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The Paxton Log

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Reviews of movies
 
  • Entertainment Weekly Is Funny

    1 out of 1 people found this review helpful. [What do you think?]

    Ladies and gentlemen, we're but a mere seven days from the official start of the 2008 summer movie season.  Hollywood is hoping the current box office slump will take a turn for the better and begin to rise with releases such as 'Speed Racer', the next trip to Narnia 'Prince Caspian' and Indiana Jones' highly anticipated adventure 'Kingdom of the Crystal Skull' all in the coming weeks.  This past week Entertainment Weekly put out their summer preview issue which includes projections for what they believe will be the top ten grossing films of the summer.  That list is as follows:

    $355.9 mil    01 - 'Indiana Jones and the Kingdom of the Crystal Skull'
    $310.8 mil    02 - 'The Chronicles of Narnia: Prince Caspian'
    $280.4 mil    03 - 'Hancock'
    $280.3 mil    04 - 'Wall-E'
    $267.7 mil    05 - 'Iron Man'
    $255 mil       06 - 'The Dark Knight'
    $244.6 mil    07 - 'Kung Fu Panda'
    $176.5 mil    08 - 'The Mummy: Tomb of the Dragon Emperor'
    $147.2 mil    09 - 'The Incredible Hulk'
    $146.6 mil    10 - 'Tropic Thunder'

    Expectations are high all across the board.  The cumulative total of those estimates comes to $2.465 billion, just $20 million behind the overall top ten of last year.  I'm sorry to burst anyone's bubble, but there is no way in hell the box office is going to bring in those kind of numbers this year.  2007 was the biggest year in history and to say it'll be close here in 2008 is ignorant.

    Even being the goldenboy at the moment won't generate $280 million for Will Smith in 'Hancock.'  While promotion online may be plentiful this is one film people aren't talking about.  As far as super heroes go this summer, it's all about Iron Man and Batman; not some medicore made-up comedian that can fly.  A projected total of $176 million for 'Tomb of the Dragon Emperor?'  Smack dab in the middle of the release weeks for 'X-Files: I Want to Believe' and 'Journey to the Center of the Earth 3D' (which also stars Fraser...) will no doubt put a crimp in it's style and overall revenue.  Also, most of the general public at the moment haven't a clue that this is even coming out in August.  (Yeah, that means start sending out the posters to the theaters now Universal.)  The fact is its been seven years too long since anyone cared about encino man fighting off a CGI monster.  Probably the most shocking of the predictions though is the amusingly ambitious $310 million for 'Narnia.'  This time the buzz isn't as loud and the idea this installment promises to be darker  will in my opinion deter many parents from flocking to see it.  'Wall-E'  will in fact be Disney's bread and butter this year.  

    The following list is my take on what I assume the actual top ten films and their total grosses will be.

    $350 mil    01 - 'Indiana Jones and the Kingdom of the Crystal Skull'
    $280 mil    02 - 'The Dark Knight'
    $250 mil    03 - 'Wall-E'
    $235 mil    04 - 'Iron Man'
    $225 mil    05 - 'The Chronicles of Narnia: Prince Caspian'
    $208 mil    06 - 'Kung Fu Panda'
    $183 mil    07 - 'Hancock'
    $145 mil    08 - 'Tropic Thunder'
    $142 mil    09 - 'The Mummy: Tomb of the Dragon Emperor'
    $130 mil    10 - 'Get Smart'

    The combined total of my list ends up as $2.127, which is far more plausible then Entertainment Weekly's hilarious estimates.  Now there are also a few films that could possibly prove to be surprisers when it's all said and done.  (I didn't include them in the above list because I find them each to be too big of a wildcard.)  Depending on just how many hardcore fans of the once popular show of the same name get out and see it, 'Sex and the City' could bring in anywhere from $95-$130 million.  The option to do two sequels wasn't included in the leading ladies' contracts for nothing.  Then of course there's the re-start to the Hulk series which is getting more and more attention as the weeks pass.  A sum of $130-$149 doesn't seem to impossible to me if all goes well for it.  Most importantly though is the quite colorful adaptation from the Wachowski brothers: 'Speed Racer.'  A hefty promotion deal with Mattel, McDonald's, Target, General Mills, Esurance, Lego and others could drive the film to finish as high as $185 million (no, I'm not kidding) depending how well audiences respond.  The only sure things about this summer are 'Indiana Jones' will not live up to it's hype, 'Dark Knight' will positively rock and 'Wall-E' will be Pixar's finest animated feature to date.


