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TheWorkingDead Blog

  • Step Brothers

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    Step Brothers  (2008)

    I'm choosing to review Step Brothers not because I have anything incredibly insightful to say about it, or that the movie inspired an intense reaction, but because I've given this movie a 4 star rating on Spout and feel like I need to qualify that a little. For those reading this on my Working Dead Productions site, a rating of 4(out of 5) literally means 'I liked it.' And I did. Kinda.

    Oh sure, I got my two hours worth of laughs out of it, but in the end, I don't feel that there's really anything to recommend watching the full movie over the trailer. You get the joke in that short 2-3 minute montage of clips. The only joke. Will Ferrel and John C. Reilly are 40 year olds that aren't just man-children, but children whose bodies have become man-sized. There's some funny bits in between, some of it quite hilarious, and seeing Ferrel and Reilly dropping F-bombs at the top of their lungs never really loses it's comedic charm, but in the end, you see the trailer, you see the movie. I never really understood or agreed with critics who call a movie easily forgettable, but I will say that Step Brothers is just that. I'm sitting here trying to remember some of the one-liners from the movie, and I just can't do it. People will probably memorize and quote the movie, although probably not to the extent of Anchorman, but I won't be one of them.

    Critics lately have been complaining about Judd Apatow's theme of arrested adolescents finally having to grow up, but I have to admit i still find it enjoyable. Perhaps it's because I count myself as one of that tribe, with my house full of comic books, video games, action figures and movie/music posters. I occasionally feel like I should grow up and start to put this stuff behind me, but then I realize that's just crazy talk. That scene in the 40 Year Old Virgin where Steve Carrell starts packing up his toy collection, it saddens me every time. The scenes in Step Brothers where the two guys just spend their nights watching Steven Segal movies and eating cereal? I wish that was my life. And I know it isn't just me. Just about everyone I know from my generation is going through the same thing. Apatow has struck a nerve with his films, but this one suffers from his more direct input(he produced, but neither wrote nor directed).

    Step Brothers is stupid(purposefully so), silly, crass, and lazy. It's like an SNL skit, where it's a pretty funny idea, and then kinda settles and runs out of inertia as you realize you're going to have to wait for them to drag the gag out to movie length before they end it.


  • Tiny Apocalypse

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    Doomsday  (2008)

    So now I'm about to lose all credibility, if I had any to begin with. Last night a friend brought over Doomsday, the latest from director Neil Marshall, who I normally enjoy. Dog Soldiers was fun, but I enjoyed more for it's promise of future delights than it's actual content, and Descent was one of the few theatrically released movies of the last few years that actually scared me. Doomsday continues the theme of unapologetically genre-based films starting with the letter D, and it looks like he's going to keep it up with his upcoming film Drive. Doomsday was not well received, although it didn't bomb, either. Most critics seemed aware of what the movie was trying to do(revive the tradition of 80's era post-apocalyptic action movies with grim heroes), but the main complaint was that the duplication seemed "lazy and uninspired." My only guess is that these same critics were expecting a satire or parody, not a loving recreation.

    I have to be honest and say that Doomsday is a pretty stupid movie, with very little substance to it beyond cheesy genre thrills. It's basically a hodge podge of 80's post-apocalyptic movies; a little Mad Max, a little Escape From New York, a little bit of The Warriors, and countless other movies made cheaply for the booming 80's video market. But Doomsday avoids the curse that befalls most homage movies by copying not just the setting, but the anarchic spirit of the films it's taking inspiration from. So complete is the insanity in this movie that, when I first watched it, tired and dozing, every time I opened my eyes I thought a new movie had started. Jumping from 28 Days Later style military action in Scotland to Beyond Thunderdome style bread and circus antics, to fucking Robin Hood, I couldn't keep up.

    Let's just say the film had me from the moment when the heavily tattooed, mascara wearing leader of the cannibal tribe walks onto a stage and begins dancing and lip-synching to Adam Ant as a prelude to public torture. That's just pure fun.


