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  • Deal or No Deal: The Road to Self-Distribution, SXSW, 3/10/08

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    Moderator:

    Karina Longworth
    , Spout.com


    Featuring:
    Stacy Schoolfield
    , Producer, Jumping Off Bridges
    Kelly Sanders, Truly Indie
    Sara Pollack, Film Manager, YouTube
    Mark Halperin, President, Magic Lamp Releasing (absent?)

    At the very beginning, moderator Karina Longworth laid out the premise of the panel: looking at self-distribution as the first resort, as opposed to the last resort.

    Stacy Schoolfield was the first panelist to speak. After producing the movie Jumping Off Bridges, Schoolfield took the film to SXSW, expecting it to get a distribution deal. There was no initial distribution deal. Instead, what happened was that a mental health field professional saw the film and thought it would be appropriate to screen for her colleagues. Later, she called theaters in 26 cities and combed Lost fansites (Michael Emerson from that show appears in the film) to promote the film. She got the ultimate flattery when fans began to incorporate clips from Bridges into video tributes to Emerson. Eventually, Jumping Off Bridges got picked up by New Day Films, a distribution company specializing in educational films.

    Sara Pollack, prior to her hiring at YouTube worked on a film titled Duane Hopwood, which only received a minuscule release despite debuting at the Sundance Film Festival, and having notable names like David Schwimmer and Janeane Garofalo star in it. Pollack believes that filmmakers are becoming wise to bad deals given by major distributors, and to the virtues of self-distribution. "You know your audience best," Pollack said.

    Kelly Sanders works for Truly Indie, an offshoot of Magnolia Pictures. Truly Indie, like IFC First Take, is an outlet for brokered self-distribution. Whereas Magnolia would approach the filmmaker, it is the other way around with Truly Indie. Truly Indie only accepts 8-10 pictures a year, and if the filmmaker has a promotion idea, Truly Indie will work with the filmmaker. The filmmaker must pay Truly Indie a flat fee based on the cost of the opening.

    Sanders believes that theatrical releases are still important, as they bring credibility to the film. Documentaries are usually the most successful in self-distribution, as people tend to read documentary reviews.

    Overall, the panel was very encouraging. I got to introduce myself to Karina afterwards, explaining that I was the girl from "HOWL (For Lindsay Lohan)". Yippee!


    Originally posted on:The Film Panel Notetaker - Miss a panel discussion? Don't worry! We took notes for you.

  • IFFBoston Announces Film & Panel Line-Up

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    The Independent Film Festival of Boston (IFFBoston) last week announced its program line-up including film screenings and panel discussions for the 2008 festivities taking place April 23-29. Here's a look at what's planned for the panels:


    Collaborative Screenwriting Presented by Zhura.com
    A discussion with screenwriters and other industry professionals on the benefits of collaboration featuring Amy Fox (Heights) and Will Conroy (Transsiberian)

    Distribution 2.0
    A discussion with some of the companies on the cutting edge of film distribution featuring representatives of Spout.com, Current.com, Indiepix, and Ourstage. Moderated by Amy Dotson of the Independent Feature Project (IFP).

    Comics to Film/ Film to Comics
    A presentation by “Robot Stories” writer/director and writer of the hit comics The X-Men and World War Hulk, Greg Pak.




    And here's the film line-up:



    INDEPENDENT FILM FESTIVAL OF BOSTON 2008 OFFICIAL SELECTIONS:

