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Scratch the Surface
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Directed by Tara Fitzpatrick
Scratch the Surface is former teen model turned documentary filmmaker Tara Fitzpatrick's examination of experiences in the fashion industry, and those of her friends and family. Fitzpatrick interviews her mother, aunt, and grandmother, and her sister Tracy Fitzpatrick, all of whom were models. She interviews her contemporaries, Phoebe Cates and her sister, Valerie, Whitney Houston, Brooke Shields, Pamela Gidley, and Lisanne Falk. They tell anecdotes about their experiences, offer their impressions of the business, and discuss the impact of growing up in the public eye. Eileen Ford of the Ford Modeling Agency, John Casablancas of Elite Modeling, former Seventeen Magazine editor Midge Richardson, and makeup artist Bonnie Maller also give their perspective, which often differs substantially from that of the former models. Supermodel Bridget Hall, at the height of her career when the film was made, gives a less detached view of that world. Most of these young women decry the powerful influence of beauty magazines and advertisements on American culture, and each seems to have at least one horror story about how she was treated. But almost all of them acknowledge that their exposure to the business at such a young age ended up having some kind of positive impact on their lives. ~ Josh Ralske, All Movie Guide
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Review by All Movie Guide
All Movie Guide
lost interest.
Tara Fitzpatrick's Scratch the Surface captures a few insights into the world of teen modeling, but as its title suggests, it never delves deeply enough into its subject. Because Fitzpatrick, a former teen model, focuses on the experiences of her friends and family, and doesn't include a perspective from anyone outside the business, the film doesn't work as an exposé or as a thoughtful critique of the fashion industry. But Scratch the Surface doesn't really work as personal filmmaking either. Though she claims that the former models interviewed (including Whitney Houston, Brooke Shields, and Phoebe Cates) are her "friends," there's never any real sense of camaraderie among them. They never seem to be any more than former co-workers in a business that set them in competition against each other. The most insightful of the models interviewed is Valerie Cates, who didn't start modeling until she was inspired by her younger sister, Phoebe. Having started her career at a later age, she also comes closest to having an outsider's perspective. This suggests that a broader view of the subject would have been more informative. The film is haphazardly edited. Every time a subject begins to tell an amusing or interesting story, the filmmaker cuts to a snippet of another interview before returning to the anecdote, which lessens its impact. It's also not clear why Fitzpatrick chose to make her film in black-and-white, but one suspects that it was to impart her film with an unearned seriousness. Scratch the Surface is a sporadically enjoyable, but sloppily made documentary that relies too heavily on its audience's fascination with the very superficiality it means to critique. Youth and beauty are indeed overvalued in American culture, and Scratch the Surface is more another symptom than it is a meaningful analysis of the phenomenon. ~ Josh Ralske, All Movie Guide
 

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