  • I Want to Believe... That There's a Better Film In This Franchise's Future

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    It should be noted, before I go into this review, that I was never a huge X-Files fanatic. The closest I got was during the shows first 4-5 seasons, when I think I watched every new episode as it aired. I didn't join any clubs, write any fan fiction, or read any message boards about it, but I watched it all. I remember watching a few episodes with my grandfather, but it wasn't really his thing and eventually it was just me, in the dark, watching some of the scariest television I'd seen at that point in my life. But then, around the time the first film came out, I started to drift away. I would watch the show if I was home on a Sunday night, or if it was in syndication and I happened across it, but I stopped following the increasingly labyrinthine mythology. And then, for no good reason I can recall, I started watching again on it's last season. And for awhile, because I was so lost, the show fooled me into thinking it was more intelligent than it really was. In the end, I never blindly enjoyed the entire series, the way I will admit to doing with Twin Peaks, but it was always fun to sit down and watch a frequently creepy hour of television.

    With that in mind, I think it's safe to say that my expectations were at a sufficiently low level for me to enjoy this film. I've read all the reviews from critics who were big fans of the show, and how this is a letdown after so long a wait, but I like to think I'm a bit more clear-eyed. After the first film, and the screaming nosedive the show took in it's final season(I will lay none of this blame on Robert Patrick, who did a fine job with a shit role), and the Seinfeld-esque clip show of a finale, I wasn't expecting too much. In the end, I think The X-Files: I Want To Believe can basically be described as a not-bad, but not-great episode.

    Set, apparently, six years after the show ended(which would make it pretty much set today), the new X-Files movie finds Mulder living in the middle of nowhere, still meticulously clipping strange newspaper headlines and pinning them to his walls. Scully is a doctor at a catholic hospital, caring for a young boy who has a condition for which there is no cure. The FBI coerces Scully into tracking down Mulder(who's been hiding from the since they put him on trial in the series finale) to help with a case involving a kidnapped agent. In return they'll grant him a full pardon, although for the life of me I can't remember what crimes he was accused of, or why he ran away. The reason they were called in on this particular case is because the FBI's main lead comes from an ex-priest who claims to be having visions from God about the victims. The ex-priest is played by Billy Connely- even when he acts as grim and dour as he does in this film- and is a convicted pedophile, having molested 27 boys.

    So here we have a pedophile priest, full of self loathing and practically forcing himself to believe God can forgive him. Scully, incongruously full of doubt and skepticism about the supernatural(9 years on the show and she still doubts Mulder and gives him the 'you're so crazy' look when he talks about psychics?), but also looking for validation for her own belief in God. A new FBI agent(played by Amanda Peet) who hopes that the priest is for real, and idolizes Mulder. And of course Mulder, who of course jumps to the most outlandish and ridiculous explanations before even considering something logical. Is the title of the movie making sense yet? Everyone in this movie- at least the four leads- is searching for proof that their beliefs are the right ones.

    Thematically this fits in with the shows constant search for answers, but other than that it's hard to tell what really makes this an X-Files movie. It almost seems as if the filmmakers, impatient after years of aborted attempts, decided to take a pre-existing script and change the character names to "Mulder" and "Scully". The film is characterized by a distinct lack of supernatural events, and the ad campaign does everything it can to avoid this. That scene in the trailer where Billy Connely rises from the snow with black goo running out of his eyes? I immediately thought of the "Black Oil", a thought that was reinforced by a new "Black Oil" box set being released. Well, turns out he was just crying normal old tears of blood(a phrase I never thought I would use), and they digitally increased the amount and changed the color for the ads. Knowing how detail oriented some of the X-Files fans I can't help but think it was a deliberate attempt to garner more intense fan interest. Also, that scene where some dude is running away through a dark room, and he makes a dramatic leap while emitting a soft blue light? Also digitally altered. It was just a normal dude running from the feds. In fact, forget any mention of aliens in this film(aside from a quick reference to Mulder's sister), as the villains this time out are harvesting organs. And they're Russian, which I suppose is alien, in a different sense of the word.

    Also, watching Mulder and Scully's sexual chemistry, which was once electrifying, is now like watching your parents trade sloppy kisses in front of your best high school friends. It was slightly uncomfortable. Don't get me wrong, there were more than a few times where I just had to smile because it was so cool to be watching some new X-Files after so long, but for the most part the film was a sluggish and mediocre.

     


 

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