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L.A. Confidential
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Directed by Curtis Hanson.
Based on the best-selling novel by James Ellroy, this award-winning crime drama explores both the dark side of the Los Angeles police force and Southern California's criminal underbelly in the early '50s, when Hollywood was still seen as America's capital of sophistication, glitter, and glamour. Dudley Smith (James Cromwell) is the head of the LAPD and is loyal to his officers and eager to turn a blind eye to violence or corruption within his department, as long as it's the "bad guys" who are getting hurt. Bud White (Russell Crowe) is a police detective whose violent and cynical nature is often at war with his basic sense of decency and justice. Ed Exley (Guy Pearce) is a beat cop-turned-detective whose strict by-the-book philosophy and willingness to blow the whistle on other officers is balanced by a shrewd and opportunistic understanding of the internal politics of the department. And Jack Vincennes (Kevin Spacey) is a flashy "Hollywood" detective who serves as technical advisor for the TV series Badge of Honor. He is also in cahoots with Sid Hudgeons (Danny DeVito), publisher of the scandal sheet Hush Hush, who throws kickbacks to Vincennes in exchange for being brought along when showbiz figures get busted. White, Exley, and Vincennes find themselves drawn into a tangled and sticky web of violence and betrayal following a multiple murder at a coffee shop that is believed to be part of an effort by Mickey Cohen (Paul Guilfoyle) to consolidate his hold on organized crime in L.A. This lead appears to be connected to the discovery of a bizarre pornography and call-girl ring operated by Pierce Patchett (David Strathairn), whose women are given plastic surgery so that they more closely resemble well-known movie stars. White's role in the investigation is complicated when he falls for Lynn Bracken (Kim Basinger), one of Patchett's prostitutes, who is the spitting image of Veronica Lake. L.A. Confidential was nominated for nine Academy Awards and won two, with Curtis Hanson (who directed) and Brian Helgeland honored for Best Adapted Screenplay and Kim Basinger taking home a statuette as Best Supporting Actress. ~ Mark Deming, All Movie Guide
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usesoapusesoap Takin' it to the 'Street'
by usesoap in usesoap Blog
liked it.
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"Sure, it’s good to be the king, be it Henry VII, Billie Jean or Stephen. But there are so-called “kings” of questionable virtue.1) The King of Pop: A dandy whose contributions to the music arts have been eclipsed by his personal predilection for young squires in his kingdom.2) Burger King: Rules by treating his subjects to high-fat, empty-calorie meals; contributes to obesity epidemic; stars in rather creepy commercials where he’s often depicted as a voyeur.3) Chess King: Flagrant violator of many laws of fashion; turns a blind eye while keeping his minions ensconced in garish, pseudo-suave outfits.We can now add the “Street Kings” to the list of those with dubious contributions during their sovereignty. While it possesses a few complimentary attributes, its overall merits are overshadowed by a number of tired cinematic truisms.Keanu Reeves heads a cast of misused and miscast talent in the latest police drama from a man (directo ... " [More]
JakeStevensJakeStevens Wow
by JakeStevens in JakeStevens Blog
loved it.
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"After watching a few stinkers in the past couple of days, this film was like...well...a love explosion! THIS is the way films ought to be made. Fantastic performances, superb set design, a masterfully crafted plot and script, mounting tension, tons of rewatchability...what more can you ask for in a film? A classic that I can't believe is already a decade old... " [More]
SpoutBlogSpoutBlog Trailer of the Day: Street Kings
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
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"Oh, Keanu Reeves, must you continue playing cops? I’d rather you did more Shakespeare, in which you’re actually more believable. But no, after Point Break (I consider FBI agents to be cops) and Speed, you have to go and do Street Kings and try to make us accept you as one of the hardest vice detectives to ever grace the big screen. Want a cookie? Or an Oscar? Even if you do pull off the equivalent of what Ethan Hawke did in Training Day, you’re not going to get the notice of the Academy. The only thing keeping you from being the least likely actor to be taken seriously as a tough undercover officer is the existence of Paul Walker, whose performance in The Fast and the Furious makes you look like Dirty Harry. Speaking of Training Day and The Fast and the Furious, the screenwriter behind those two movies, David Ayer, is the director of Street Kings. Fortunately, he didn’t write this one. The guys who did write it are L.A. Confidential novelist James Ellroy, who also came up with the ... " [More]
marymcilwainmarymcilwain Christmas Evil
by marymcilwain in Dollar Video Curator
liked it.
