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Gridlock'd
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In this hard-edged drama with a strong undercurrent of dark comedy, Stretch (Tim Roth) and Spoon (Tupac Shakur) are two friends who share both a passion for music and a dependence on heroin. Stretch and Spoon play in a jazz combo with Cookie (Thandie Newton), and after a New Year's Eve gig, they score drugs and get high together. Cookie lacks her friends' experience with hard drugs and soon ends up in the hospital after a severe overdose. Cookie's brush with death turns out to be a serious reality check for Stretch and Spoon, and they decide that it's time to kick drugs and get clean and sober. But both men know that they can't get off heroin on their own, and therein lies the problem; as they try to navigate a complex maze of social service agencies (who can't help them get treatment because they aren't on welfare), drug treatment facilities (one of which turns them away because they're only equipped to handle alcoholics), and hospitals (where, in order to be admitted as emergency patients, Stretch and Spoon ponder how to go about stabbing each other) in search of a detox program. The two friends begin to wonder if it might simply be easier to stay on drugs than to get healthy. Gridlock'd marked the feature film directorial debut for actor Vondie Curtis Hall, best known for his work on the TV series Chicago Hope; Elizabeth Pena and John Sayles both appear in supporting roles. Rap musician-turned actor Tupac Shakur, who played Spoon, died in a drive-by shooting four months prior to the release of this film. ~ Mark Deming, All Movie Guide
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Review by All Movie Guide
All Movie Guide
is neutral about it.
Vondie Curtis-Hall's corrosive film about two strung-out jazz musicians attempting to kick their heroin habit has some fascinating insights into that process but is thrown off course by its uncertain tone. Late rap idol Tupac Shakur and Tim Roth star as the musicians who decide to kick heroin after witnessing the overdose of a singer friend Thandie Newton. The director attempts to crossbreed a horrific vision of the lives of these two characters with a gallows humor about their predicament, but the dramatic scenes of suffering are so wrenching, and so well-played that laughter is often impossible. Much of the film is taken up with the characters' futile attempt to get help from various drug-treatment facilities, and their bizarre debate about whether they should stab each other in order to be admitted to a Detroit hospital drug program is a satiric high point. The surprise of the film is the charismatic performance of Shakur, who was murdered after the film was made. He and Roth have a terrific rapport, and for their work alone the film is worth seeing. But for anyone who has witnessed the ravages of heroin addiction, and the threat of violence that lurks in its shadow, the wisdom of introducing a comic note is at least debatable. ~ Michael Costello, All Movie Guide
 

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