  • Oscar Picks (WOOOOOO!!!)

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    No lengthy explanations as to why, just short and sweet; here are my picks for tonight's 80th Annual Academy Awards.


    - Best Visual Effects: Diana Miao for 'Pirates of the Caribbean: At World's End'

    - Best Sound Mixing: Alan Meyerson for 'Transformers'

    - Best Sound Editing: Skip Lievsay and Joel Dougherty for 'No Country for Old Men'

    - Best Original Song: 'Falling Slowly' from 'Once' written and performed by Glen Hansard and Marketa Irglova

    - Best Original Score: Dario Marianelli for 'Atonement'

    - Best Makeup: Liz Dann for 'Pirates of the Caribbean: At World's End'

    - Best Costume Design: Colleen Atwood for 'Sweeney Todd: The Demon Barber of Fleet Street'

    - Best Film Editing: Tatiana S. Riegel for 'There Will Be Blood'

    - Best Art Direction: Gary Freeman for 'Sweeney Todd: The Demon Barber of Fleet Street'

    - Best Cinematography: Seamus McGarvey for 'Atonement'

    - Best Documentary: 'Sicko'

    - Best Animated Picture: 'Ratatouille'

    - Best Foreign Language Film: 'The Counterfeiters'

    - Best Adapted Screenplay: Ronald Harwood for 'The Diving Bell and the Butterfly'

    - Best Original Screenplay: Diablo Cody for 'Juno'

    - Supporting Actress: Cate Blanchett as Jude Quinn in 'I'm Not There'

    - Supporting Actor: Casey Affleck as Robert Ford in 'The Assassination of Jesse James by the Coward Robert Ford'

    - Leading Actress: Ellen Page as Juno MacGuff in 'Juno'

    - Leading Actor: Daniel Day-Lewis as Daniel Plainview in 'There Will Be Blood'

    - Best Director: Paul Thomas Anderson for 'There Will Be Blood'

    - Best Picture: 'No Country for Old Men'

  • The 10 Best Films of 2007

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    Under discussion:

    Zodiac  (2007)

    Bee Movie  (2007)

    Michael Clayton  (2007)

    Grindhouse  (2007)

    Underdog  (2007)

    I'm Not There  (2007)

    Ratatouille  (2007)

    Gone Baby Gone  (2007)

    La Vie en Rose  (2007)

    Sicko  (2007)

    Atonement  (2007)

    Superbad  (2007)

    Away From Her  (2007)

    Juno  (2007)

    Once  (2007)

    The Kite Runner  (2007)

    Hello, my name is JP Paxton and I love movies.  What began in mid 2004 has since became my uncontrollable obsession that can now be considered nothing less than an incurable sickness.  Seriously, I probably think of a movie or something movie-related once every ten seconds.  Because of this, I am propelled to constantly see, write & talk about movies.  Those of you who are my friends or at least know of me already know this.  For the ones that don't, now you know.  Here it is New Year's Eve which means that yet another year has passed.  Of course though that also means I'm here to let you all know what films I consider the best of 2007.  This year certainly had its share of disappointments including but not limited to 'Bee Movie', 'Underdog' & 'Mr. Magorium's Wonder Emporium.'  I still can't recall what made me even think 'Underdog' might have possibly had a shot at being even half-decent.  With the bad though there's always some good.  For example 'Once'; the independent musical starring actual musical artists as the films two leads instead of actors resulting in real on-screen emotion.  Also this year featured the thrilling crime-drama 'Zodiac' depicting the merciless murderers that started in the 60's by the infamous serial killer of the same name.  Then there was the film that would inevitably become my favorite of 2007: 'Grindhouse.'  The throwback to the gritty, low-budget exploitation double features of the 70's caused confusion among audiences nationwide due to marketing that didn't quite reveal its true nature.  For those of that did understand it though we were able to appreciate it's kick-ass style and utter awesomeness.  However, not one of the films I just mentioned are included in the list that follows and neither are 'Michael Clayton', 'Away From Her', 'Before the Devil Knows You're Dead' or 'Gone Baby Gone.'  They all had some great qualities but just fell short in the end. With that, here they are in all their glory in no particular order, the ten films deemed by yours truly as the best of 2007.

