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  • Most Influential Part 3: The Stuff

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    The Stuff  (1985)

    Last October, during my failed 31 Days of Horror project, I had a couple of posts under the heading of Most Influential. These movies were not ranked, and I did not mean to give these movies 'classic' status, I merely meant to catalogue a few of the movies that influenced me personally. And by influenced, I actually mean influenced the way I live. The examples I gave before had to do with bathrooms and closed shower curtains(The Shining), and garbage disposals(the Blob). Click on the titles of the movies if you want to go back and read what I wrote about them at the time. My post today continues that thread. Consider this another of the missing days from that Halloween exercise.

    Now, it's time for a slightly embarrassing revelation. This is something that a few people know about, and my family and friends have probably figured out by now. I have such a distaste for creamy foods(yogurt, pudding, cream-of-anything soup, mayonnaise, most salad dressings...) that it borders on phobia. This is something that's bothered me for awhile, because I could never pinpoint the source of this aversion. Aside from the obvious distasteful bodily fluids comparison. And then, about 10 years ago, I stumbled upon The Stuff, and everything was answered.

    The movie, in a nutshell, is about a new dessert product called The Stuff that becomes a national sensation. Facing declining sales, several Ice Cream moguls hire a corporate saboteur to find out the secret of The Stuff. The saboteur, along with a marketing executive, discovers that the delicious treat is actually a sentient organism harvested from below ground that controls and eventually devours the consumer from within.

    Michael Moriarty plays David 'Mo' Rutherford, the saboteur, and his role in this film is only one step below his Q: The Winged Serpent role in terms of originality. His 'Mo' Rutherford has a lazy drawl and goofy grin, coming across at times like a morally corrupt Matlock. He plays this completely straight and deadpan, which, as much as I like the film itself, is the highpoint of this one. Moriarty is a criminally underrated actor, altering speech patterns and body language between roles to a degree the Orlando Blooms of the world haven't yet imagined attaining. Every time I watch this film I wonder why he hasn't gotten more work. Of course, he's no model, and the interviews I've seen with him would suggest to me that he's fairly hard-headed and maybe not the easiest to work with, so that might explain things a bit. He may not be the world's greatest actor, and he certainly can overdo it, but he's always entertaining and I always enjoy his performances.

    Moriarty's deadpan is required for a film this scattered and cluttered. Larry Cohen as a filmmaker is notoriously slapdash, which I do not mean as an insult. In fact the charm in most of his movies comes from how much he tries to cram onto the screen. In The Stuff, alongside that main story, we have SNL's Garrett Morris as 'Chocolate Chip' Charlie who lost his business to 'Stuffie' family members, Danny Aiello as an ex-FDA employee at the mercy of his Stuff addicted dog, a young boy escaping his addicted family, and Paul Sorvino as a right wing militia leader who leads an attack on a Stuff factory and darkens the movie considerably with random racist outbursts. The downside to all of this is that the movie does seem a little hit and miss at times, veering wildly between story lines, with an ending that feels woefully rushed. The overall tone, however, remains consistent throughout the many stories, and as I mentioned Moriarty does a fairly good job of anchoring things. The best way to experience this one is to just sit back and enjoy the ride. Don't look too closely, and you'll find a movie that at the very least tries to engage you a bit more than the average b-grade horror film.

    I have to admit I never saw this one as a child, but it had this strange, influential presence in my pre-adolescence years. I knew of the film from the many previews that adorned the opening of several New World Video movies back in the 80s, and an Amazing Stories episode that I was told referenced the film. Eventually the movie achieved this mythic status, becoming more horrifying in my mind than it actually turned out to be. See, this was back before I could stomach horror movies, and I was completely unaware that the movie was supposed to be funny. All I knew was that the trailer gave me the heebie jeebies, and I haven't been comfortable with yogurt since.

  • The Damned

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    The Damned  (2006)

    Every once in awhile my friends and I will choose a random, cheesy looking direct to video film and spend an evening tearing it apart in a generally good natured manner. As much as we may say the movie is crap, we usually like them and enjoy the movie on it's own. Sometimes we mock the things we love.