    Narrative Features
    AUGUST EVENING, directed by Chris Eska
    BALLAST, directed by Lance Hammer
    BEAVER TRILOGY, directed by Trent Harris (Buried Treasure screening)
    BIG MAN JAPAN, directed by Hitoshi Matsumoto
    BLOOD CAR, directed by Alex Orr
    THE CAKE EATERS, directed by Mary Stuart Masterson
    FLASH POINT, directed by Wilson Yip
    FROWNLAND, directed by Ronnie Bronstein
    GOLIATH, directed by David Zellner & Nathan Zellner
    JETSAM, directed by Simon Welsford
    MEDICINE FOR MELANCHOLY, directed by Barry Jenkins
    MISTER LONELY, directed by Harmony Korine
    MOMMA’S MAN, directed by Azazel Jacobs
    MONGOL, directed by Sergei Bodrov
    MY EFFORTLESS BRILLIANCE, directed by Lynn Shelton
    MY WINNIPEG, directed by Guy Maddin
    NATURAL CAUSES, directed by Alex Cannon, Paul Cannon, and Michael Lerman
    THE NEW YEAR PARADE, directed by Tom Quinn
    PHOEBE IN WONDERLAND, directed by Daniel Barnz
    PING PONG PLAYA, directed by Jessica Yu
    PINK, directed by Alexander Voulgaris
    SAVAGE GRACE, directed by Tom Kalin
    SEVERED WAYS: THE NORSE DISCOVERY OF AMERICA, directed by Tony Stone
    STUCK, directed by Stuart Gordon
    TIME CRIMES, directed by Nacho Vigalondo
    THE TRACEY FRAGMENTS, directed by Bruce McDonald
    TRANSSIBERIAN, directed by Brad Anderson (Opening Night Film)
    TRIANGLE, directed by Ringo Lam, Johnnie To, and Tsui Hark
    TURN THE RIVER, directed by Chris Eigeman
    TWELVE, directed by Scott Masterson, Seanbaker Carter, Andy McCarthy, Garth Donovan, Luke Poling, Noah Lydiard, Megan Summers, Brynmore Williams, Joan Meister, Marc Colucci, Jared Goodman, and Vladmir Minuty
    VEXILLE, directed by Fumihiko Sori
    WOODPECKER, directed by Alex Karpovsky
    Documentary Features
    AMERICAN TEEN, directed by Nanette Burnstein
    AT THE DEATH HOUSE DOOR, directed by Steve James and Peter Gilbert
    CRAWFORD, directed by David Modigliani
    DREAMS WITH SHARP TEETH, directed by Erik Nelson
    ELEVEN MINUTES, directed by Michael Selditch
    ENCOUNTERS AT THE END OF THE WORLD, directed by Werner Herzog (Closing Night Film)
    FRONTRUNNER, directed by Virginia Williams
    THE GREENING OF SOUTHIE, directed by Ian Cheney and Curt Ellis
    INTIMIDAD, directed by David Redmon and Ashley Sabin
    JOY DIVISION, directed by Grant Gee
    JUMP!, directed by Helen Hood Scheer
    LIFE. SUPPORT. MUSIC., directed by Eric Metzgar
    THE LINGUISTS, directed by Seth Kramer, Daniel A. Miller, and Jeremy Newberger
    LIONESS, directed Meg McLagan and Daria Sommers
    MEADOWLARK, directed by Taylor Greeson
    NERDCORE RISING, directed by Negin Farsad
    NOT YOUR TYPICAL BIGFOOT MOVIE, directed by Jay Delaney
    PUBLIC ENEMY: WELCOME TO THE TERRORDOME, directed by Robert Patton-Spruill
    SAVIOURS, directed by Ross Whitaker and Liam Nolan
    SECOND SKIN, directed by Juan Carlos Pineiro Escoriaza
    SECRECY, directed by Robb Moss and Peter Galison
    SEX POSITIVE, directed by Daryl Wein
    SONG SUNG BLUE, directed by Greg Kohs
    VERY YOUNG GIRLS, directed by David Schisgall
    WE ARE WIZARDS, directed by Josh Koury
    WILD BLUE YONDER, directed by Celia Maysles
    Short Films
    APOCALYPSE OZ, directed by Ewan Telford
    AQUARIUM, directed by Rob Meyer
    A CATALOG OF MY ANTICIPATIONS, directed by David Lowery
    CHIEF, directed by Brett Wagner
    DOXOLOGY, directed by Michael Langan
    THE DRIFT, directed by Kelly Sears
    THE EUROPEAN KID, directed by Ian Martin
    THE EXECUTION OF SOLOMON HARRIS, directed by Wyatt Garfield and Ed Yonaitis
    FILM MAKES US HAPPY, directed by Bryan Wizemann
    GLORY AT SEA, directed by Ben Zeitlin
    HEARTBEATS, directed by Vincent Coen
    IF A BODY MEET A BODY, directed by Brian Davis
    I HAVE SEEN THE FUTURE, directed by Cam Christiansen
    I LOVE SARAH JANE, directed by Spencer Susser
    JACKSON WARD, directed by Matt Petock
    KIDS + MONEY, directed by Lauren Greenfield
    LA CORONA, directed by Amanda Micheli and Isabel Vega
    LARRY (THE ACTOR), directed by Brett Portanova and Eric Poydar
    THE LONELY BLISS OF CANNONBALL LUKE, directed by Levi Abrino
    MAN, directed by Myna Joseph
    MAYBE IN THE SPRINGTIME, directed by Mai Sato
    MR.P, directed by Jake Vaughan
    PEPPER, directed by Harry McCoy
    PRIMITIVE TECHNOLOGY, directed by Bo Price
    THE PULL, directed by Andy Blubaugh
    THE RAMBLER, directed by Calvin Reeder
    REORDER, directed by Sean Garrity
    SAFARI, directed by Catherine Chalmers
    SANGIT SENYOR, directed by Alan Lyddiard
    SAVE THE WORLD, directed by David Casals-Roma
    SIKUMI (ON THE ICE), directed by Andrew Okpeaha MacLean
    SPIDER, directed by Nash Edgerton
    34x24x36, directed by Jesse Epstein
    TONY ZOREIL, directed by Valentin Potier
    WELL-FOUNDED CONCERNS, directed by Tim Cawley
    WOMAN IN BURKA, directed by Jonathan Lisecki
    Originally posted on:The Film Panel Notetaker - Miss a panel discussion? Don't worry! We took notes for you.

 

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