Four Eyed Monsters
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Windbreaker!

  • "this is your receipt for your husband... and this is my receipt for your receipt"

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    Brazil  (1985)

    First, I feel I should warn those of you who browse the aisles of your local video store impatiently searching for a title that arouses your interests.  You're so impatient, in fact, that by the time you get to the "B's" in the drama section, you're panicked that a good time will escape you, so you reach for "Brazilian Booty Call".  Frack!  Checked out!  But next to it is "Brazil" which is probably a collection of those late-night extravaganzas on E with Brooke Burke.  This will do.  But that's what I wanted to warn you about... this is not what you're expecting!

    The movie can probably be summarized by the original poster, illustrated below. 

    1985 Theatrical Poster

    It starts out when a normal man's head suddenly explodes with a burst of sunlight, puffy clouds, a semi-nude angel, and a blue sky on Mars.  (Also, I can't be sure, but I may have spotted a midget in the Criterion version.  I'll check on that later.)  This heady explosion was the result of too much government interference in everyday life, or what historians would now call The Clinton Years.  The sheer volume of government programs created for the greater good require so much paperwork that one of the uncredited villains in the movie is papercut. 

    Brazil and Hitchhiker's Guide to the Galaxy both poke so much fun at British structure -- lines and proper forms -- that I sometimes want to visit the old island just to bear witness.  But then I remember that there aren't many attractive locals in England, and worse, there's no chance their video stores even stock Brazilian Booty Call.


  • THE KILLING

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    The Killing  (1956)

    The mood of The Killing is pretty much summed up by this quote from Johnny Clay:

    You like money. You've got a great big dollar sign there where most women have a heart.

    It's near impossible to give a full summary of a classic noir without spoiling.  In fact, I never read the back of a DVD case.  I just buy/rent and enjoy.  It's hard for a director to go wrong with Sterling Hayden and Elisha Cook cast, but Kubrick does distinguish himself.  The Pulp Fiction-like storytelling is unique and very effective.  Enough of me, go pick up this DVD.


 

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