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The Paxton Log

  • Entertaining Despite Its Flaws

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    Happy Feet  (2006)

    2006 has turned out to be the year for digital animation. From talking cars to suburban turned forest animals it seems like we've almost seen it all…or so we thought. The fresh and upbeat penguin-filled musical 'Happy Feet' is the thirteenth digitally animated film to be released this year. And as expected, people are eating it up. Some have gone as far to say it's the year's best. There was better this year, but 'Happy Feet' is okay.

    In 'Happy Feet' we are given front row seats to the birth and growth of a penguin by the name of Mumble who is voiced by Elijah Wood. He's different from all the other penguins. In a world where finding your "heartsong" is crucial, poor Mumble isn't able to keep a tune at all. Interestingly enough though, he can dance up a storm. Unfortunately this is frowned upon and ends up causing him great distress. Eventually the elder penguin Noah, who is voiced by Hugo Weaving, accuses Mumble of bringing on the famine that is currently afflicting the penguins. Mumble attempts to explain that he believes "aliens" are the real cause. Noah doesn't take him seriously at all and banishes him, claiming that once he is gone, the famine will end. Mumbles then promises that he will return, and when he does he will bring proof that the alleged "aliens" are to blame. He then embarks on his journey where along the way he makes some new friends and learns the world outside his own is much different than he could have ever thought possible.

    Visually, 'Happy Feet' is amazing. Almost every landscape down to the smallest icicle look so very real. Even the penguins themselves are highly detailed, but obviously aren't real. Aside from that and the direction from Greg Miller, everything presented in 'Happy Feet' is just okay. Nothing in it evokes a wholehearted wow. The plot itself takes what seems forever to be revealed. There's a forty five minute wait before anything about a famine is even mentioned. Watching the film is a lot like riding a roller coaster. No, I don't mean its a thrill ride. The way the story is set up, it goes up and down. Each time it begins to drag, something comes along to get it going again. And when the ending finally comes, it appears forced. The whole addition of an environmental issue still has me wondering. I guess because without it there would be nothing for Mumble to do on his journey of discovery.

    The main issue I have with 'Happy Feet' though revolves around the music. Yes, I know it's a musical, but the music seemed to really exceed the film itself. I'm not sure if this was intentional or not. The reason being is because the film suggests that there actually is a real story behind it all. Either way, it doesn't really matter because it's the singing and dancing that will have people returning to see it all again. So despite having some assuredly bad qualities 'Happy Feet' does indeed have its moments. It does what it was supposed to, and that's entertain.
     
    - originally written on Nov. 18 '06 

  • Awful, Bland, & Moronic

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    The Return  (2006)

    I think a round of applause is in order for whoever pieced together the trailer for Rogue Pictures' latest release, 'The Return'. I myself, along with everyone else have been duped into believing it is in fact a horror film. On the contrary though, its actually a supernatural thriller. Too bad it is not the least bit thrilling.

    'The Return' stars Sarah Michelle Gellar as Joanna Mills, a young woman who has had personal problems since the age of eleven. It was at that age that she began having haunting visions depicting the murder of a woman whom she has never met. While in Texas on a business trip, she is led by these visions to the murdered woman's hometown, La Salle. There she comes face to face with another person who has frequently appeared in her visions. A man by the name of Terry Stahl, who is played by Peter O'Brien. Joanna is now on a desperate search for answers. A search that could in the end result in her very own murder.

    I really don't know where to begin here folks. Which should I mention first? The atrocious acting, hideous directing, or the terribly bland story? No matter which one I choose my point behind each is the same: they simply suck. Adam Sussman's screenplay is downright moronic. It's not interesting. It's not compelling. It's just plain unpleasant. I kept waiting for something to jump-start the "film" (I've placed quotations around film because I don't believe 'The Return' deserves to be called an actual film due to its foulness.) and at least give it some slight chance of hope, but nothing ever happened. I was left out in an unbearable cold to freeze. Not even stellar performances from the actors themselves could have saved this disaster. Of course they probably knew this having read the script then agreeing to do the "film". I assume this is why the acting was so awful. At least that's what I'm choosing to believe. I really hope the cast doesn't pride themselves on their performances. They need immediate medical attention if they do.

