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The Egyptian
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Directed by Michael Curtiz
Based on the novel by Mika Waltari and helmed by Casablanca director Michael Curtiz, The Egyptian, a lavish period soaper, is set several centuries before the birth of Jesus Christ. Young Egyptian healer Sinuhe Edmund Purdom (ere accompanied by his servant, Kaptah, played by Peter Ustinov) draws the affection of barmaid Merit (Jean Simmons) who seeks his hand in marriage. Sinuhe provides medical assistance to the epileptic Pharoah, Akhnaton (Michael Wilding), who, meanwhile, becomes convinced that only one god exists, and thus infuriates all of his polytheistic priests, who secretly plot to assassinate him. Sinuhe has an affair with a Babylonian whore, Nefer (Bella Darvi), but grows listless with her and eventually ends the relationship, harkening back to Merit. However, she is soon extinguished, with an arrow through the heart, for also being monotheistic. Angered by this, and believing Akhnaton's ideas directly responsible for Merit's death, Sinuhe and his muscular friend, the affable Horemheb (screen heartthrob Victor Mature) poison the Pharoah. Akhnaton then dies while Horemheb prepares to ascend to the throne. Ingmar Bergman had a point when he admonished the idea of falling for one's lead actress, and it is a lesson one wishes producer Daryl Zanuck had learned; he purportedly had an extramarital affair with Darvi, taking her as a "plaything," but grew sick of her after casting her in seven films. Her career then torpedoed. (Little wonder - her horrendous performance in this film must be seen to be believed; Variety called it "less than believable or skilled.") This $4.2 million film (a massive amount for 1954) suffered from additional production problems as well, with Marlon Brando originally slated to star, but replaced, at the very last minute, by Purdom, a contract player for 20th Century-Fox. ~ Hal Erickson, All Movie Guide
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Review by All Movie Guide
All Movie Guide
is neutral about it.
The Egyptian has much to commend it and much to condemn it. Based on the 1945 novel by the esteemed Finnish writer Mika Waltari (1908-1979), the film depicts the life of the fictional Sinuhe (Edmund Purdom), personal physician to Pharaoh Akhnaton (1353-1336 B.C.). The production diverts audiences with outstanding cinematography, sets, and costumes -- all evocative of ancient Egypt and its mysteries -- and superb music composed by two giants of cinema scoring, Alfred Newman and Bernard Herrmann. Especially impressive are the haunting choral refrains and the rousing orchestral leitmotifs. The acting quality varies; Peter Ustinov is wonderfully entertaining as Sinuhe's valet, a kind of king's fool who kibitzes nonstop with trademark Ustinov drollery, but Bella Darvi is unrelentingly boring as Nefer, a Babylonian temptress who leads Sinuhe astray. Purdom plays Sinuhe with deep sobriety while Michael Wilding is even more solemn as Akhnaton, the 18th dynasty ruler famous for his belief in one god. Their emotional restraint contrasts with the blustery acting style of Victor Mature as Horemheb, a general who eventually seizes power. Overall, the script is pedestrian, replete with melodrama, historical inaccuracies, and bad lines. But the music score, the DeMille-style spectacle, and Ustinov's repartee make the film bearable -- and, at times, even enjoyable. ~ Mike Cummings, All Movie Guide
 

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