Telluride 2008 Festival
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Tetsuo II: Body Hammer
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Directed by Shinya Tsukamoto.
A follow-up to the 1988 film Tetsuo (also known as Tetsuo: The Iron Man) that is less sequel than more-expensive remake, Tetsuo II: Body Hammer revisits director Shinya Tsukamoto's vision of a post-industrial Tokyo where man and machine have begun to merge. Tomoroh Taguchi still plays the title role, although the first film's single salary man has been replaced by family man Taniguchi Tomoo. When his child is kidnapped by a pair of skinheads, Tomoo's stress and anger triggers his transformation into a fearsome cyborg, a hybrid between a human being and a piece of high-powered weaponry. His new body attracts the attention of the leader of the skinheads -- who turn out to be cyborg mutants themselves. The leader (portrayed by Tsukamoto) performs several experiments on Tomoo, which accelerates his metamorphosis into an even more powerful, horrifically deadly sort of industrial creature. This monster ends up warring against the leader and his gang, leading to a series of heavily violent and highly destructive battles. ~ Judd Blaise, All Movie Guide
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IronAbacusIronAbacus Tetsuo II: Body Hammer
by IronAbacus in Haiku Reviews of Extreme Asian Cinema
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"The first film reforged: Less frenetic, more polished, and still plenty weird | ●●●●○ | IMDb | Spout " [More]
Review by All Movie Guide
All Movie Guide
is neutral about it.
Awkward to evaluate in conventional sequel terms in light of the original, Tetsuo II: Body Hammer adheres to many of the same stylistic conventions, though it's notably diminished in ferocity by its attempts to bring coherence to the ambiguous story and characters, which viewers were previously left to define. It would have been impossible to make the same film twice, and thankfully this isn't what Tsukamoto has attempted in creating Tetsuo II, adding such nuances as the previously mentioned characterization and color, to varying and often satisfying results. Its themes of loss and fantasy-driven lust for revenge take the film in a new direction, in what is ultimately a reworking of the basic concepts of the first film rather than a sequel in the true definition of the word. Depending on viewers' attitudes towards coherent narrative structure and their desire to fully comprehend the action at all times, they may either hold Shinya Tsukamoto's substantially bigger-budgeted sequel in higher regard than its predecessor, or mourn the conventions that the original so fervidly abandoned. Tsukamoto would later combine the experimental bravado of his monochromatic original with a semi-coherent narrative structure in 1995 in the jarringly intense Tokyo Fist. ~ Jason Buchanan, All Movie Guide
 



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