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Windbreaker!

  • BECOMING JANE

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    Under discussion:

    Emma  (1996)

    Becoming Jane  (2007)

    Men - don't let your women bring this home for you to watch.

    Women - if you love your men, don't bring this home for them to watch.  Keep this DVD on the shelves at Blockbuster and reduce the nation's divorce rate.

    Becoming Jane is painfully slow, not terribly interesting, and sloppily written.  Since next to nothing is known about Austen's life, some genius thought that Jane Austen's life must have been a combination of her novels.  So we, the movie viewing community get conned into this.  I'm not an Austen hater -- Pride and Prejudice is very good (movie and TV mini versions) and I didn't mind Emma either.   

    Here's an example of the sloppy story, which makes you unsure of how to judge the characters:  Jane is furious at a boy who leaves her to take care of his family... later he comes back to her, they're both happy, then she leaves him because it's best for her family.  Both times we're supposed to side with Jane.  Come on.  Consistency people. 


  • THE NARROW MARGIN

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    Identity  (2003)

    As is typically the case with his noir reviews, JimBell's take on The Narrow Margin is consistent with mine, but more eloquent.  This DVD is part of the excellent Warner Bros. Film Noir box sets (vol 2) that I gush about regularly.

    This is not throwaway film noir material.  In fact, it's one of those decades-old films that will make you say "why can't they make movies like that more often today?"  A small but talented cast combined with mounting tension can make any plot enjoyable.  Like 2003's Identity, for example.  My only complaint is that Detective Brown didn't discover "Mrs. Neal's" body after the mob hood shot her in the back.  Man, that would have been killer payoff, especially if right after that Brown chases the hood who jumps off the back of the train to hook up with mob reinforcements.  It would take incredible self-control not to shoot the guy in the back, but Brown knew the Highway Patrol was en route.  But... not everyone is as  smart as me (including Richard Fleischer).


  • INFERNAL AFFAIRS

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    Bad Boys  (1995)

    Infernal Affairs  (2002)

    Infernal Affairs [Film Series]  Production Year

    The Departed  (2006)

    Miami Vice  (2006)

    Ok, I'm probably the only retard who forgot Infernal Affairs 1-3 was the basis for the Departed.  That aside, this movie was fantastic.  I've seen Departed - enjoyed it.  But Andy Lau and Tony Leung Chiu-Wai have acting chops galore.  Actually, the entire cast is 100% believable.  It's an amazing crime drama exploring moral shades of gray in the context of undercover police work.  Michael Mann's Miami Vice did that very effectively, also.  But Infernal Affairs is the best undercover drama I recall seeing on DVD -- ever.  (I will admit that I'm still a sucker for the undercover action flicks like Bad Boys).

    If you haven't had the priviledge of picking up this DVD, don't watch the trailer yet!!!  I haven't seen parts 2 & 3 (which I assume won't be as good as 1), but I can't pass up buying the 3-pack DVD box from Amazon for $30. 


  • UNDERWORLD BEAUTY

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    I may have to have words with Puhner over this one.  I'm not sure, but I think I saw he rated Underworld Beauty "loved it" which made me queue it up with Blockbuster Online.  I love film noir, and I'm a sucker with Asian cops & robbers flicks -- so I was intrigued by this DVD.  But in the end, I've got to say the only thing that really captivated me was the Asian kids bopping around a dance hall to American 1950s swing music, complete with bobby socks and black leather jackets.

  • 3:10 TO YUMA

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    Under discussion:

    Unforgiven  (1992)

    3:10 to Yuma  (2007)

    I hate when DVD boxes say things like "best western since Unforgiven".  But 3:10 To Yuma is one of the best westerns since Unforgiven.

  • SUNSHINE

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    Sunshine  (2007)

    I'm not going to complain too heavily about Sunshine, because it was a free rental.  But I wasn't thrilled with it. 

    Stylish, yes.  Interesting spin on some potentially standard sci-fi subject matter, yes.  But there were so many moments you had to suspend your disbelief even within this film's universe.  I love sci-fi so it's no problem for me to accept that the entire premise of a ship flying into the sun to deliver a massive payload is plausable.  But along the way, there are ridiculous plot devices that occur only to move Alex Garland's story forward. 

    Actually, let me qualify that "acceptance" statement.  I can accept that we could develop such a ship and associated hardware.  I cannot accept the idiotic idea that the end result -- an increased sun -- would benefit mankind.  It would wipe out earth.  That's part of nature's beauty -- any closer to the sun and we'd burn up... further away and we'd freeze.  It's perfect.  If the sun dies, it dies... and so do we.


 


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