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Don't Torture a Duckling
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Directed by Lucio Fulci.
When several young boys are brutally murdered in a small southern Italian village, the superstitious locals react with ignorance and violence. All misfits are immediately suspected, such as big-city tart Barbara Bouchet, the local village idiot, and voodoo practitioner Florinda Bolkan, who is brutally murdered by the villagers in a startling and powerful scene. Cop Tomas Milian (Almost Human, Amistad) comes to investigate, and is rather curious about a young priest who censors the town's reading material to keep it free of corruption. The peculiar clergyman seems to envy the dead boys, who will never grow up to be corrupted. Milian soon becomes convinced that the priest wants to send the kids' souls to Heaven and feels guilt about desiring the boys sexually. ~ Robert Firsching, All Movie Guide
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digitalconquestdigitalconquest Re: Italian Horror....
by digitalconquest in HORROR MOVIES 101
loved it.
"[quote user="Macabre_FilmNut"] WHO SAW HER DIE is quite stylish. I'm a huge fan of Fulci's DON'T TORTURE A DUCKLING. Also check out ALL THE COLORS OF THE DARK, WHAT HAVE THEY DONE TO SOLANGE?, TOO BEAUTIFUL TO DIE and man, I could go on and on when it comes to Gialli! Mark [quote user="Macabre_FilmNut"] Just looked at a preview of "SO SWEET SO DEAD". Actually I believe, I just found another cool site foir movies, besides the point. Movie looks great. I am huge into "Giallos". I seen everything Argento has out and one movie I did enjoy that is not an Argento is Who Saw Her Die? (1972) and I loved Don't Torture a Duckling (1972). Thanks again. . Nick [quote user="digitalconquest"] Definitely a Fulci fan. I got the opportunity to write up a magazine article on the director and his movies in ULTRA VIOLENT MAGAZINE. Lots of fun researching and revisiting his films. From ROME 2072 to THE BEYOND. Other Italian Faves...BAY OF BLOOD, ZOMBIE HOLOCAUST, NIGHTMARE CITY, SO SWEET SO DEAD ... " [More]
Macabre_FilmNutMacabre_FilmNut Re: Italian Horror....
by Macabre_FilmNut in HORROR MOVIES 101
hasn't rated it.
"[quote user="digitalconquest"] Nick, Fulci, I don't know if I'd call them gory westerns. His were violent, but if someone goes in thinking gorehound dream, they may be disapointed. Of his westerns, I'd personally recommend MASSACRE TIME with Franco Nero and George Hamilton. One of my favorite Gialli is SO SWEET SO DEAD, which plays like a crime film, but is definitely a gialli all the way. As for Italian Crime films, my personal faves are: CONFESSIONS OF A POLICE CAPTAIN, LIVE LIKE A COP DIE LIKE A MAN, THE BOSS, SANGUE DI SBIRRO, MARK THE NARC (plus both sequels), VIOLENT CITY, BLAZING MAGNUM (a good place to start if you are already a gialli fan), BLOOD AND DIAMONDS and THE NEW GODFATHERS. [quote user="Macabre_FilmNut"] Just looked at a preview of "SO SWEET SO DEAD". Actually I believe, I just found another cool site foir movies, besides the point. Movie looks great. I am huge into "Giallos". I seen everything Argento has out and one movie I did enjoy that is not an Argento ... " [More]
RisseladaRisselada Re: Italian Horror....
by Risselada in HORROR MOVIES 101
liked it.
"What's the deal with Fulci and Donald Duck? I've only seen one movie of his. I think it was one of this first. And one of the translations of the title is Don't Torture Donald Duck. " [More]
Review by All Movie Guide
All Movie Guide
lost interest.
Before turning his attention to extremely gory zombie films like Paura nella Citta dei Morti-Viventi in the 1980s, Lucio Fulci directed some pretty good thrillers, such as this effective giallo set in Italy's rural southern provinces. The portrayal of the superstitious villagers is the major strength of this film, building a creepy atmosphere where religion and magic co-exist, and where every mystery leads to another riddle. Sergio d'Offizi's photography is moody and dense, turning sunny postcard landscapes into threatening spaces which offer no escape. Riz Ortolani's haunting score will surprise many viewers accustomed to his ungodly faux-disco work of later films, and the script (by Fulci, Roberto Gianviti, and Gianfranco Clerici) is absorbing and solid. One of Fulci's more successful outings, this one even took home some well-deserved awards at various filmfests. Fulci's next thriller, Una Lucertola con la Pelle di Donna, abandoned much of this one's individuality for Argento-inspired visual tricks, and he returned to the theme of preserving innocence through murder in his shocking Lo Squartatore di New York a decade later. ~ Robert Firsching, All Movie Guide
 



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