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STEPHENtheDIRECTOR Blog

  • Blatantly Mediocre

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    Vantage Point  (2008)

    This film has a good concept, interesting characters, and pretty sweet action scenes. The problem with them is that none of them are developed past the point of impact. The concept is drowned in meaningless repetition, the characters never develop past their own prejudices, and the action sequences can barely make you want to keep watching the screen. Not to mention crossing the 180 degree line all the freakin' time! Forrest Whitaker is always a joy to watch perform, but the dialogue feels extremely forced. William Hurt is surprisingly not that convincing as the President, and Dennis Quaid never really grabs you. Over all, this is one incredibly forgettable film, that could have been so much better. Too bad the director was too interesting in making the action sequences look cool, and forgot to develop a story.

  • Almost legendary: watch out...possible spoilers

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    I Am Legend  (2007)

    First off, I didn't come out of the theater wanting my money back; that's for sure. If you go in, wanting an action thrill ride that will make you jump, scream, laugh, and possibly even cry then go see this movie. But that's all this turns out to be, is a big hollywood movie. There are so many great set ups in this film, without many great payoffs. I think this is one of the only times that I will say that I wished a hollywood blockbuster was longer. This film could have used about 20-30 more minutes of character and environmental development, of the other players that come into his world,  even of exposition of what in fact these vampire/zombie/infected human things were, and what the rules of that world were. The pacing breaks into a full sprint in the third act, that gives an inconsistency to the rest of the film. Most films would do better completely using subtext and making arguments for their characters based on preexisting knowledge. But I continually wished this film would give me more answers to my questions (aka: How can these things jump 20 feet in the air and rip holes through ceilings with their bare hands, but can't break out of leather bindings?), rather than trying to give me more reason to feel for Will Smiths character.

  • A Serious Look at a Simple Story

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    This is a great period piece about a time in our nation's history where people where driven by fear, and how others took advantage of that and some defended what it really means to be free. The acting is so subtle it feels incredibly real and the direction of the film is careful and thoughtful. The story itself never picks up pace, so the compelling story sometimes trudges along, when it never should. And the glossy black and white turns out to be an act in style rather than making it feel authentic. But with all the risky decisions, this film is a power house that's worth it.

  • This baby is here to stay

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    Gone Baby Gone  (2007)

    First off, I would like to say that in the "The Director would like to thank" credits of this film Terrence Mallick is thanked, proceeding directly to Jerry Bruckheimer....I never thought I'd see those two names together. :-)

    But to more important things...This film astounded me. It is in the realm of Mystic River. It is a crime drama that actually questions what the true meaning of the crime is, and how human nature reacts. Except with this film it is just as enough of the audience reacting as it is the characters reacting to their surroundings. The story plays out beautifully. The acting is wonderful. And the director, no matter how self-conscious, never is self indulgent and serves the story so well, that not only every scene has purpose, but even every single shot helps foward the story. It is so well thought out, however, that it moves away from brilliance to more of a great example of the act of filmmaking. Casey Affleck deserves an Oscar for this, and older brother Ben at least deserves a nod. I think he finally found he belongs behind the camera instead of in front of it, and I would have to agree. 

    All this being said, this film is one of the best of the year. It's real, it's gritty, it's provacative, and it hands you such a powerful story that you are forced to look inside yourself and figure out why you wanted the things that normally happen in these types of films to happen here, and why it's so important to question that. 


  • Ocean's 11 +2

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    Ocean's Thirteen  (2007)

    There is a moment in this movie where George Clooney is talking to a man at a bar. I found myself more interested in the couple that was sitting next to them having a conversation. This is because I already knew everything that was going to be said. I can't say that I was surprised by this, but I did think that the director of "Sex Lies & Videotape" and "Traffic" would be more original than remaking his own film with barely a change in motive. Because of this, the script suffers, and the pacing is completely thrown out the window. The great thing about '01's  "Oceans 11" is that it runs so smoothly, you feel you can take it all in and just enjoy it. But this film, which is still full of suave and snappy one-liners and funny moments, feels hurdled together under a foggy vision. It is better executed than "Ocean's 12" (which isn't really saying much) but still falls under the classic sequal pitfalls of trying to photocopy the original film, instead of standing alone. With all this said, the all star cast is still able to create quite a charasmatic punch of entertainment, but you won't be blown away by how they pulled off stealing all this cash, but you may be stupified at how they got yours. I know I was.

  • Incredibly honest

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    Breach  (2007)

    I thought this film was a great adaptation of a true story. With a political suspense movie, I expected another cliche around every corner, but the film held my suspense, and the payoff was something worth watching. Chris Cooper gives an amazing performance, as well as Laura Linney. Ryan Phillippe, who I usually disslike as an actor, was perfectly cast in this role. 

    The traitor in this film, played by Chris Cooper, is such a complex character for an antagonist. The film really gives him a human element that continually makes you feel sorry for him, and sometimes even look up to him. Which makes you feel torn at the end, but with such satisfaction. 

    The film does lack in color and style, which makes it drag sometimes. And Billy Ray's directing leaves something to be desired. But, it demands respect, in that; it is not just another hollywood political movie, but rather it tells a fascinating story.

 

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