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Men With Guns
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Directed by John Sayles
A powerful political allegory set in an unnamed Latin American country, Men With Guns concerns Dr. Fuentes (Federico Luppi), an elderly physician long involved with a group that trains young people to provide health care for the poverty-stricken citizens of the outlying hill country, where small agricultural communities struggle to survive under primitive living conditions. The doctor has heard rumors that many of his former students are lost and feared dead, so he goes into the hills to investigate. The deeper he digs into the jungle, the more Fuentes finds that the people are menaced by "men with guns'" -- military forces who use torture and execution to intimidate the people, and guerillas from opposition groups whose agenda is only marginally more benign. Accumulating several travelling companions -- a defrocked priest, a deserter from the Army, a boy who survives by stealing, and a woman who has turned mute since she was raped -- Fuentes finds that his journey becomes more revealing but also more perilous the deeper he ventures into the hills. American writer and director John Sayles filmed most of Men With Guns in Spanish (an language he speaks fluently), as well as several indigenous dialects; he claims to have based most of the film's incidents on actual events that have occurred in a number of different Third World nations. Mandy Patinkin has a brief role as an American tourist Fuentes encounters in his travels. ~ Mark Deming, All Movie Guide
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Review by All Movie Guide
All Movie Guide
is neutral about it.
Men With Guns fell victim to a surprisingly cool reception upon its release, one that suggested John Sayles' long winning streak had finally been broken. This powerful and uncompromising film simply doesn't bear that notion out. Maybe the muted response had more to do with the general unwillingness to acknowledge the reality of Third World violence, a topic Sayles confronts head-on here. That he chose to set the film in an unnamed Spanish-speaking country allows him to deal with generalities rather than specifics and frees Men With Guns from the overt didacticism from which it might otherwise have suffered. In a performance of tremendous gravity, Frederic Luppi conveys the confusion of a man whose long-accepted notions of good and evil fall victim to the grim scenes he encounters, recognizing that whatever ideology they profess, it is a far more simplistic approach to politics that drives the competing bands of armed men. Ever humane, Sayles offers glimmers of hope, but overall the film remains as grim as its subject matter. This grimness may have been the source of some viewers' complaints, but it would have done a disservice to the subject to portray it otherwise. ~ Keith Phipps, All Movie Guide
 

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