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Kissed
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Directed by Lynne Stopkewich
In this strikingly original independent drama from Canada, a young woman finds that her obsession with death is challenged when she falls in love with a handsome medical student. Sandra Larson (Molly Parker) was fascinated with the dead from an early age; as a girl, she and her best friend would find the bodies of birds and small animals and devise funeral rituals for them, though Sandra always took these adventures far more seriously than her compatriot. As Sandra matures into womanhood, her obsession with the deceased begins to develop a sexual component, but her necrophilia is not about lust so much as a spiritual yearning for the light and calm of death's embrace. In college, Sandra studies embalming, which allows her to study and embrace death on a daily basis, and she finds work at a funeral home owned by Mr. Wallis (Jay Brazeau), a man who in his way shares her obsessions. One day at a coffeeshop, Sandra meets Matt (Peter Outerbridge), who is studying to be a doctor; she senses that he knows her secrets, and a tentative romance blooms between them. But while Matt wants to "cure" Sandra of her intimate feelings for death, she finds that he's not capable of understanding her erotic nature, which is directed within herself more than outward toward others. Understandably controversial upon its initial release (though far more subtle and poetic than one might expect given the subject matter), Kissed was the first feature film from director Lynne Stopkewich, who previously distinguished herself as a production designer. ~ Mark Deming, All Movie Guide
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Review by All Movie Guide
All Movie Guide
is neutral about it.
Kissed is a film about a woman who finds spiritual meaning in her life by making love to the dead. It sounds like the stuff of cheap horror movies, but in the hands of director Lynne Stopkewich, it becomes almost religious. Molly Parker stars as the death-obsessed Sandra, who works at a funeral home and believes that she is ushering souls on their way with a final offering of ecstasy from the living world. The story takes a more earthly turn when Sandra meets Matt (Peter Outerbridge), who soon finds himself competing with corpses for his beloved's attentions. This is a strange film, based on Barbara Gowdy's story "We Seldom Look on Love" (and with echoes of Kathe Koja) but amazingly enough -- given the subject matter -- manages to be not only tasteful, but oddly heartwarming. If you can't get beyond the word "necrophilia," you still won't enjoy it, and there's a pretty strong embalming scene which may upset the squeamish, but open-minded viewers are likely to be both surprised and moved by this dark gem. ~ Robert Firsching, All Movie Guide
 

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