    The movie this time was The Damned, a low budget, filmed in some guys back yard vampire movie by the directing/writing/producing team of Jose and Eduardo Quiroz. The main cheese factor in this one was the fact that Todd Bridges got top billing on the cover(despite an important-yet-small role). About five minutes in we almost turned it off. It was obviously filmed on video, with little to no lighting, and the vampire effects were laughably over the top. I can't imagine how any of the vampires actually got any sustenance out of their victims, so busy were they with the asinine hissing that accompanies most b-movie vampires, and wildly spreading as much blood as possible across their faces. Luckily we persevered, and were rewarded with not a good movie, but an adequate one.

    We had plenty of laughs at it's expense, but in the end could hold nothing against the filmmakers. Sure the acting was worse than in some porno, the film was plagued with technical difficulties and lacked an all around sense of dread or actual horror. But neither was it completely inept or unwatchable, which puts it head and shoulders above most of the direct to video, no-budget, cast-my-friends movies I've seen. And I've seen quite a few.

    The film concerns a trio of Latin roommates in Oakland who come to realize that their new neighbors are vampires. One of the roommates is an avid horror fan,as evidenced by the movies laying around his room and his constant watching of Night of the Living Dead(which, as we hear, is not really NOTLD). He is of course the first to realize the vampiric nature of the neighbors, and some of the best moments in the film come from him trying to convince his skeptic roommate(easily the best actor in the film). Todd Bridges eventually shows up with his brother in law as a man on the hunt for the vampires that killed his wife.

    The strength of the movie lies in the characters all trying to determine how to kill the vampires when all of their information comes from books and movies, which turn out to be wildly inaccurate. There's really nothing new here, but it's still all around fairly solid. I mention this film in such depth because it's such a rarity to find decent direct to video films these days that I felt it noteworthy. I'll be honest with you, once I learned the Quiroz brothers had 10 films under their belts before this one, my opinion lowered just a little. I feel that by now in their career the technical problems evident in the Damned should have been overcome, but not having seen their earlier films I have no idea what the learning curve was.

    I definitely won't recommend this to anyone whose horror experience tends towards the major releases we see these days. Your average Saw fan is not going to appreciate this at all. Instead, this is for anyone who longs for the mid to late 80's heyday of direct to video horror, or the works of Ed Wood or Mark Pirro. I make this comparison in terms of how the movie was made, not necessarily in terms of style or even quality. If you're not familiar with the works of either of those people, steer clear.

  • Weirdsville, USA

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    One of the most well-remembered shows from my youth is Eerie, Indiana. The show ran from 1991-1992 as I was entering my teens, and it fed my appetite for the bizarre and supernatural at a time where I was still a bit too squeamish for most horror films. It's available on DVD now in a complete collection, sadly missing is any form of extras, but for a show this cool having it on DVD is worth it alone. Joe Dante was a creative consultant, and frequent episode director, on the show, which featured other fine directors such as Bob Balaban(Parents) and Tim Hunter(The Rivers Edge). If the talent lineup is any indication to you, this family show was mature in a way that may surprise a lot of modern audiences. It was creepy-fun in a way that most Joe Dante projects are, but it was still surprising to me as to how dark some of these episodes became.

    The show was a lot like a kids version of the X-Files(but before there was an X-Files). The two heroes, Marshal and Simon, are the only people in the town of Eerie Indiana who realize that it's the center of weirdness for the whole world, and each episode showcases another adventure they have in trying to gather evidence to show the world. Most often they don't try to prove anything to anyone, and instead merely catalog the evidence in their cluttered attic. The difference between this and other shows of the supernatural is that the show often doesn't try to explain the weirdness, or sometimes even resolve it. Often it just shows that the world is a strange place, and it's always going to be that way. It's a great message for kids that today would have to be wildly toned down from it's original dark roots.

    One episode in particular has Marshal(our hero) vying with his best friend for the affections of the new girl in school, who also happens to have a heart condition and moved to Eerie so she could hopefully get a transplant(Eerie, Indiana is the best place to be if you need an organ quick). In the midst of the two friends showing off for the girl, Marshal's friend is hit by a car and dies, his heart ending up inside the new girl. To further complicate matters, every time Marshal goes to kiss his new love, she has what can only be described as a mild heart attack. To cap it off, there's an ending shot that may either be a throwaway joke or an implication that the girl dies in the end. That's probably off-putting to a lot of adults who never watched the show, but it really isn't that bad.

