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Falling Down
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Directed by Joel Schumacher.
It's just not William Foster's (Michael Douglas) day. Laid off from his defense job, Foster gets stuck in the middle of the mother of all traffic jams. Desirous of attending his daughter's birthday party at the home of his ex-wife (Barbara Hershey), Foster abandons his car and begins walking, encountering one urban humiliation after another (the Korean shopkeeper who obstinately refuses to give change is the worst of the batch). He also slowly unravels mentally, finally snapping at a fast-food restaurant that refuses to serve him breakfast because it's "too late." Running amok with an arsenal of weapons at the ready, Foster -- also known as "D-FENS" because of his vanity license plate -- rapidly becomes a source of terror to some, a folk hero to others. It's up to reluctant cop Prendergast (Robert Duvall), on the eve of his retirement, to bring D-FENS down. ~ Hal Erickson, All Movie Guide
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leeroy711leeroy711 Leeroy's 5 queue picks for June ...
by leeroy711 in leeroy711 Blog
liked it.
1 out of 1 people found this review helpful. [What do you think?]
"These may not be the greatest titles of all time, but they're the right movies for right now The summer is starting, vacations are being planned, station wagons are being packed but all you can think of is sitting down in your favorite chair and zoning out in front of the tube. These are for you. Falling Down (1993) – Some people remember Joel Schumacher as the director that tried to ruin the Batman movies, some remember him much loved generation X classic, The Lost Boys. I choose to think of him as the director of this gem of an action/drama/dark comedy. This movie is perfect for the beginning of summer because one of the most memorable images is that of Michael Douglas’ sweat beaten body stuck in traffic with no air conditioning. Intolerable Cruelty (2003) – I think of Fargo and No Country for Old Men as the Oktoberfest special batch from the Coen brothers’ brewery. This movie would be slightly dilut ... " [More]
leeroy711leeroy711 Re:Top 5 movies that take place ...
by leeroy711 in Top 5
liked it.
"1. Planet Terror2. Magnolia3. Falling Down4. Jacob's Ladder? sort of5. 25th Hour " [More]
JakeStevensJakeStevens Falling Down Hits Pay Dirt
by JakeStevens in JakeStevens Blog
loved it.
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"Most of the time, when a villain utters the phrase "You and I, we're alot alike" to the hero, it's cliche. Never is that line spoken in this film, but the theme is very much there, and it's true - both characters are "obsolete" in their fields, but Douglas' character has broken, while Duvall's has maintained his sanity. This film is a FANTASTIC character study, with many levels of subtlties buried in the script. You may often times find yourself cheering for Douglas' character, until you realize he's taken it too far (as in the burger joint scene), and it becomes frightening, almost sad - you can see the misery this sociopathic person is in. Joel Schumacher has taken a lot of heat in recent years as a terrible director (and believe me, I won't defend those particular films - they're awful), but this film alone ought to allay anyone's doubts as to his mastery of craft. Definitely in my top 20 of all time. " [More]
RisseladaRisselada Re: Top 5 'Fight The Power' Movies
by Risselada in Filmspotting
liked it.
"Brazil. Mr. Smith Goes To Washington. The Shashank Redemption. Catch-22. One Flew Over the Cuckoo's Nest. Falling Down. Gattaca. I Stand Alone. The Fugitive.More when I think of them... maybe. " [More]
beatmeoutofmebeatmeoutofme .."and now you're gunna di ...
by beatmeoutofme in beatmeoutofme Blog
loved it.
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"After seeing this movie in bits and pieces randomly over time I finally sat down and watched it all the way through. This movie is very good. The acting and dialouge takes on an almost corny aspect at times. A slight over dramatic to it but with a sence of realism. I think they do this to emphasis peoples quarks. This guy has lost his mind. Wanders the streets of LA not allowing anyone to treat him with anything but mutual respect. The movie has a social/political statement thats amplified by the fact that "d-fence" is a guy who worked for a defence company building bombs during the cold war and was fired because he wasnt "economicaly viable." At times it can be funny. Over all it has a nice pace to it gets right into the story. Michael Douglas does a very good job in this role. Its one of those movies where you have to decide if you like the bad guy or not. Most people will find it hard not too. " [More]
JimBellJimBell Falling Down
by JimBell in JimBell Blog
loved it.
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"Falling Down (1993) At time when it was politically incorrect to do so, Joel Schumacher made a move about a white, middle-class man. All the man wants to do is get home for his daughter’s birthday party. And therein lies a story. Although this is an excellent movie, I cannot imagine most people being interested in it. Female (yes, half the population)—you might really object. One of the best scenes in the movie is when a level-headed police officer interviews the protagonist’s ex-wife. She’s wondering whether her restraining order prohibits her husband from coming within 100 feet or 100 yards. Did her husband drink? Of course not. Did he do drugs? Definitely not. Did he hurt the little girl? He’d never think of it. Did he strike her? Never, but he sometimes looked peculiar. So he is divorced and unable to see the love of his life, his daughter, and the second love of his life, his ex-wife. In a superb example of editing, the camera remains on the wif ... " [More]
Review by All Movie Guide
All Movie Guide
is neutral about it.
Joel Schumacher's social commentary features an exceptional performance from Michael Douglas as D-Fens, a man who unravels under the weight of the nerve-wracking oppression of the Establishment. Balancing precariously on the edge of convention, D-Fens' sense of the "American way" is increasingly undermined as one frustration after another materializes during his mission through the urban jungle of Los Angeles. In the course of his plunge into a profound, sociopathic disillusionment, D-Fens strips away society's constructs to reveal internally flawed social and economic mechanisms. The host of caricatures he encounters, from a stingy Korean store owner to uncompromising fast-food employees, turf-conscious gangbangers and a neo-Nazi army-surplus store owner (played with gleeful ickiness by Frederic Forrest), are products of a dehumanizing social and economic system, and are used to symbolize capitalism's darker side. Schumacher does well to pinpoint the flaws of the system, but unfortunately he offers nothing in the way of solutions. Meanwhile, both Douglas and the peerless Robert Duvall nail their respective roles and find their grooves within a well-written script. This street-smart film is as entertaining as it is biting, but ultimately suffers from a denouement not nearly as spectacular as its build-up; what could have been a modern masterpiece is downgraded to exceedingly above-average cinema. ~ Mike DiBella, All Movie Guide
 



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