    The passionate and troubled life of Paris singer Edith Piaf features one of if not the most captivating performances of the year.  Written with her in mind by director Olivier Dahan, Marion Cotillard is flawless.  I imagine she'll be a shoe-in for a nomination of best actress at this years Oscars.

    Tim Burton and Johnny Depp's sixth collaboration together is a "bloody" good Gothic feast for the eyes.  It's true, it is repetitious of Burton's previous works in terms of  style but it's also a smooth and elegant telling of the macabre brought to life by its great music.

    This was actually the final film I saw this year and how glad I am that ended up getting the chance to do so.  It is an immensely funny, clever & sweet comedy starring the fantastic Ellen Page.  Its greatest strength resides in the smart screenplay written by Diablo Codybest known for memoir titled "Candy Girl: A Year in The Life of an Unlikely Stripper."

    One of three book adaptations featured in this best of list 'The Kite Runner' brings to the big screen Khaled Hossenini's gripping novel of friendship and betrayal.  While many will argue the exact opposite, I found it to be an amazing story that will touch your heart.

    Take one ambitious rat named Remy, an array of astounding visuals that could only be created by Pixar studios and then mix them with the delightful storytelling and directing skills of Brad Bird.  Let it simmer for a few years and what do you get?  A delicious film that reinforces the fact that even after all these years magic has yet to leave the imaginative Walt Disney Pictures.

    Oh, how patriotic Michael Moore is.  He returned this year with his documentary voicing the horrors of the healthcare system in America.  The surprisingly interesting and entertaining two hours and three minutes and will make you cringe and leave you in complete awe.

    The opening film at this year's Venice Film Festival and adaptation of Ian McEwan's novel brought to the table a wondrous tale of longing which featured magnificent cinematography and an equally lovely score composed by Dario Marianelli.  It's such a shame it's not playing in more theaters here in the U.S.

    Written by Seth Rogan and Evan Goldberg when they were just thirteen years old 'Superbad' turned out to be super good.  The Judd Apatow produced comedy is hands down one the years funniest films that offers a truthful glimpse of teenage anxiety and has a groovy soundtrack to boot including cuts from composer Lyle Workman as well as tracks from The Bar-Kays and Rick James.

    The bio-pic formed and executed in a way that resembled one of its subjects own songs 'I'm Not There' gave an interesting look at the life of Bob Dylan.  While it wasn't quite what I had envisioned beforehand it still is probably the best put together and creative film of 2007.

    The most compelling film of the year is brought to us by The Coen brothers.  It gives us a front row seat to the violent game of cat and mouse portrayed by Josh Brolin and a extraordinarily crafty Javier Bardem as Anton Chigurh from the bestseller by Cormac McCarthy.  There is no doubt in my mind a best picture nomination in store for this flick.


    So there you have it.  You may agree or disagree with my choices, it doesn't really matter to me.  Just be aware that if you don't agree with me you are wrong.  DEAD WRONG.  Right now I'm typing this as my face sports a disturbingly angry expression...  Seriously though, I wish you all a safe and happy new year.  Thanks for reading.

  • Irrefutable

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    After almost fifty years thereafter their debut in 1958 Alvin and his chipmunk brothers Simon and Theodore have returned and are starring in their very own live-action/CGI feature film.  The five-time Grammy award winning trio has remained pretty much the same.  Simon is still the smart one, Theodore is still the chubby one & Alvin is still...well Alvin.  Let me make it perfectly clear though, I certainly didn't have high expectations for this film from the get-go but I can't refute the fact there was something that definitely surprised me about it.  (This is part where you assume the cute little critters' re-telling of their rise to fame turned out to be pretty good.)

    There's no denying they're cute.  Especially Theodore (voiced by one-hit-wonder Jesse McCartney) who was the actual leading munk as opposed to Alvin.  The chunky little, green hoodie-wearing guy who's obviously short a few acorns steals most of the spotlight with his adorable innocence.  Also, as far cuteness goes there was no scene more touching than the opening of the Christmas gifts with their manager and friend Dave played by Jason Lee.  Even the most cynical person would be unable to prevent themselves from smiling during each of their unveilings.  However, no matter how cute they may be it doesn't make up for the overall mess of a movie this turned out to be.  (This is the part where you question just exactly where I am going with this.)