    We have a tendency to look back on these stories of our youth and become shocked at how upsetting they are, but we all forget what it was like as a kid. Terry Gilliam has a great quote, which I'm going to boil down to it's essence here, that 'kids are the smartest audience'. Basically what we see as dark and scary kids see as a great adventure. We really underestimate what kids can process, and as a result end up homogenizing their entertainment. And that's a shame, because as a parent I'd really like for my daughter to have something like this, and it just doesn't exist anymore. Sure, she can watch my DVDs, but really, each generation should have it's own things, nostalgia isn't THAT healthy, especially when passed down the line.

    Other episodes were often less dark, but never less weird, ranging from families keeping their children in large Tupperware containers so they never age, dogs plotting to overthrow their human captors, a vast underground storage area for every lost item in the US, and a sentient tornado that benevolently visits the town every year, avoiding doing any damage as long as the townspeople throw a festival. The highlight, and most surprising thing about the show, was a 4th wall shattering episode towards the end of the series that is more clever and unique than most episodic television, kids show or not. For this episode alone, which I will not spoil here, it's worth the price of the box set.

    As far as complaints go, my only one is that the series ended too soon. That's a common complaint when something you like isn't around anymore, but in this case it's doubly true. The show was cancelled quickly into it's second season, leaving the back story of Dash X, the white-haired, amnesiac, sometime-friend sometime-nemesis of our heroes woefully incomplete. It's obvious the producers had an overarching story in mind, but with only 5 episodes the only hint we get is that it may involve an elderly alien who was stranded on earth for over a century. Other than that, though, the show was just as good as I remembered it.

    I don't think it's just nostalgia tinting my vision. I think the show really is that good. Or at least that interesting, and definitely something that wouldn't be on the air today, at least not in this fashion. Just look at the late 90s remake for the Fox Kids block, which was watered down past the point of blandness. It really is a shame, because the world needs something like this today, fun and creepy and imagination-inspiring. Check it out!

  • Bad karma?

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    Story time here:

    In high school we had a motivational speaker who had once been rich, bought fast cars and hard drugs, and seriously screwed up his life. Half his body had been paralyzed in a car accident, and he spoke about how before drugs he had loved running. To demonstrate how drugs had ruined his life, he tried running across the stage. The intention was to garner shock and sympathy, but instead everyone laughed.  I chuckled(whaddya expect, I was a jerk teenager), but felt a huge amount of shame.  That shame comes back every time I watch Tom Green.

     

    It's like laughing at the 'special' children in a playground. You may think it's funny, but your going to hell for laughing.


  • Most Influential Part 2; The Blob

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    The Blob  (1988)

    The Blob  (1958)

    Beware! The Blob  (1972)

    A few posts back I wrote about The Shining as one of the most influential films on my life. This is another. That doesn't mean this film is an outright classic, or even that it's held to a higher standard than others in my collection. What I'm referring to is the effect it had on my life, if it actually added to the collection of personal quirks and tics that make up my personality. In that regard today's film(s) is very influential indeed.

    The Blob has always been one of my favorite movie monsters, up there with Godzilla or The Creature From The Black Lagoon. Certainly it doesn't have the sympathetic qualities of most monsters, such as Frankenstein or aforementioned Creature, and it definitely doesn't have the style of, say Dracula, but the Blob has something a bit harder to define that's always captivated me. It's an overall sense of doom and dread that most monsters don't get. Something akin to zombies, although both are usually seen as a bit hokey. The Blob has no mind, no rules by which you might stay alive, and it's unavoidable, inescapable, and damn near indestructible. All it does is slowly devour everything around it, growing exponentially as it does so. It's the type of fear I've always enjoyed most, and it's one of the rare occasions that it's pulled up with some top-notch gooey effects.

    The first Blob film I saw was, I'm sorry to say, the 1988 remake. I was ten when it came out, and I don't remember when I actually got to see it, but it was probably on cable, and most likely a couple years after it's theatrical release. Before that I had long been interested in the Blob due to the countless books about 50s sci-fi movies I would check out from the library, mainly for their pictures. The original film is a good, fun time, and completely indicative of what was going on in popular culture at the time. Movies, music and other forms of entertainment were being marketed towards kids in much higher volume than in any other time in the 20th century, and The Blob exemplifies this by making the kids the heroes, and the parents just don't understand the threat until it's almost too late. I really can't think of much to say about this film that hasn't already been said, so I don't think I'll try. It should be noted, however, that the theme song kicks ass, and everyone in Alaska should be VERY worried about global warming releasing the Blob from it's prison.

