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TheWorkingDead Blog

  • Most Influential Part 2; The Blob

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    Under discussion:

    The Blob  (1988)

    The Blob  (1958)

    Beware! The Blob  (1972)

    A few posts back I wrote about The Shining as one of the most influential films on my life. This is another. That doesn't mean this film is an outright classic, or even that it's held to a higher standard than others in my collection. What I'm referring to is the effect it had on my life, if it actually added to the collection of personal quirks and tics that make up my personality. In that regard today's film(s) is very influential indeed.

    The Blob has always been one of my favorite movie monsters, up there with Godzilla or The Creature From The Black Lagoon. Certainly it doesn't have the sympathetic qualities of most monsters, such as Frankenstein or aforementioned Creature, and it definitely doesn't have the style of, say Dracula, but the Blob has something a bit harder to define that's always captivated me. It's an overall sense of doom and dread that most monsters don't get. Something akin to zombies, although both are usually seen as a bit hokey. The Blob has no mind, no rules by which you might stay alive, and it's unavoidable, inescapable, and damn near indestructible. All it does is slowly devour everything around it, growing exponentially as it does so. It's the type of fear I've always enjoyed most, and it's one of the rare occasions that it's pulled up with some top-notch gooey effects.

    The first Blob film I saw was, I'm sorry to say, the 1988 remake. I was ten when it came out, and I don't remember when I actually got to see it, but it was probably on cable, and most likely a couple years after it's theatrical release. Before that I had long been interested in the Blob due to the countless books about 50s sci-fi movies I would check out from the library, mainly for their pictures. The original film is a good, fun time, and completely indicative of what was going on in popular culture at the time. Movies, music and other forms of entertainment were being marketed towards kids in much higher volume than in any other time in the 20th century, and The Blob exemplifies this by making the kids the heroes, and the parents just don't understand the threat until it's almost too late. I really can't think of much to say about this film that hasn't already been said, so I don't think I'll try. It should be noted, however, that the theme song kicks ass, and everyone in Alaska should be VERY worried about global warming releasing the Blob from it's prison.

    Jack H. Harris tried to get a sequel off the ground, but was unable to until the 70s, when he got the assistance of, of all people, Larry Hagman. Larry Hagman directed Beware! The Blob, and to call it a good film would be misleading, although it certainly isn't without it's enjoyment factor. I think it's a good film, but I realize I'm more than a little biased. The film isn't scary, but I don't think it's trying to be. It's also not funny, at least, not in the way I'm sure the filmmakers intended. To give an example, Dick Van Patten's comedic relief character did nothing but give my girlfriend the heebie jeebies whenever he showed up.

    The plot concerns a woefully stereotypical African American man-slovenly, with a jive-talking growl and bickering with his wife as he settles into his easy chair to eat and watch TV-who brings home a frozen piece of the Blob and stores it in his freezer, next to the steaks. There's no explanation for this, no attempt to explain why this man would have a piece of the Blob, or why he thought putting it in his freezer was a good idea. The film is ALMOST a parody of the original Blob, but it mainly comes off as a parody of itself, and although it may not have many of the hallmarks of a good film, it's nevertheless enjoyable and goofy and great for a gathering of friends.

    The 1998 remake, on the other hand, is everything that Beware!... was not. Capitalizing quite well on the inherent terror of the Blob, this time casting the titular monster as a mutated government experiment gone wrong and loose in a small Midwestern town. It's definitely an 80s film, although that mainly surfaces in the styles and lingo the kids use. In this film the kids are again cast as the heroes, and the adults do everything they can to not listen. The effects used for the Blob in this one are never less than disgusting, in particular the death scenes that show the blob slowly devouring people layer by layer. First the skin, then muscles, then bone. I know it's not fashionable to like remakes, but this one is actually quite good. One of the better mainstream horror movies of the late 80s, with an always appreciated appearance by David Lynch regular Jack Nance.

    This movie had two effects on me. One; when I clean out my garbage disposal it never crosses my mind that it might turn on accidentally, but I'm always a bit worried the blob might be down there. And second: if you ever watch a movie in the theatre with me, and you pay close enough attention, you'll see me look up to the ceiling just to make sure the blob isn't about to pick me out of my seat.

     

    http://workingdeadproductions.blogspot.com 


  • Most Influential Part 1

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    Under discussion:

    The Shining  (1980)

    The Shining  (1997)

    Sometimes the criteria I use to judge a great horror movie isn't just it's inherent quality, but how much it effects my day to day life. There are a small handful of horror movies that didn't just define how I watched movies, but actually informed the way I live my life. Taking that in consideration, probably one of the most, if not THE most, important horror film in my life would have to be Stanley Kubrick's version of The Shining.

    A lot of purists, and Stephen King, hate what Kubrick did with the movie, arguing that it changes just about everything from the book, but then I'd like to enter into evidence the completely crappy remake that Stephen King went back and did in the 90s. I forced myself to sit through it, and as a result put Mr. King on my personal shitlist for the better part of a decade. I was that offended by the movie.

