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American Dream
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Directed by Barbara Kopple.
Depicting the effects of a mid-1980s strike by the employees of a Hormel meat-packing plant in Austin, Minnesota, Barbara Kopple's Academy Award-winning documentary American Dream observes both the daily struggles of the striking workers and the behind-the-scenes conflicts amongst the union leaders. Upset at a proposed pay cut, the local union chapter begins the strike against the advice of their parent organization, hiring an outside consultant who encourages the workers. This consultant's aggressive, no-compromise approach turns the conflict into national news but also alienates management. Soon, despite the efforts of a seasoned negotiator sent by the parent union, the company has locked out the workers and hired scabs, leading to a series of violent conflicts amongst members of the community. The workers' resolve progressively fades as the battle extends into months and years, and the financial hardships they and their families suffer leads some to doubt the value of their efforts. Kopple, who had previously covered an extended miner's strike in the acclaimed 1977 documentary Harlan County, USA, focuses on the personalities and emotions behind the strike, creating a highly charged portrait of labor that is sympathetic to the workers' distress without ignoring the strike's greater ambiguities. ~ Judd Blaise, All Movie Guide
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"Don’t be fooled, now. This film may look like a beautiful, epic piece of cinema, but that’s likely only because it was shot by Xiaoding Zhao, whose relatively short cinematography resume includes Zhang Yimou’s House of Flying Daggers (for which Xiaoding received an Oscar nomination), Riding Alone for Thousands of Miles and Curse of the Golden Flower (he was also a cameraman for Yimou’s Hero). So yeah, The Children of Huang Shi will certainly be a good looking film, but notice who the director is. That’s right, Roger Spottiswoode, a guy whose worst film is difficult to decide upon. I’d say it’s a toss up between The 6th Day and Stop! Or My Mom Will Shoot. I’ve never seen Terror Train, though. That one sounds like a contender. Another thing this film does have going for it is the Oscar-winning producing skills of now-81-year-old Arthur Cohn. He’s had a pretty great career, having partnered with De Sica on his later films, including the The Garden of the Finzi-Continis, and having had ... " [More]
Review by All Movie Guide
All Movie Guide
is neutral about it.
Barbara Kopple's unflinching look at labor troubles is a potent look at organized labor's diminished stature in Ronald Reagan's America. Kopple understands that this story bears only slight resemblance to her previous foray into this territory, Harlan County, U.S.A., where determined coal miners and their strong union squared off against unyielding company bosses over basic issues of safety, job security, and decent wages. In that film, the good guys and the bad guys were clearly delineated; here, the workers, many of them women, gain our sympathy, but their enemy isn't clearly defined. In defying their own union to go on strike, the Hormel meat packers put themselves out on a very long limb. Kopple allows us to see all of this clearly, her cameras always in the right place to catch a key speech or to focus on an eloquent facial expression, as the story heads toward its inevitably sad conclusion. ~ Tom Wiener, All Movie Guide
 



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