interest, Tim Holt. Holt compounds the problem by turning in a performance that is unrelentingly dull. Rogers is much better, but her decision to play the role in a very low key -- which provides for some comic pay-offs initially -- becomes a bit wearying before the film ends. The normally astute director Gregory La Cava is off his form here, with pacing a problem, as is his inability to make the various strands of the story mesh comfortably. On the plus side, the cinematography is quite nice, and the art direction is impressive, and Walter Connolly's millionaire is all one could ask for. If Veree Teasdale is slightly off as his wife, and if Kathryn Adams is at best adequate as his daughter, the rest of the supporting cast comes through with solid work. Girl is not the top-drawer laugher it should have been by any means, but those looking for an unknown comedy from the era should give it a try. ~ Craig Butler, All Movie Guide
 

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