    Jason Lee who earlier this year voiced the lead character in an atrocious movie by the name of Underdog was absolutely lousy as Dave.  From his facial expressions to the familiar yell of "AAAALLLLVVIINNNNNN!!!" it all was ridiculously and horrendously forced.  Nothing about his character was believable because of this.  Oh, but then there's David Cross (who's not even a half-decent actor to begin with) as the money-hungry record executive Ian Hawk.  However, for the most part I can honestly say it wasn't all his fault.  The feeble screenplay is mainly to blame.  Never was there one inkling of cleverness written for him.  Also, there's Cameron Richardson as the love interest of Dave who delivered her lines with as much depth as that of an empty childs swimming pool.  Ugh, but at this point I'm just beating a dead squirrel thus I shall not continue.  (This is the part where the true chipmunk fans are ready to stop reading.  However, I urge them not to.)

    So poor acting, writing & a few other things I didn't even mention.  Let me just put that all aside here and get to my point.  The thing that surprised me about 'Alvin and the Chipmunks' was it's ability to end up as an amazing oxymoron.  Yes, it's one of the year's worst attempts at a movie.  Some might even go as far to say a wasted opportunity to revive the Chipmunks' popularity.  However, it's also the best movie of the year for kids.  I kid not.  After all I am JP Paxton, would I kid you?...  OKAY, so there was that misleading (but hilarious) review for 'Bratz', but hey, my reasoning was justified.  Anyways, before I get anymore off track, it's true, The Chipmunks will entertain the kiddies more than any other movie released this year.  Let's face it, 'The Golden Compass' isn't for everyone, 'Bee Movie' was utterly dumb & 'Shrek the Third' was just plain bad.  I guarantee that 'Alvin and the Chipmunks' will ignite uncontrollable laughing from any kid ten years old or younger.  The silly jokes, catchy songs & lovable trio are all enough to make this THE movie to take the kids to this holiday season.  (This is the part where you stop hating me.)

  • A Must-See

    1 out of 1 people found this review helpful. [What do you think?]
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    "There's nothing you can know that can't be known.  There's nothing you can see that isn't shown".  Fantastic words originally sung by the Beatles back in 1967 and now being heard again in director Julie Taymor's original musical 'Across the Universe'.  Filled with more than thirty songs by the famous group from Liverpool, it tells the tale of two star crossed lovers living in the ever changing 1960's.  Of all the films to be released here in 2007 this was the one I was waiting for.  It was first brought to my attention at the very start of the year by an uncanny Mr. Scott Yuken.  I didn't invest much into his mentioning then seeing as how I hadn't heard of even seen a trailer for the film.  Then on January 19th right before my viewing of 'The Last King of Scotland' that all changed.  A guy on a beach appeared on the screen and began to sing 'Girl'.  Before it was over and the title was revealed I knew this was the film Scott had been talking about.  From that day on I'd been waiting and dieing to it see it.  After a three week release schedule delay due to a revenge motivated Revolution Studios it happened.  I finally got to see it this past Friday.

    It's not done in the showy stage style like 'Chicago' and this year's 'Hairspray', nor is it any less entertaining.  It sort of feels like it mimics the essence of 'Moulin Rouge' but takes itself seriously and goes one step further creatively and visually.  From an interesting army induction number to a melodic underwater scene Taymor has brought to us one of the most stunningly illustrative films in years.  I can't even remember how many times I caught myself with my mouth wide open in total awe.  To boot, the music arrangements and new renditions of classic Beatles songs are just plain great.  Some of the tunes will sound pleasingly familiar as they have been kept true to the originals like 'Hold Me Tight' and 'All My Loving'.  Others like 'I Want to Hold Your Hand' have been transformed into completely new forms with equally different meanings.  Personally I loved how the actors had to sing most of the songs live during filming adding a realistic emotional tone instead of lip syncing.  Still, there's no doubt that some of the hardcore fans of the Beatles will voice their hatred of the re-workings to their beloved favorites even if deep down they can't admit even to themselves they love them.