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"Light up the tree, sip some nog and strap on your weapon of choice. It’s Christmas in Hollywood, California. The Yule tide is gay, Ol' Anx-i-ety, is high…but what to watch? The curator has dug deep into the shadowy recesses of the holiday genre shelf and put together for you dear reader, a double feature sure to fill you to the brim with happy, happy holiday cheer. Not only that…it’s all a part of what Christmas is like in Los Angeles, and here’s why you should believe everything you see in the movies. Everyone should believe in something, especially at this sacred time of year. The films: Die Hard and LA Confidential Viewing order importance: Whatever strikes your fancy Die Hard What happens when a street hardened New York cop comes to Los Angeles to visit his estranged wife for the Holidays, attempts to join her office Xmas party, takes off his shoes and encounters some bad dudes? Why it’s the feel-good movie of the year! Move over Will Smith and your whimsic ... " [More]
ShaunHustonShaunHuston An At-Home Film Festival: catch ...
by ShaunHuston in ShaunHuston filmblog
hasn't rated it.
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"The movies in our DVD collection can be broadly categorized like this:Ones that we, and particularly Anne-Marie, will watch pretty casually. These tend to be films that are simply “watchable,” that we are already pretty familiar with, and/or can be watched for individual moments. Examples of these films include Dazed and Confused (1993), 10 Things I Hate About You (1999), and L.A. Confidential (1997).Ones with which we are familiar with and may watch casually, but are more, or at least just as, likely to watch with focus. Among these films are The Godfather (I and II), The Third Man (1949), and The Royal Tenenbaums (2001). Much as Anne-Marie is more likely to pop in a movie as background, I am more likely to devote my attention to a film I've chosen to watch. Both of these categories of films are the kinds of movies we're likely to watch when home sick, or have the luxury of a lazy day.Finally, there are those that we have in our collection, but rarely watch. In some c ... " [More]
marymcilwainmarymcilwain Christmas Evil
by marymcilwain in Dollar Video Curator
liked it.
Was this review helpful? [Be the first to tell us!]
"Light up the tree, sip some nog and strap on your weapon of choice. It’s Christmas in Hollywood, California. The Yule tide is gay, Ol' Anx-i-ety, is high…but what to watch? The curator has dug deep into the shadowy recesses of the holiday genre shelf and put together for you dear reader, a double feature sure to fill you to the brim with happy, happy holiday cheer. Not only that…it’s all a part of what Christmas is like in Los Angeles, and here’s why you should believe everything you see in the movies. Everyone should believe in something, especially at this sacred time of year. The films: Die Hard and LA Confidential Viewing order importance: Whatever strikes your fancy Die Hard What happens when a street hardened New York cop comes to Los Angeles to visit his estranged wife for the Holidays, attempts to join her office Xmas party, takes off his shoes and encounters some bad dudes? Why it’s the feel-good movie of the year! Move over Will Smith and your whimsic ... " [More]
ShosmanShosman I totally met him!!
by Shosman in Shosman Blog
loved it.
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"I loved this movie, it's a funny memory for me. At the time, I guess, according to my mother, I was to young to see it. When it first came out on video, my grandmother rented it and let me watch it with her. I think we both got in trouble. haha! I just remember how much I loved it. AND when I was at the OCS graduation formal for my brother, this couple was at our table. He was graduating as well. And he was an actor, we were talking and he was like, "yeah, I think the only movie that you would know that I was in would be, LA Confidential." As I was picking up my jaw from the table, I think I let out a little shreak. Me the one that would NEVER be star-struck... HA! I couldn't help it. He said that he was someone with just a few lines. AND as I'm writing this I'm kicking my butt for not remembering his name, BUT he was an attractive redhead... he played a cop. Watch for him next time... I know I will!! So, this is more than a movie to me, not only good, but ... " [More]
JimBellJimBell L. A. Confidential
by JimBell in JimBell Blog
loved it.