    Now... I have to make an admission here. A statement so blasphemous that my 'cool film buff' status may be revoked by the cultural mafia. I've never quite understood the appeal of Stanley Kubrick. There, I've said it. A great weight has been lifted. Actually, let me backtrack a little. I do understand the appeal of Stanley Kubrick, I've just never been as big a fan as most people think I should be. I like the majority of his movies, and a couple I do agree are classics. The problem is that he's always seemed so damn cold. His movies are so technically perfect, and incredibly sterile. That's opposed to other technically proficient masters like Hitchcock, or Akira Kurosawa, both of whom were able to inject warmth into their perfection. Kubrick's warmest movie, arguably, is 2001 A Space Odyssey, and that's only because the villain is a robot and we automatically associate with the human protagonist.

    The Shining, however, has always been a favorite. One of the greatest movie going experiences of my life was seeing this film in a theatre during a Halloween retrospective. I'd seen it countless times on video, but until I saw those sweeping hallway shots on a big screen I had never truly experienced the movie. It's one of those rare movies that still has the power to scare the bejeesus out of me. Admittedly by now it's more a remembered fear, but I'm not going to admit how old I was before I could watch the scene where Jack visits room 237 with unclenched eyes.

    And that, to bring this full circle, is the lifelong change this movie wrought on my life. I still cannot use a restroom in which the shower curtain is closed. Those of you who have seen the movie will surely understand.
     

  • There's More to the Legend Than Meets... The Throat!

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    So I've finally done it. I've broken my friends. I've finally found a movie so retched, so godawful that my friends may not come back for a bad movie night. So, what was this film? This steaming pile of celluloid crap? It was Zoltan, Hound Of Dracula. And it really wasn't all THAT bad. Paradoxically, that may have been the worst thing about it.
     
    Zoltan(named, I assume, after a Hungarian ruler in the 10th Century) isn't so much Dracula's hound as he is the hound of one of Dracula's servants, Veidt Schmidt. When the Russian army(I think their Russian, based on their uniforms, but no one has any kind of accent) unearths Dracula's tomb, they decide to burn all of the corpses, but not before some foolish soldier decides to pull the stake out of Zoltan's body, allowing him to regenerate and drain the blood of said soldier. He then helps his master, who decides to track down the last surviving heir of Dracula. At least, they call him the last heir in the movie, but he has two children, so wouldn't they be the last surviving heirs? There's a bit of a mythological problem here, as well. Veidt Schmidt is the vampire's servant, and not a full vampire. Yet he has immortality and can regenerate after death, all while walking in daylight and not needing blood. I don't know what Renfield's problem was, sitting in that asylum and eating flies.

    At the beginning of the film Dracula is seen(in Zoltan's flashback!) about to feast on a lovely young woman in the 1800s. Zoltan interrupts his feeding, so Dracula transforms into a bat and instead feeds on Zoltan(why don't vampires do this more often, instead of courting danger by feeding on young, socially popular women?), who skips the whole 'dying' part of the process and goes straight to vampire doggie. On their way out they drain and turn Veidt Schmidt(played by Reggie Nalder, whose wrinkles are more frightening than anything in this movie), who also skips the 'dying' part. I mention this because it's odd for them to have done that, as it's clearly established later that the victims DIE after being drained of blood.

    The film quickly moves to southern California, where Michael Drake(the aforementioned Last Dracula) is taking his family on a two week camping trip in their RV. For plot motivation they also bring along their two dogs and a litter of puppies. Almost immediately weird things happen; Puppies disappear and the dogs are always howling at night. Of course, neither of those is odd, really, it seems to me a logical occurrence when you leave newborn puppies out in the wilderness all night, and howling is just something dogs do. But this bothers the family, who are worried and confused. Luckily for them, a Van Helsing-type character shows up in the form of Jose Ferrer to tell Michael all about his vampiric family tree and help him defeat the undead canines.
     
    Really, as I said before, the film isn't anything spectacularly atrocious, which is it's downfall. It's just middle of the road, never taking itself seriously enough to be campy, but also not self-aware enough to be tongue in cheek. There's no suspense to the film, since aside from the Russian soldier in the beginning there are NO human deaths, just a lot of animal cruelty. It's competently directed(by Albert Band, who would pass on the legacy of mediocre, competently bad horror movies to his son, Charles Band), with a clean print for the DVD. The dialogue is notable for this type of film, due to it's believability. The characters may be boring and idiotic, but they speak in a natural manner(Michael's first thought after learning he's a Dracula is that he's going to get rich on royalties for all those movies). There is, however, a growing army of vampire doggies, and the oh-so-cute and cuddly widdle undead puppies.

    Had it been a bit more over-the-top, just a little bit more awful, the movie would have been classic. As it was, I had fun and a few laughs, but just enough to feel justified in having seen it. I often think my reviewing of bad movies is suspect, because it really takes a lot for me to hate it. Even if the movie is awful and irredeemable, I usually feel the better for having seen it. If I hate it, at least there's a good rant in there somewhere. So, in the end, I can never accurately say whether you, the reader, should go track it down. I say you should, but then, unlike most of my friends, I've had a fondness for horror movies involving animals since I saw Food of the Gods as a child.


    http://workingdeadproductions.blogspot.com

 

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