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  • THE TRAIN

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    The Train  (1965)

    I love Blockbuster Online.  It gives you the ability to dig through the archives of your choice directors and actors for the flicks that aren't on the tips of everyone's tongues.  The Train is one such title.  I'm a sucker for war movies as it is, particularly WWI or WWII. 

    With The Train you get John Frankenheimer, Burt Lancaster, and Nazis.  Go watch it!


  • NOSFERATU

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    Nosferatu  (2000)

    I'm not positive, but I'm pretty sure this is the first full-length silent movie I've seen.  LOVED IT.  If you're reading this, then you probably already own it or scan Harry Knowles' column at Aint It Cool News to get DVD recommendations.  If by chance you haven't seen it, it's a testimony to the high quality that old movies were capable of.  (A thousand apologies for ending a sentence with a preposition).

  • KLUTE

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    Klute  (1971)

    I'm somewhere between "Like" and "Neutral" on Klute.  The film looked really good, dialogue was clear, score was good.  But it felt choppy to me, as if the director couldn't decide if he wanted a chase-thriller or a dramatic investigation into the psyche of an "upscale" prostitute.

    What I found most interesting was the character study, not the "is the bad john gonna get her" part.  Jane Fonda's opening monologue played on a tape recorder (that's a prehistoric iPod, kiddies... not that kiddies should be reading about Klute...) by Bad John says everything we need to know about her, including why she would open herself up to strange men capable of unspeakable evil:  she doesn't believe in evil.  Not really.  She believes all people are born good and each has their own moral compass:  shades of gray, but no black and white. 

    Movie characters like this always interest me because it's such a common point of view in the world, and yet it is proven wrong every day in the news.  Hell, it's proven wrong every day in your own life.  People are rotten to the core and capable of minor offenses and terrible offenses.  But an offense is an offense -- we all commit them.  Jane Fonda's prostitute has no problem contributing to the break-up of a marriage because she's helping a man feel good.  It's not an offense equal to murder, but look at the fallout of broken marriages -- living by your feelings is reckless and causes a world of hurt.


  • LUCKY YOU

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    Lucky You  (2007)

    Let me cut to the chase - if you have not seen Lucky You, there is no reason to rush out and pick it up.  It's just too long for what it is.  Get a cheaper cast and make it a one-hour, one-shot TV movie on ESPN without commercial interruption.  I don't care what card sharks tell you -- watching a Texas Hold 'Em game on TV is not thrilling, and the narration to educate us on the rules only muddies things.  We're still just watching expressions and cheers to see who won each round.

    I like Drew Barrymore.  But all her romantic characters are virtually interchangeable. 


 

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