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Gray's Anatomy
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Starring Spalding Gray
Writer/actor Spalding Gray is best known for his lengthy and insightful and sharply humorous onstage monologues, two of which, Swimming to Cambodia and Monster in a Box, have been filmed and released theatrically. Gray's Anatomy is also a filmed performance of a monologue he performed in 1993. Whereas the other two films had a focus on satire and humor, this one is a little more serious. Unlike the other two movies, it is less stagey and contains some interesting visuals and even a couple of interviews. The subject is Gray's bout with an eye ailment that caused him to go upon a world-wide journey in order to find a treatment alternative to the surgery he so feared and objected to on religious grounds. ~ Sandra Brennan, All Movie Guide
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Phantasma-gore-iaPhantasma-gore-ia Off-beat and duly brilliant
by Phantasma-gore-ia in Phantasma-gore-ia Blog
loved it.
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"This movie was a strange experience. I had never seen a filmed monologue and wasn't sure what to expect when, save for the B & W anecdotal interludes, this crazy man kept engaging his unhinged theatrics sequence after sequence. However, the more I thought of it and the closer I examined it, I noticed it wasn't just a Monk-style head case pontificating about his wildly diverse experiences, but rather all that and more. It was a decidedly non-standard exercise in a " [More]
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Review by All Movie Guide
All Movie Guide
is neutral about it.
It may not seem like Spalding Gray would require a critically acclaimed director to film a spoken-word monologue, but Steven Soderbergh succeeds in making a visually interesting movie out of Gray's 80-minute account of his degenerative eye disorder. Gray's Anatomy begins promisingly with a series of documentary-style interviews with real-life survivors of eye trauma, then transitions into an engrossing tale of the humor and anguish involved in Gray's attempts to treat his macular pucker, which will eventually lead to blindness. With his New Yawker mannerisms and gesticulations, Gray already makes for attention-grabbing subject matter, but Soderbergh adds atmosphere to the piece with background colors and other visual representations of the film's themes. The tale is absurdly funny, populated by oddball characters trying to appeal to the notorious doctor-phobe, who was born a Christian Scientist. While Gray's shtick is inherently amusing, almost like stand-up comedy, he affectingly takes the viewer to far more serious places in his personal life, and finishes on an unresolved note that's sure to provoke thought. The film manages to be both entertaining and informative, and it should fulfill even those viewers not naturally drawn to Gray's neurotic ranting. ~ Derek Armstrong, All Movie Guide
 

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