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"L.A. Confidential (1997) is a stellar movie and probably my favourite neo-noir film. Jack Vincennes (Kevin Spacey), burned out cop, and Bud White (Russell Crowe), a tough cop, try to solve related murders and team up with the lily white, ladder-climbing Detective Ed Exley (Guy Pearse) to find out how a police chief (James Cromwell) and a hooker (Kim Basinger) are all tied up in the City of Angels mess. “Off the record, on the QT, and very hush-hush,” as the reporter (Danny DeVito) keeps saying. In case we had a predilection to glorify 1953 as an innocent time, the L.A. police force of the day acts like the typical bureaucracy today except they kill more people. Wonderful acting, dialogue, action, photography, costumes and sound track make this tough-talkin’ bad-cop movie a winner. " [More]
HairyLimeHairyLime Re: REMAKES & BOOK ADAPTATI ...
by HairyLime in movie_maniacs
liked it.
"1. Adaptation - Well, the obvious first choice for adaptation (and the most creative movie adaptation I've seen, although I'm not sure I'd like to be the author).2. L.A. Confidential - They managed to condense a lot of this densley plotted book into an effective movie, at first I was annoyed with its 'Readers Digest' take on Ellroy, but years later, I see it was the right way to go.3. 1984 - both an adaptation and a remake, John Hurt makes a great Winston Smith, the dark industrial atmosphere perfectly captures the feel of the book and Richard Burton gives a great last performance. " [More]
NANCANNANCAN About As Good As It Gets
by NANCAN in NANCAN Blog
loved it.
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"Sometimes when Hollywood tries to do a retro film, it's just too slick and off the mark. The characters are just too perfect and the sets are too pristine. Fortunately, they got it right here. Characters are believable and the story is good. There's a couple of nice twists and the bad guys are really bad. Kevin Spacey does a nice job here; as good as he was in The Usual Suspects. I'd even go as far to say he may have peaked with this film, because a few of his films that followed certainly fell short of expectation. Danny DeVito is cast perfectly as a sleazy gossip monger, and you'll almost like Russell Crowe, too. (Again, before he was huge star and maybe less of a jerk overall). The only criticism I'd make is that Kim Basinger's performance may not have been Oscar-worthy, but then again, you decide. " [More]
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Review by All Movie Guide
All Movie Guide
liked it.
A polished policier in the tradition of Chinatown (1974), with a plot as convoluted as film noir chestnut The Big Sleep (1946), L.A. Confidential (1997) proved that it was still possible to fashion an actor-driven detective yarn in 1990s Hollywood. Adapting the story from James Ellroy's novel, director Curtis Hanson deftly captures the glamour and sleaze of post-war Los Angeles, where hookers look like movie stars and movie stars are mistaken for hookers, as an antagonistic trio of police detectives discovers how deeply ingrained the city's corruption has become. Russell Crowe's pugnacious White, Guy Pearce's smug Exley, and Kevin Spacey's smooth, celeb-struck Vincennes are all somewhat tainted, but even they cannot quite believe the rot they uncover; the accompanying gallery of rogues and innocents, including scandal mongers, prostitutes, and other cops, constantly shifts the moral order. Dante Spinotti's cinematography and Jeannine Oppewall's detailed production design lend a period sheen while richly alluding to the shadowy truth hidden by symbols of law and order. Opening to raves, particularly for the lead trio and Kim Basinger's Veronica Lake-esque pro, L.A. Confidential swept the critics' awards for Best Film and received nine Academy Award nominations. In the wake of Titanic, though, only Basinger and co-screenwriters Hanson and Brian Helgeland won statuettes. ~ Lucia Bozzola, All Movie Guide
 



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