    Most surprising to me though were the stellar performances from this cast of mostly unknowns.  Jim Sturgees impresses as the young dock worker from Liverpool with his undeniable charm.  Evan Rachel Wood who many will remember from TV's 'Once and Again' where she played Jessie Sammler is superb as the idealist Lucy.  Together their romance is although highly cliqued, in my eyes on the best on-screen relationships to date.  Many of the other memorable actors are those who aren't seen but for a short amount of time such as Eddie Izzard as the fascinating ringmaster Mr. Kite.  Then of course T.V. Carpio as soul-seeking lesbian Prudence who is for sure someone who should have been included more in the film.  Her version of 'I Want to Hold Your Hand' is both haunting and moving.

    Sadly enough, there are a few flaws in this wonderful spectacle of a film.  I wanted to give 'Across the Universe' five stars, I really did.  Nonetheless I can't escape the fact it didn't begin as extraordinary as the rest of it turned out to be.  Starting out as if it wasn't quite sure it was going to be a run of the mill musical or one of the greats, everything just didn't take off.  Maybe I seen the beach scene too many times in the trailer or I felt the switching back and forth between Lucy and Jude was a cheap way to cut the runtime.  Either way, worry did wash over me along with the newspaper waves seen at the start.  The only other thing I can see as a problem is something most people are going to hate me for saying.  Yes, the songs were redone great, but perhaps there was just a bit too many of them.  Thirty-one songs with vocals is awful lot you must admit.  (Most movies musicals have nowhere near that many.)  It pains me to stamp this review with but four stars.  However, it's still one of my favorite films and I still urge everyone to see it because there's also no escaping the fact that 'Across the Universe' is one of the few must-see films of 2007.

  • 'Halloween'

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    Halloween  (2007)

    The idea of the highly acclaimed 1978 horror-classic 'Halloween' from John Carpenter being redone is one that has sparked much debate since its mentioning last year. Many hardcore fans of it stuck their noses up at the thought where just as many modern day horror lovers began to anticipate it. I find the first film nothing truly special. It's okay and all, but there's nothing distinguishing about it except for the wonderful music it featured. So when it was announced a remake, I'm sorry a "revision" was being made only one thing drew me in: the fact Rob Zombie was going to be directing. His previous works 'House of 1,000 Corpses' and its follow-up 'The Devil's Rejects' are both personal favorites of mine. The rawness and unique level of energy injected into those was exactly what I had expected to see present in 'Halloween' Sadly enough, it didn't pan out quite as I had hoped.

    For me the best part of the entire film is its beginning. Instead of just a mere six or seven minutes of vague back story, Zombie stretches that time to about fifty as he explains in depth the origins of the infamous Michael Myers. Everything we could possibly want to know as far as his past is finally revealed here. The original actually could have used a maybe not so lengthy, but informative intro. Daeg Faerch portrays a troubled young Michael whose childhood "hobbies" inevitably transform him into the silent killer we all know him to be. Sheri Moon Zombie's wife and Baby Firefly from his first two films plays Michael's loving mother. Both give equally mediocre performances coming off as sorely one dimension. The only time they have any flare is when their characters aren't talking. (Michael beating a bully to death and Deborah swinging on a stripper pole.) All the others introduced in the beginning are forgettable except for William Forsythe as Ronnie White and Malcolm McDowell. The only reasons we remember them is because Forsythe's role in 'Devil's Rejects' and McDowell we see consistently throughout the rest of this film.

    After the introduction there isn't much new to be seen. Most of what made the original halfway decent has been trashed or traded for traits far less worthy praise. Laurie played by Scout Taylor-Compton and her friends' personalities are non-existent. No longer is there any sense of mystery or suspense either. As soon as Michael sees his victim he kills them right then and there as the scene beings to shake as if an earthquake is occurring at the same time. We hardly get to know any of the characters which makes it a little difficult to care about their death. Probably the worst part of it all is Zombie claimed that in his "revision" he'd make Michael scary again. However, there are no scares to be had whatsoever. The fright factor has been traded out for the popular gross out gore takes. The original was never about the spilling of blood, but rather the sense of uncertainty of if, when and where the masked killer would strike next.

    Having said that, 'Halloween' is nowhere near as bad nor the embarrassment fanboys and critics are making it out to be. Like I said, for the highlight of the film was indeed the beginning. The keywords there are "for me". I think that ever though Zombie may have lost some of the bite the original had the overall product is still acceptable for what most young horror fanatics of today expect in their movies. They essentially want two things: boobs and blood. Here they get exactly what they pay for. The difference between 'Halloween' and other recent horror flicks is that Zombie has style.


 

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