    Jack H. Harris tried to get a sequel off the ground, but was unable to until the 70s, when he got the assistance of, of all people, Larry Hagman. Larry Hagman directed Beware! The Blob, and to call it a good film would be misleading, although it certainly isn't without it's enjoyment factor. I think it's a good film, but I realize I'm more than a little biased. The film isn't scary, but I don't think it's trying to be. It's also not funny, at least, not in the way I'm sure the filmmakers intended. To give an example, Dick Van Patten's comedic relief character did nothing but give my girlfriend the heebie jeebies whenever he showed up.

    The plot concerns a woefully stereotypical African American man-slovenly, with a jive-talking growl and bickering with his wife as he settles into his easy chair to eat and watch TV-who brings home a frozen piece of the Blob and stores it in his freezer, next to the steaks. There's no explanation for this, no attempt to explain why this man would have a piece of the Blob, or why he thought putting it in his freezer was a good idea. The film is ALMOST a parody of the original Blob, but it mainly comes off as a parody of itself, and although it may not have many of the hallmarks of a good film, it's nevertheless enjoyable and goofy and great for a gathering of friends.

    The 1998 remake, on the other hand, is everything that Beware!... was not. Capitalizing quite well on the inherent terror of the Blob, this time casting the titular monster as a mutated government experiment gone wrong and loose in a small Midwestern town. It's definitely an 80s film, although that mainly surfaces in the styles and lingo the kids use. In this film the kids are again cast as the heroes, and the adults do everything they can to not listen. The effects used for the Blob in this one are never less than disgusting, in particular the death scenes that show the blob slowly devouring people layer by layer. First the skin, then muscles, then bone. I know it's not fashionable to like remakes, but this one is actually quite good. One of the better mainstream horror movies of the late 80s, with an always appreciated appearance by David Lynch regular Jack Nance.

    This movie had two effects on me. One; when I clean out my garbage disposal it never crosses my mind that it might turn on accidentally, but I'm always a bit worried the blob might be down there. And second: if you ever watch a movie in the theatre with me, and you pay close enough attention, you'll see me look up to the ceiling just to make sure the blob isn't about to pick me out of my seat.

     

    http://workingdeadproductions.blogspot.com 


  • Most Influential Part 1

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    The Shining  (1980)

    The Shining  (1997)

    Sometimes the criteria I use to judge a great horror movie isn't just it's inherent quality, but how much it effects my day to day life. There are a small handful of horror movies that didn't just define how I watched movies, but actually informed the way I live my life. Taking that in consideration, probably one of the most, if not THE most, important horror film in my life would have to be Stanley Kubrick's version of The Shining.

    A lot of purists, and Stephen King, hate what Kubrick did with the movie, arguing that it changes just about everything from the book, but then I'd like to enter into evidence the completely crappy remake that Stephen King went back and did in the 90s. I forced myself to sit through it, and as a result put Mr. King on my personal shitlist for the better part of a decade. I was that offended by the movie.

    Now... I have to make an admission here. A statement so blasphemous that my 'cool film buff' status may be revoked by the cultural mafia. I've never quite understood the appeal of Stanley Kubrick. There, I've said it. A great weight has been lifted. Actually, let me backtrack a little. I do understand the appeal of Stanley Kubrick, I've just never been as big a fan as most people think I should be. I like the majority of his movies, and a couple I do agree are classics. The problem is that he's always seemed so damn cold. His movies are so technically perfect, and incredibly sterile. That's opposed to other technically proficient masters like Hitchcock, or Akira Kurosawa, both of whom were able to inject warmth into their perfection. Kubrick's warmest movie, arguably, is 2001 A Space Odyssey, and that's only because the villain is a robot and we automatically associate with the human protagonist.

    The Shining, however, has always been a favorite. One of the greatest movie going experiences of my life was seeing this film in a theatre during a Halloween retrospective. I'd seen it countless times on video, but until I saw those sweeping hallway shots on a big screen I had never truly experienced the movie. It's one of those rare movies that still has the power to scare the bejeesus out of me. Admittedly by now it's more a remembered fear, but I'm not going to admit how old I was before I could watch the scene where Jack visits room 237 with unclenched eyes.

    And that, to bring this full circle, is the lifelong change this movie wrought on my life. I still cannot use a restroom in which the shower curtain is closed. Those of you who have seen the movie will surely understand.
     

 

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