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East of Eden (1955)
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10 Great Performances Released ...
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"Opening today, Soul Men features the final performance from Bernie Mac, who died unexpectedly on August 9. The movie also includes a cameo from Isaac Hayes, who died one day later. Both men join a long list of people whose last films were released after their deaths, a list that includes Brad Renfro, whose final performance, in The Informers, can be seen in theaters come next May. Unlike some names on that list, Bernie Mac, whose voice can also be heard in the new animated sequel Madagascar: Escape 2 Africa, isn’t likely to receive a posthumous Oscar nomination as a tribute to his final work. But as one of the most underrated comic actors of the past few years, Mac likely gives a great performance as soul singer “Floyd Henderson,” enough to fall in with the crop of posthumously released roles we’ve showcased below:
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10 Posthumous Oscar Nominations ...
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"Though I first buzzed about an Academy Award nomination for Heath Ledger in The Dark Knight more than a month before his death, I now want to take it all back. I feel all the talk of Ledger’s posthumous Oscar chances will cloud my mind when I finally do see it, and it will probably also cloud the Academy’s judgment, too. Six months from now, when the nominations are announced on January 22 (coincidentally the one-year anniversary of Ledger’s death), if Ledger is not recognized for his role as The Joker, there will surely be an uproar — actually, Hollywood might just up and self-implode. I’m not the only one annoyed by all the Oscar buzz. Terry Gilliam, who directed Ledger in The Brothers Grimm and the upcoming The Imaginarium of Doctor Parnassus, is ca "
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East of Eden on Reel 13
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"James Dean made only three films before his tragic and untimely death on September 30, 1955. EAST OF EDEN is the only one I hadn’t seen and the second of the three to be shown on Reel 13 (Somehow, I doubt they will show GIANT to make it a clean sweep – it’s over three hours long). I was particularly curious about East of Eden because it paired Dean with one of his Actors’ Studio mentors – director Elia Kazan. Kazan introduced the more naturalistic "method" acting style (of which Dean was a disciple) to Hollywood with films like A STREETCAR NAMED DESIRE and ON THE WATERFRONT. The impact of the collaboration is most apparent in that Dean, for the only time in his brief career, seems to be surrounded by actors with a similar background and training. In the blog for REBEL WITHOUT A CAUSE, I noted how it often seemed that Dean was acting in his own (better) movie, but here, he is amongst peers in Julie Harris, Burl Ives, Lois Smith and Jo Van Fleet, who won ... "
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