    Now the directing was unmistakably bad, but I can't quite crucify Asif Kapadia entirely. (Well I could, but I won't since I'm such a nice guy.) I look at 'The Return' as a test for Kapadia because for all of you that don't know, this is his first full-length feature "film". He's just getting his foot in the door and still learning. Next time around, well if there is a next time, hopefully he will have improved vastly. The only thing he was able to accomplish here was almost completely duplicating the visual style of Marcus Nispel's 2003 remake of 'The Texas Chainsaw Massacre'. Now that's nice the "film" was given that, but unfortunately he still won't be receiving any kudos from me for that. Copying someone else's work isn't something I consider to be praise worthy. (Even if it is from a film I very much enjoyed.)

    I think Jim Sonzero's American re-make of 'Pulse' will now have to fork over the title of Worst Film of the Year to 'The Return'. It beyond question is deserving of the title in almost every imaginable way. Now I don't doubt this will make a small, and I mean very small, profit. No matter what though, it won't surpass or even parallel the fluke success of Gellar's previous acting effort, 'The Grudge'. On that note, there's one last thing I'd like to add. I can honestly say I had never been embarrassed to have been seen leaving a theater auditorium until seeing 'The Return'. That is something I never wish to experience again, along with the "film" itself.

     

    - originally written on Nov. 11 '06 


  • Postively Entertaining Beyond Belief

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    Borat  (2006)

    First off, I must warn you that 'Borat:' is not for everyone. If you can't take a joke or completely have no sense of humor, stop reading this review right now. Please then proceed to kill yourself. Okay, don't actually commit suicide, but at least hurt yourself in some way.

    Now, having said that, it must be known that 'Borat:' is hands down, without a doubt, no matter what, the funniest film of the year. Prior to seeing it I knew it would be hilarious. I figured though that once settled in and it ran for a little while the jokes would become annoying. Then of course there'd be a few cases here and there that were laugh-out-loud funny, but nothing major. How wrong I was. Wrong indeed. From beginning to end its outrageously hysterical. Each time you think it couldn't get any better, it proves you wrong over and over. Cohen deserves much praise for being able to keep a straight face through each scene.

    Despite being positively entertaining beyond belief though, there will still be those who insist on disagreeing. It's true, a lot of people probably will be offended by some of the things shown in 'Borat:', but don't let them deter you from seeing it. They're simply too busy trying to get the three foot stick they have up lodged up their ass out, that they can't possibly see its humor. My friend Clay put it best yesterday when he said, "I think its too smart for Americans". For the most part, that's correct. The irony presented won't be noticed by hardly any American because they'll be too busy laughing themselves to death over how they think Borat "doesn't get it". I'm not trying to say everyone in America that sees it is a dumb-ass either, but that's just the truth.

    Well I guess its about time I wrapped this review up. Indeed it was short, but really, there's only three things you need to know about 'Borat:'. One, it's side-splitting, two, it's brilliant, and finally three, Jews can't really turn transform themselves into cockroaches. Or can they?…

     

    - originally written on Nov. 5 '06 


  • All Hype, No Substance

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    Back in the company of Captain Jack Sparrow, (Johnny Depp) we are again taken on an escapade of the melancholy and mischievous sort. This time Jack is on a search for the Dead Man's Chest. For once he possesses it he will be able to control the one who he owes a debt to. The ruler of the sea, Davy Jones. (Bill Nighy) But what would this quest be without the assistance of his fellow chum Will Turner (Orlando Bloom) and his bride-to-be Elizabeth Swann? (Keira Knightly) They too are inevitably drug into this whirlwind of non-stop "comedy" and various mishaps. All the while is Lord Cutler Beckett (Tom Hollander) also yearning to get the chest as well so he can single-handedly rid the seas of pirates everywhere.

    Usually sequels don't surpass the greatness and originality their predecessors establish. 'Pirates of the Caribbean: Dead Man's Chest' doesn't fail to follow suit. From the trailers it appears to be an exciting thrill ride loaded with tons of merriment. But in reality its a two hour and thirty five minute foreseeable film filled with humdrum antics and sleep inducing banter.

    The first 'Pirates' was absolutely one hundred percent far more delightful. Before it, a character with humor and essence such as Captain Jack Sparrow hadn't been seen in cinema. A once amusing and engaging Jack is now just plain annoying. Here in 'Dead Man's Chest' his foolhardy, joker demeanor only halts the story as it attempts to progress. In addition, average acting and direction are dishearteningly unveiled. The only pleasing aspects presented are the outstanding visuals and devilishly good villain Davy Jones. I'm afraid neither of these ingredients are able to save this mess of a film from sinking though.

