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  • [REVIEW] And you thought you had it bad!

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    Palm Pictures presents Asia Argento’s film adaptation of The Heart Is Deceitful Above All Things.  This picture stars Asia Argento as Sarah, Jimmy Bennett as young Jeremiah, and Cole and Dylan Sprouse trade off as the older Jeremiah.  The cast includes smaller roles for Peter Fonda, Marilyn Manson, Winona Ryder, and Michael Pitt.  The film runs 98 minutes.

     

    Jeremiah, taken at age 7 from a loving foster family that wanted to adopt him, is delivered by Social Services to his biological mother, Sarah.  From this point forward, his life is one story of neglect and abuse after another as his mother drags him like a rag doll from one deadbeat lover to the next.  The only break is a three-year time jump while Jeremiah lives with, and takes unknown abuse from, Sarah’s Christian Fundamentalist parents and the rest of the residents in their church-like home.

     

    This picture uses sets and/or locations that clearly depict the life of those in poverty in America.  While some of the actors’ performances may not be great, the editing gives strong examples of the power of the cut.  Animated creatures and scenes used to symbolize the most extreme horrors experienced by Jeremiah are as crude as the people in his life.  Argento uses strong visual styles in the portrayal of the drug-induced haze delivered to Jeremiah by his mother.

     

    I knew little of this film and almost nothing of the source material when I viewed it.  I don’t really care about the source material since this is a film review – not a review of the source material or the controversy surrounding it.  I found The Heart Is Deceitful Above All Things effective in portraying what the horrors of a childhood filled with neglect, abuse and poverty might be like.  Often I found myself shifting in my seat and turning somewhat away from the brutality displayed.  I often found myself groaning in disgust over the choices made by Sarah – choices that were self-centered and were neglectful or lead to more abuse.  This is tough stuff and not for the faint of heart or those with a weak stomach.

     

    That the original novel is complete fiction and not a chronicle of one’s life as it was originally marketed does not mean that similar horrors don’t take place.  It only means that in reality, those who survive horrors like the ones depicted in this film don’t grow up to be best-selling authors.


  • [REVIEW] Buying Time on a Road Trip to the Inevitable.

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    Grace Is Gone  (2007)

    The Weinstein Company presents Grace is Gone, directed by James C. Strouse and starring John Cusack as Stanley Phillips.  It introduces Shélan O'Keefe as Heidi and Gracie Bednarczyk as Dawn, the Phillips' two daughters.  Original music is by Clint Eastwood.  The film runs 90 minutes.

    This is the story of a man whose wife is a soldier killed in Iraq.  Stanley cannot face telling his two daughters, Heidi, twelve and a half, and Dawn, eight, the news of the death of their mother.  Instead, he takes them on a road trip of distractions – away from the military base community where everyone else knows the sad news.

     The film has a pretty solid plot given the unpredictable behavior of people dealing with the grief of losing a loved one.  It is well shot and nicely edited with smooth cuts that leave almost no continuity questions.  A good deal of time is spent in the family SUV and at times, it seems that Cusack takes his eyes off the road a little too long.

    Grace is Gone spends time letting us get to know the three main characters.  Shélan O'Keefe, in a fantastic performance, steals the show in her role as Heidi – a girl on the verge of adolescence.  When this road trip is proposed, she is suspicious that something is wrong, but the little girl in her goes with the excitement of a trip to a beloved theme park in Florida.  As time passes, we see Stanley’s panic over the situation grow and his grief deepen.  Heidi, while looking forward to fun at the theme park, grows ever more suspicious about what her father is hiding.  In the last few minutes, we see the scene that we know has been coming from the beginning – Stanley tells Heidi and Dawn the tragic news – and it hits them, and the audience, very hard.  This film is effective because of the strong performances by O'Keefe and Cusack and the way the story pulls us into the lives of the characters.  


 

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