    The bottom line is, 'Dead Man's Chest' is nothing more than a film built on hype and in the end has no real substance. "I think the second movie is strong and clever and has a lot going on", said director Gore Verbinski in an October interview last year when speaking about 'Pirates'. Apparently this version of the film didn't make the final cut. Even so, 'Dead Man's Chest' will without a doubt continue to dominate at the movies and make other summer releases walk the plank at the box office. I don't think even Colin Farrell and Jamie Foxx's big screen adaptation of 'Miami Vice' will be able to decimate it when released this Friday. I guess I can give Verbinski some credit though. It's pretty amazing to see a film with video-game logic that's created from zip do so tremendous.

     

    - originally written on Jul. 21 '06 


  • Sit Back and Enjoy the Ride

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    Cars  (2006)

    What do Richard Petty, Owen Wilson, & Paul Newman have in common? They're all in Walt Disney and Pixar's latest film 'Cars'. The story revolves around a rookie race car learning that life isn't about where you're going, but how you get there. Now I'll admit, last fall when I first heard about this movie I completely wrote it off as being utterly preposterous. Why? Simply because the idea of talking cars didn't seem entertaining in the least. It actually wasn't until the day before its release I said, wow, I think Disney's got something here. (Which only proved to be true after seeing it the next day.)

    John Lassester, the man who took us into the world of toys in 'Toy Story' and on a search for a young clown fish in 'Finding Nemo' has done it once again. First off, there's Lightning McQueen's (Owen Wilson) funny and irresistibly lovable new best friend, Mater. (Larry the Cable Guy) He adds to 'Cars' what Scrat the squirrel does in the 'Ice Age' films. Now don't get me wrong, many of the other characters featured in the film are plenty likable, but Mater is the glue that brings it all together. Also in 'Cars' the animation is superb. It doesn't have the same style or look the other Pixar films have. I don't really know how to describe it, but it's certainly something.

    But, as almost all movies, 'Cars' does have a drawback. It's missing something. That special something only Disney and Pixar can add that made 'Toy Story' what it is, a great movie. I'm not sure why, but it's just not there. I imagine in the end 'Cars' will just fall short of having the longevity and memorability films like 'Finding Nemo', 'Monsters, Inc.' & 'Toy Story' will. Despite this, 'Cars' is still a winner and manages to be excellent. Not a classic, but excellent. I highly recommend seeing it at least once to give it a test drive.

     

    - originally written on Jun. 26 '06 


  • Sandler Doesn’t Click, Only Stumbles

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    Click  (2006)

    Michael Newman (Adam Sandler) is a workaholic architect who lately, has been putting his career before his family. While at a Bed Bath & Beyond one night shopping for a universal remote he meets a man by the name of Morty. (Christopher Walken) It's Morty that ends up changing Michael's life with the gift of a remote that not only controls the TV and other household appliances, but his own universe. Upon discovering the abilities the remote has Michael begins to use it to fast-forward through what he considers unpleasant and annoying. Such as fights with his wife and foreplay. As he does this the remote begins creating its own memory and eventually starts to automatically choose what to fast-forward through. Michael unremittingly goes further and further through his life as the remote continues to fast-forward. In turn, he realizes the importance of spending time with his family.

    'Click' seemingly starts out will with its cutesy family wisecracks. And the first couple instances where Michael uses the remote for his own personal kicks is somewhat funny. After that, there really are no laughs to be had. It's just the same joke exhibited over and over again with different alterations. Even the dog Sundance's incessant humping of a stuffed duck gets old real quick as the film advances. This is tragic because 'Click' is being passed off as a comedy but unmistakably isn't funny.

    Another fault the film bears is the main character Micheal is nowhere as entertaining as Morty. Not only did Walken do a better job of acting, he is overall more enjoyable to watch. Truth be told, Morty is actually the only thing that holds this mess together. And only slightly better than average direction by Frank Caraci who also did two of Sandler's other films ('The Waterboy' and 'The Wedding Singer') only contributes dullness to this already colorless movie.

    There are however a few heartfelt moments displayed throughout the extent of the film. But in the final scenes there's supposed to be a big profound moment when Michael desperately tries to tell his son how family comes first with his last breaths but Sandler just doesn't deliver. Who honestly expected splendid acting from him though? But despite all the downsides 'Click' presents, many people will still enjoy it. What can I say, fart and sex jokes sell.

     

    - originally written on Jul. 26 '06 


 

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